In Episode 581 of Meet Me at the Movies, Thomas Manning sits down with breakout star Carlos Diehz, who portrays Cardinal Benítez in Edward Berger’s gripping drama Conclave. From the soul of his performance to the spiritual undercurrents of the… Read More ›
drama
“William Tell” translates the heroic myth into a by-the-numbers historical fiction.
Content Warning for implied sexual assault. In the subgenre of historical epics, there are those based on real events (Lawrence of Arabia (1962); Rob Roy (1995)) and those inspired by legend (Excalibur (1981); Robin Hood: Prince of Thieves (1991)). In… Read More ›
Capsule Review: R.T. Thorne’s “40 Acres.” [The Overlook Film Festival]
R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
Capsule Review: Karan Kandhari’s horror dramedy “Sister Midnight.” [BUFF]
Overall, Sister Midnight swings for the absolute fences which is bold and refreshing to see when it has a cast that supports it, but if the effort ends at the cast’s execution, it can become tiresome and messy. Kandhari throws… Read More ›
Anna Boden and Ryan Fleck’s “Freaky Tales” mythologizes the Oakland Bay area through a punk rock & hip-hop infused anthology.
Anthologies have a long history in storytelling as they gather seemingly disparate narratives into a singular collection. In cinema, the connection between the parts can remain thematic, leaving the stories individual (The Ballad of Buster Scruggs (2018)); may be through… Read More ›
GKIDS Films re-releases Mamoru Hosoda’s “Summer Wars” on home video as they kick off their Hosoda Collection coverage.
“This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you’ll only destroy yourself.” – Seven Samurai (1954) One never knows what their introduction to a filmmaker’s filmography will be. Someone could… Read More ›
“Bob Trevino Likes It” and audiences will love it.
Tracie Laymon may have arguably the year’s best feature debut. Her adapted from real life story, Bob Trevino Likes It, is masterfully crafted by its entire cast, bringing the film to emotional heights and devastating realizations, resulting in a movie… Read More ›
“A Complete Unknown” comes to home viewing like a rolling stone.
When we think of Bob Dylan, we often reflect on his profound impact on music, culture, and politics. Over the decades, he’s transcended the role of a mere musician, becoming a cultural icon whose voice and influence have defined multiple… Read More ›
Dark comedy creature feature “Mermaid” is an ode to Florida Man. [SXSW]
Perfect people make for boring stories. The outcomes are expected because there’s no drama, no challenge, no antagonist. Imperfect people, however, are not only more interesting, they’re more accessible. So much so that it doesn’t matter how shitty their behavior,… Read More ›
Revisit a terrific Gene Hackman performance with The Criterion Collection’s edition of “Night Moves.”
The New Hollywood movement (or “period”, depending on who you ask) was a defining moment in cinema where the film director was the “end-all/be-all” authority rather than the film studio. It’s a movement (generally from the mid-‘60s to early ‘80s)… Read More ›
Yana Alliata’s “Reeling” is less a family drama about memory and more a commentary on ableist society and their expectations. [SXSW]
Memory is a fragile thing. Between the limits of personal perspective, the preference of protecting one’s sense of self, and time, memories shift and change until they solidify in our minds in the version that best serves us. But what… Read More ›
A24 rewards “Babygirl” with very worthy features on its home release on Blu-ray and 4K UHD.
If you’re a fan of physical media (I mean who isn’t, and if you’re not, you’re not reading this) and you care about more than just *owning* a copy of the movie (you like the packaging, you like the extras,… Read More ›
“New Religion” gets the picture with Third Window Films release.
In Keishi Kondo’s 2022 directorial debut New Religion, communal memory and grief intertwine in photographs to illustrate a haunted post-COVID world. The surrealist Japanese art house thriller follows Kaho Seto (My Identity; Beyond the Blue) as Miyabi, a prostitute trying… Read More ›
Charlie Chaplin’s progressive romantic drama “A Woman of Paris” is his ninth title to enter The Criterion Collection.
Left to leave her hometown without her partner, a woman moves toward a major city center, finds herself a rich lover who allows her to enjoy the finer things in life, until two things occur requiring her to reconsider her… Read More ›
Meet cutes in the age of the apps: “Step Back, Doors Closing” adapts the 24-hour romance concept for a Gen Z audience. [OFF]
In the era of dating apps, many singles still fantasize about finding their forever partner in a Hollywood-worthy meet cute that they can recount to their grandchildren someday. While it’s a lot easier to secure a date for the evening… Read More ›
Documentary “Arrest the Midwife” chronicles the work of three midwives of New York and their targeted prosecution. [SXSW]
The things we do to women. For centuries, at least within Western societies, women are considered pillars of their communities while also being second-class (or lesser) citizens. Their rights to vote, to own property, to be more than their father’s… Read More ›
Ben Leonberg’s “Good Boy” takes the horror tropes you know and revitalizes them via a new context that’s unpredictable and terrifying. [SXSW]
Photosensitivity Warning: Good Boy involves several night time sequences that occur during a storm, resulting in a great deal of lightning flashes. Those with light sensitivities should take precautions before viewing. Every genre has their tropes, but very few play… Read More ›
Give yourself up to Julia Max’s family horror drama feature debut “The Surrender” and become open to hard truths. [SXSW]
“What has four legs, then two, and then three?” – The Riddle of the Sphynx. Despite the machinations and designs of the rich, egocentric, and vain, each human life is finite and is designed as such. We can expand life… Read More ›
Narrative hybrid “Brother Verses Brother” is a life-affirming, soul-crushing, musical journey that reminds us how art can save our lives. [SXSW]
“Art can save your life … Entertainment will never be your salvation … .” – Comedian Josh Jackson. In 2020, as COVID-19 resulted in lockdowns around the world, twin siblings Ari and Ethan Gold began corresponding with their father, Herbert,… Read More ›
The McManus Brothers’s “Redux Redux” explores grief as an ouroboros through a multiversal sci-fi thriller. [SXSW]
There was a time when the concept of a multiverse was left to modern philosophy and creative writing as the idea of worlds on top of worlds separated by frequency, many like our own except for the tiniest of differences,… Read More ›