When collections get released, the age-old question for collectors comes down to whether you get the box set or go for singular individual releases? This beautiful collection from Warner Archive brings forth some of the best of the best from… Read More ›
Making a movie that is geared to children but still appeases the parents and the adults who are curious about the film is always a dangerous balance to achieve with the high risk of becoming too adult that it’s no… Read More ›
When not compared against the bountifulness of time, 100 years is a long time. Within the last 100, three generations of Davidsons followed the arrival of my grandfather. We have fought in two world wars (nearly crossed the line into… Read More ›
Running from March 1st – 14th at Film Forum NYC, a 25-film Japanese Horror festival gives New Yorkers the chance to see Nobuhiko Obayashi’s (The Little Girl Who Conquered Time; His Motorbike, Her Island) House (1977). This Japanese blockbuster was… Read More ›
Sports films come in a variety of competitive forms including boxing, hockey, football, bobsled racing, and chess. With each one, the goal is the same: winning. But some of the great tales of competition don’t have winners, they have people… Read More ›
Back in October 2023, Well Go USA released director/co-writer Kim Seong-sik’s action/adventure fantasy thriller Dr. Cheon and the Lost Talisman (천박사 퇴마 연구소: 설경의 비밀) into theaters. Given the influx of theatrical and streaming releases in October, it’s fair to… Read More ›
Warner Bros. Pictures released three films at the end of 2023: two musicals (one a prequel and one an adaptation of a Broadway show adapting a film version of a book) and one superhero story. Though WB did advertise the… Read More ›
A war photographer, a stewardess, and a chance meeting set the stage for an 87-minute technicolor adventure of crime, mystery, and romance in director Yasuharu Hasebe’s (Retaliation) 1966 caper Black Tight Killers (俺にさわると危ないぜ). The first of several collaborations with lead… Read More ›
Earlier this winter I embarked on a project of finishing all of the excessively thorough special features on my David Fincher movies, The Social Network (2010), The Curious Case of Benjamin Button (2008), Gone Girl (2014), etc.. Hearing artists of… Read More ›
If you’re not familiar with Japanese theatrical troupe Europe Kikaku, they are the talent behind 2021’s lo-fi sci-fi comedy Beyond the Infinite Two Minutes and 2023’s lo-fi sci-fi rom-com River. Both directed by Junta Yamaguchi and written by Makoto Ueda,… Read More ›
There are few actors who can seamlessly blend into any genre so that when they pop up in a movie, there’s no disruption the flow of the film. Comedy, action, drama, horror, satire — he appears and your first thought… Read More ›
City Lights. Metropolis. Hundreds of Beavers. From 1894 to 1931, the earliest period of moving periods is known as the Silent Era. These films, made with celluloid and glass (to help simulate color), make up a significant portion of our… Read More ›
Before there was The Mandalorian (2019-??), Andor (2022), The Book of Boba Fett (2021), or Ashoka (2023), before there was either a Prequel or Sequel Trilogy, there was only Star Wars (1977), The Empire Strikes Back (1980), and Return of… Read More ›
“Sugar. Butter. Flour.” These are the first words we hear in Waitress, The Musical, the Diane Paulus-directed (Cirque du Soleil: Amaluna) stage production that adapts the 2007 Adrienne Shelly-written/directed/starred romantic comedy non-musical Waitress. These three words signify the start of… Read More ›
“Being brave doesn’t mean not being afraid. It’s being afraid and doing it anyway.” In our house, we don’t tell people not to be afraid of things. We talk about how it’s natural and that humanity has survived for generations… Read More ›
Writer and first-time feature director Leah McKendrick (Pamela & Ivy) taps into the millennial’s primal fear of being alone in her debut feature, Scrambled. When 30-something Nellie (Leah McKendrick) is sick of being an eternal bridesmaid, she goes on an… Read More ›
Director Matthew Vaughn revitalized the spy-genre with the Kingsman franchise. Those films offered a different take on the typical James Bond-esque espionage story. The films were more brutal and bloody, reinvigorating the genre for audiences. After three Kingsman films, Vaughn… Read More ›
If you were a kid in the ‘90s, you likely watched MTV and remember some of its original programming like Beavis and Butt-head (1993-1998), Total Request Live (1998-2008), and The Real World (1992-2008). Those are merely three of the *many*… Read More ›
“Best Day of My Life!” When asked how he’s doing by friends, colleagues in the comedy realm, passengers in his latest pick-up, and everyone in between, Rasheed Stephens (himself) replies with the same answer: “Best day of my life.” It’s… Read More ›
EoM Senior Interviewer Thomas Manning recently spoke with some of the team behind the documentary I’m ‘George Lucas’: A Connor Ratliff Story, which premiered at the 2024 Slamdance Film Festival. Director Ryan Jacobi and producer Patrick Cotnoir discuss their doc’s… Read More ›