Depending on who you talk to, there have either been not enough movies out to see this year or too few. Even without standard theaters being active, there’re still drive-ins, broadcast, and streaming options, many of which the studios have… Read More ›
Imagine, for a moment, that you were forced into an extended confinement. Are you lonely or relieved? Now, instead of being on your own, you were given company. Do you feel more comfortable or more anxious? Finally, what if the… Read More ›
There’s been a strange trend of late where, one after the other, the films reviewed on EoM are trending toward satire. Additionally, each one has or will court some kind of controversy by premise alone and nothing else. A few… Read More ›
Personally speaking, I don’t really think the concept of a “cult film” resounds in the same way today as it did pre-social media. Everyone’s tastes and needs are attended to so astutely by viral start-up studios and filmmakers shooting entire… Read More ›
Every day the world becomes more divided than united because of collective forgetfulness. On the one side is the Radical Left seeking free healthcare for everyone, diversity, and pushing toward growth from past mistakes via responsible acknowledgement. On the other… Read More ›
In the art of filmmaking, short films aren’t the films you make for widespread acclaim and global distribution, but rather for the cinephiles and short-form entertainment enthusiasts that might just have the pull to get your foot in the door… Read More ›
In the middle of shooting a zombie film, the cast and crew find themselves fighting off an actual zombie attack. This is the premise for the 2017 release One Cut of the Dead from director Shin’ichirô Ueda adapted from the… Read More ›
Released on VOD and digital April 2020, horror-comedy We Summon the Darkness is making its way to home video and is coming straight for your living rooms. Directed by Marc Meyers (My Friend Dahmer) from a script by Alan Trezza… Read More ›
Bruce McDonald isn’t a director that a lot of people are going to be familiar with. Sure, he has credits to his name, but nothing that the average filmgoer will be able to recognize. However, the most famous movie in… Read More ›
In recent memory, there are few films that have made me quite as angry as Mirrah Foulkes’s feature-length directorial debut Judy & Punch. Debuting at Sundance in 2019 before a long theatrical release, the film itself is a brilliant dark… Read More ›
In times of great stress like these, it’s important to remember what gets us through: art. Art, of course, can be anything from clothes, food, movies, projects, music, and more. They are the things which bring us joy and help… Read More ›
When it comes to films that are “inspired by” or “based on” an actual story, there’s a persistent battle between reviewing the film in front of me and the truth. It’s something which Darryl Mansel, The Cine-Men co-host, and I… Read More ›
Despite things being as they are in 2020, actors Kumail Nanjiani and Issa Rae are having a really solid year. Rae’s The Photograph is an engrossing story focused on a mature love, while her HBO program, Insecure, is all over… Read More ›
There’s an authenticity that radiates outward from every frame of writer/director Stella Meghie’s The Photograph. One thing that keeps being repeated in each of the three brief featurettes included with the home release of The Photograph is the simplicity of… Read More ›
From Rebel Without a Cause (1955) to The Breakfast Club (1985) to Lady Bird (2017), each generation has its special coming-of-age films that it can claim as its own. These are the movies grounded in a cultural milieu that take… Read More ›
For her first feature script, Joanne Sarazen (I Came Here Alone) nails the endless pain and difficulty of a parental toxic relationship: the way the parent, an incubus born of weaponized love, cycles through terrible behavior after terrible behavior, pulling… Read More ›
A Word of Warning: This home release review is going to get a little personal. If you want to know about the film without all the excess, jump to the spoiler-free theatrical review. The whole reason I love movies as… Read More ›
When it comes to provocative storytelling, there really is no one else like writer/director Spike Lee. More than any modern artist, Lee minces no words with his films, cutting straight through the bullshit each and every time. In his 2015… Read More ›
Throughout years of film criticism, it has become cliché to say that a film “defies categorization” in reference to genre. Many times, the greatest films of this nature find a way to weave together distinct tones and elements from a… Read More ›
The Slamdance Film Festival, which runs at the same time and in the same city as the more widely known Sundance Film Festival, gives new and aspiring filmmakers the chance to showcase their work in front of other industry professionals…. Read More ›