Whatever happened to wonder in films? Whatever happened to the sweeping scores layered over long, grand shots of adventure and peril? Why does everything feel so commercialized and insincere nowadays? I feel like whenever big blockbusters make you feel something,… Read More ›
film festival
If you want a Prestige Picture, look elsewhere. If you’re in the mood for some fun, then it’s hail to “The King.” [Film Fest 919]
The idea of another prestige period drama is almost physically exhausting to my body at this point. Hell, The King isn’t even the first prestige period drama for Netflix in the last year, with David Mackenzie’s admirable, but not heavy-hitting,… Read More ›
“Honey Boy” is both brave and admirable, even if hard to reconcile. [Film Fest 919]
The world is a cruel place, and we are a cruel people within it. We love to put others down for the sake of making our own selves feel better, and we’ve all done it at some point or another…. Read More ›
“The Report” has all the makings of a bombshell political drama without the pizzazz or flare. [Film Fest 919]
There’s an argument today that everything is hyper-politicized, from our news to our movies to the signs lining the freeway during our daily commute. It’s a hard thing to escape and being exposed constantly to it can rightfully feel exhausting…. Read More ›
Fabulous performances and beautiful aesthetics aren’t enough for “Sorry We Missed You.” [Film Fest 919]
In a new world where mega-corporations run the world and are bigger than ever before, it’s becoming harder to levy legitimate criticism towards these parables of late-stage capitalism because…well…these corporations also own distribution companies. Amazon has its own Amazon Studios… Read More ›
“Waves” is an utterly transportive experience as it presents the ups and downs of pure love. [Film Fest 919]
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
Craig Brewer’s “Dolemite is My Name” is an absolute joy from beginning to end. [Film Fest 919]
Everyone loves a good comeback story. Everyone cheered when Rudy made that touchdown at the end of Rudy, everyone loves Robert Downey Jr.’s comeback in the Marvel Cinematic Universe, and today, we get to celebrate not only one, but two,… Read More ›
Pedro Almodóvar’s “Pain and Glory (Dolor y gloria)” is a quiet, intimate, and retrospective piece. [Film Fest 919]
There are certain filmmakers who simply embody the essence of what their country, culture, and style are at their core; that the sheer mention of their name conjures a body of work worthy of showing off as the crème de… Read More ›
Taika Waititi’s period comedy “Jojo Rabbit” lacks the bite satire requires. [Film Fest 919]
It used to be that everyone agreed that the Nazis were bad. It was one of the world’s universal truths, but unfortunately, because everything today has to be terrible and awful at all times, we’ve re-entered the age of neo-Nazism… Read More ›
Fernando Meirelles’s “The Two Popes” explores the push-pull involved in church reformation via the conversation of two old men. [Film Fest 919]
In another life, I swear I’d be Catholic. Of course, I’m too much of a dirty sodomite to get away with it in this life, but something about the sheer pageantry of it all feels more like drag than RuPaul’s… Read More ›
James Mangold’s “Ford v Ferrari” exudes cool, placing his undeniable stamp on the car film genre. [Film Fest 919]
Despite my aversion to the complexity of the vroom-vroom-crashy-crashy machines called “cars” today, there was once a time I was obsessed with automobiles. I had every Matchbox car under the sun and, as a three-year-old, I could talk a car… Read More ›
“Motherless Brooklyn” possesses a strong statement on gentrification, which is mired by cliché noir tropes and bland filmmaking. [Film Fest 919]
Being from Durham, North Carolina, I have seen a lot of changes happen in my city over the last few years. Durham kept a large, mostly black, working-class population due to the employment of so many citizens at the tobacco… Read More ›
“Portrait of a Lady on Fire (Portrait de la jeune fille en feu)” is unlike anything else released in 2019. [Film Fest 919]
I love lesbian romance movies. Please, hear me out before you think I’m a total sleaze. As a gay man, there’s no “entry point” for me in queer love stories involving two women. I am taken out of contention to… Read More ›
“Bacurau” is a unique experience hurt by total tonal inconsistency. [Film Fest 919]
Let’s spare the fluff. Out of the gate, it’s hard to describe Bacurau in a concise manner. It’s many things working in tandem to create something of a hybrid that the world has never seen before. A ton of filmmaking… Read More ›
Chinonye Chukwu’s “Clemency” forges a trail through the pale abyss of state-sponsored executions from the damning and the damned. [Film Fest 919]
The death penalty is currently one of the most densely nuanced topics in American society, an issue that presents both moral, economical and judicial stakes that present a bevy of arguments from a range of viewpoints across a vast spectrum…. Read More ›
Six Must-See Films at the 2019 DC Black Film Festival
The DC Black Film Festival returns on Thursday, August 15th, 2019 when it kicks-off with a screening of Solace at The Miracle Theatre. Over the course of its three-day run, the DC BFF will host viewings of features and documentaries short and… Read More ›
Writer/director Sarah Pirozek’s teenage noir “#Like” pulses with the energy of a ‘70s thriller. [Brooklyn Film Festival]
There’s a constant argument between generations about who had it worse vs. who had it better. The “always on” digital generation may scoff at the concept of their predecessors’ reliance on books for information, while the analog generation derides their… Read More ›
After every “Storm” comes a chance at a new beginning. [Tribeca Film Festival]
There’s a notion that bigger is always better. Creators of short films disprove this notion every day. The latest is Storm by writer/director Will Kindrick, currently screening in the short program section “Down to Earth” in 2019’s Tribeca Film Festival…. Read More ›
Short film “The Shipment” is an absolute labor of love. [Tribeca Film Festival]
The fact that this film was created is a notable achievement in itself. Director Bobby Bala made remarkable sacrifices of time, energy, and financial stability to even make the science fiction short, The Shipment, a reality. Fittingly, the story itself… Read More ›
Six Must-See Films at the 2018 DC Black Film Festival.
The DC Black Film Festival returns on Thursday, August 16, 2018, with a kick-off event at the Capitol Hill Hotel before the film screenings begin at The Miracle Theatre. Over the course of its three-day run, the DC BFF will… Read More ›