We’re only slightly over a month into 2026 and it has already been a *rough* year for video game adaptations. First we had Return to Silent Hill, which our very own EoM Senior Critic Hunter Heilman, fan of the franchise,… Read More ›
Epic Pictures
“Satanic Hispanics” on Blu-ray falls short as an anthology.
No one who is involved in making movies goes out of their way to make anything less than spectacular. This does not mean every movie is going to be gold, nor does it mean every movie is going to be… Read More ›
Takeish Kushida’s “Woman of the Photographs” explores the warped nature of self perspectives.
Whenever I see a film that is on a subject that I know is controversial, I try to place myself in at least the headspace of the main character (when able to) to see if I can connect and resonate… Read More ›
“Dark Nature” contains big ideas that are underserved by putting most of its secrets up front. [Fantasia International Film Festival]
Folklore is easily the earliest form of storytelling we have. Some folklore is intended to serve as lessons in morality or ethics, designed to push a people into certain behaviors, while others are merely stories passed down through the generations… Read More ›
Unconventional and super trippy, “The Wave” is an unexpected time travel comedy.
Time travel movies are, honestly, very hit and miss. Granted, there are exceptions (i.e., Terminator or Back to the Future), but time travel seems to get a bad rap, and for good reasons, because it could be considered Hollywood’s way… Read More ›
Ambitious sci-fi thriller “The Fare” is now available on home video.
From director D.C. Hamilton and screenwriter Brinna Kelly, The Fare is a film that almost defies categorization. At times, if feels like a science-fiction mystery, with shocking and striking narrative shifts. At other points, it appears as a romantic dramedy,… Read More ›
“Artik” is gritty, over the top, and available on home video now.
When it comes to horror films, serial killer horror is often the easiest entry into the genre. With a decent prosthetics team and some creativity, a good horror film can be made on the cheap with some pretty chilling effects… Read More ›
Quiet and bold, “The Man Who Killed Hitler and Then the Bigfoot” ruminates on heroism and the consequences of actions.
When you hear a title like The Man Who Killed Hitler and Then the Bigfoot, you’re likely to imagine some kind of grindhouse-esque action thriller filled with gun fights, explosions, and absurd badassery, something, perhaps, akin to Iron Sky, a… Read More ›