When I left the Patrick Hughes-directed The Hitman’s Bodyguard (2017), the first thought I had was “Looney Tunes.” The way in which the narrative exploits the chemistry between its leads, Ryan Reynolds (Waiting…) and Samuel L. Jackson (Formula 51), the… Read More ›
Continuing our discussion of the top six categories, The Cine-Men co-hosts Darryl Mansel and myself dig into the Actor in a Leading Role, Best Director, and Best Picture nominees. As usual, Darryl and I pull no punches as we dissect… Read More ›
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films who are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Director David Fincher brings to life a script originally written by his father, Jack. Mank explores the Oscar-winning writer of Citizen Kane, Herman Jacob Mankiewicz. In this Netflix film, we examine the vices, self-destructive behavior and uncanny ability of this alcoholic… Read More ›
Looney tunes. That’s right, looney tunes. It’s the first thing you’ll think of with this live-action Wile E. Coyote homage. It’s mostly guns and explosions but possesses just the right amount of heart to assist the quiet moments and move… Read More ›
Many look up at the night sky and see boundless wonder waiting to be explored. In the vastness, there’s hope to find something greater than ourselves and what we know. For the few that have broken the bonds of gravity… Read More ›
Yesterday, /Film released an article from their staff titled 15 Things That Bothered Us About ‘The Dark Knight Rises’. Normally, I wouldn’t care, but I felt like their issues weren’t as problematic as they believed. If you consider the Nolan… Read More ›