Third places are an important part of any community. They provide individuals, young and old, a place to congregate outside of home and work/school, to relax with various kinds of leisure activities. For the Ontario, Canada, community, this includes Ontario… Read More ›
English
“Sister Midnight” loses itself amidst a glut of messaging and genre-bending. [BUFF]
Writer/director Karan Kandhari (Bye Bye Miss Goodnight) presents audiences with Sister Midnight, a dark comedy (slightly akin to Nightbitch (2024) while also being incredibly different) about the situations that arise from arranged marriages and what happens when you’re just not… Read More ›
Dramatic thriller “Honeymoon” examines the emotional erosion of war breeching a newly marital home. [SFFILM]
Zhanna Ozirna’s Honeymoon (Медовий місяць) is a film that speaks directly to our moment in history, an intimate yet shattering portrait of love under siege. Evocative of Raymond Briggs’s When the Wind Blows (1986), it shares that film’s power in… Read More ›
“Mongrels” explores the complexities of a transplanted family in a strong feature-debut by Jerome Yoo. [ATLFF]
What does it mean to be happy? The answer changes depending on who you ask, what mood they’re in, where they live, what their own experiences/philosophies are, and more. If you live in a capitalist society, happiness is based on… Read More ›
“The Trouble with Jessica” is a dark comedy of errors.
The Trouble with Jessica is a minimalist comedy of errors that thrives on its sharp dialogue, taut tension, and an outstanding ensemble cast. With an intriguing premise and a blend of dark humor and suspense, the film keeps you on… Read More ›
A Conversation with “Zero” filmmaker Jean Luc Herbulot and actors Hus Miller and Cam McHarg.
In this interview for EoM Presents, Senior Interviewer Thomas Manning talks with the cast and crew of the new film Zero, including writer and director Jean Luc Herbulot, actor, writer, and producer Hus Miller, and actor Cam McHarg. This geo-political… Read More ›
Capsule Review: R.T. Thorne’s “40 Acres.” [The Overlook Film Festival]
R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
Capsule Review: Karan Kandhari’s horror dramedy “Sister Midnight.” [BUFF]
Overall, Sister Midnight swings for the absolute fences which is bold and refreshing to see when it has a cast that supports it, but if the effort ends at the cast’s execution, it can become tiresome and messy. Kandhari throws… Read More ›
Gerard Johnson’s “Odyssey” is a narrative thriller about misogyny and the real estate markets. [SXSW]
“Men are so quick to blame the gods: they say that we devise their misery. But they themselves- in their depravity- design grief greater than the griefs that fate assigns.” ― Homer, The Odyssey Pulling ones’ self up by bootstraps… Read More ›
Marianne Jean-Baptiste delivers a masterclass performance in Mike Leigh’s somber slice-of-life dramedy “Hard Truths.”
“I don’t understand you. But I love you.” These are key words said towards the climax of Mike Leigh’s Hard Truths, a somber slice-of-life film about two disparate sisters in a Black British family. Mike Leigh, a veteran indie darling… Read More ›
Criterion’s 4K edition of “Cronos” offers nothing new past the restoration.
If anyone knows me, then you know I champion Criterion and their releases. They’re usually some of the best of the best, bar none to any other release in terms of quality of release (and quality control) and features. While… Read More ›
Dark comedy “Timestalker” deconstructs tropes of love and romance.
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
Oscar-nominated documentary “No Other Land” deserves your attention and a distributor.
Content Warning for descriptions, images, and reporting on violent scenes of oppression, police brutality, and genocide. There are special movies, and then there are films that you’ll never forget. No Other Land, an on-the-ground account of a Palestinian West Bank… Read More ›
“Eternal You” explores the promise of extending one’s lifespan through digital transitions.
Once something to be imagined in your favorite sci-fi tale, artificial intelligence (A.I.) is now being forced into everything from your smartphone to your toaster. Instead of being used to expand human consciousness through exploratory play like Star Trek: The… Read More ›
Pedro Almodóvar’s first English language film, “The Room Next Door,” is an ode to a life lived and what comes next.
As painful as it can be for everyone involved, death is inevitable. You might be able to delay its arrival, but ultimately, death comes for all of us, and we will all leave someone behind to grieve our passing. Grieving… Read More ›
Johannes Grezfurthner’s latest body horror “Solvent” dissolves its cast and audience on several levels.
When it comes to horror, most modern audiences jump to places like Blumhouse with Paranormal Activity (2009) and Happy Death Day (2017), A24 with It Comes at Night (2017) and Talk to Me (2023), or even Lionsgate with Frailty (2001)… Read More ›
“The Beast” appears … on shelves thanks to Janus Contemporaries.
Janus Contemporaries’s newest unnumbered entry into the Criterion Collection is priced just right at $20.99. The Beast, the latest film from Bertrand Bonello (House of Tolerance; Saint Laurent), is a surreal tale starring two of the best actors working today,… Read More ›
The betrayal and revenge of “The Count of Monte Cristo” gets the Matthieu Delaporte and Alexandre De La Patellière treatment.
“He who seeks revenge digs two graves.” – Confucius In December 2023, director Martin Bourboulon’s The Three Musketeers – Part I: D’Artagnan released into U.S. theaters, kicking off a brand-new adaptation of author Alexandre Dumas’s classic novel. It currently remains… Read More ›
Aardman’s signature duo Wallace and Gromit return in family comedy “Vengeance Most Fowl.”
In the world of animation, most know names like Walt Disney, DreamWorks, Illumination, and Studio Ghibli. Either in hand-drawn or CG animation, they have created stories that move audiences by stirring their emotion. But there’re also studios like LAIKA and… Read More ›
“There Was, There Was Not” keeps the reality of a recently-gone homeland from fading into fairytale. [NOFF]
In our era of perpetual information, it’s nearly impossible to keep track of all the horrific embattlements going on across the world. The two most top of mind are the Russo-Ukrainian War and the Israel-Gaza War, but there’s also violence… Read More ›