Since its publication in 1883, Italian author Carlo Collodi’s The Adventures of Pinocchio has been adapted on paper and for stage and screen many times. The most well-known, of course, being the 1940 Walt Disney animated adaptation. It’s a story… Read More ›
Own the final issue of “The French Dispatch” on home video.
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
Daniel Craig’s Era as James Bond comes to a satisfying conclusion in “No Time To Die.”
Allow me, first, to share a memory: November 2006. EoM editor Crystal Davidson and I journeyed to the Magic Johnson Capital Center 12 to see the latest James Bond film, Casino Royale. I was fan of the films (had even… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
Documentary “QT8: The First Eight” sparkles with the same energy as its subject.
When any person remotely familiar with the art of filmmaking hears the name “Quentin Tarantino,” there are a number of ideas that might come to mind. Whether it is the unparalleled mastery of explicit dialogue, the bizarre concentration on highly… Read More ›
While not perfect, “Alita: Battle Angel” still warrants the expense of an IMAX and/or 3D viewing.
Adaptations from novel to film are notoriously difficult to pull off, with the chances of success dwindling when the adaptation includes a jump from one culture to another, often because the cultural elements of the source material are intrinsic to… Read More ›