R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
Canada
“Frankie Freako” has come to party at your place in Shout! Studios’s home release.
Frankie Freako and his freaks are ready to dominate your television sets, so don’t adjust the motion smoothing (actually turn it right off), kick your feet up and get ready to get lost in this absolute maddening blast-from-the-past nostalgia kick… Read More ›
Filmmakers Van Tran Nguyen and Alex Derwick bring audiences “The Motherload” of emotionally heartfelt and biting satire. [NOFF]
Sometimes the best way to get an audience to consider something, to battle with the way they perceive or process something, is to give it to them wrapped in something else. In the parlance of the 2024 action rom-com The… Read More ›
David Cronenberg’s “The Shrouds” is an ambitious personal project from a master of body horror that crumples under confusing messaging. [TIFF]
When we think of directors who are famous for what they’ve done in a specific genre, it’s weird to see a movie from them that is so enriched by their personal life and feels like an incredibly personable film. That… Read More ›
Steven Kostanski delivers another ‘80s-set comedy horror in “Frankie Freako.”
From the director of “The Veggie Masher” from V/H/S/94 (2021), Canadian sci-fi horror The Void (2016), and one of the best campy monster movies, PG: Psycho Goreman (2020), comes a movie that feels directly ripped out of the 1980s in… Read More ›
Sci-fi romance “You Are Not Alone” is a unique study of characters, alienation, redemption, and hope. [TIFF]
Science fiction comes in a variety of subgenres and the first feature from Philippe Lupien and Marie-Hélène Viens breaks into the subgenre of science fiction romance, creating an other-worldly experience for the audience. While the end result may be something… Read More ›
José Lourenço’s feature debut “Young Werther” will charm most audiences, rom-com or otherwise. [TIFF]
It is not an unfair statement to say that I am fond of the romantic comedy genre; it hits a sweet spot for my personal taste and certainly can be charming and enjoyable even if it is far-fetched and schlocky…. Read More ›
Drama “Really Happy Someday” captures how the process of becoming your true self is far from linear. [TIFF]
Having been a fan of musical theatre practically my entire life, I can only assume the trepidations, hardships, and sheer determination and power one needs to go through being a live performer and dealing with the day-to-day challenges. There is… Read More ›
Actor Kaniehtiio Horn establishes herself as a fierce writer and director in her debut feature “Seeds.” [TIFF]
Directing and writing your first feature is certainly a daunting task, but to also star in the vehicle, making yourself a triple threat, is certainly a large task. However, Kaniehtiio Horn (Possessor; Alice, Darling) not only decides to grab that… Read More ›
All the leverage in action comedy “Kidnapping Inc.” is in the performances of the cast. [Fantasia International Film Festival]
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
Documentarian Chelsea McMullan uncovers a beautifully human story in “Swan Song.”
In the first half of 2022, the dancers and staff at the National Ballet of Canada were pouring themselves into rehearsals for a historic opening: a new production of the iconic Swan Lake directed by ballet legend Karen Kain. This… Read More ›
Romantic mystery “Darkest Miriam” may leave stones unturned but captivates with Britt Lower’s performance. [Tribeca Film Festival]
The first thing that I learned about Naomi Jaye’s (The Pin) newest feature, Darkest Miriam, was that it was executive produced by Charlie Kaufman (I’m thinking of ending things), and that automatically adds a level of intrigue and suspense to… Read More ›
You’ll like the movie “I Like Movies” quite a lot.
“I like movies” is not just something I tell people at parties, it’s also the title of Chandler Levack’s debut feature film. If you’re someone who reads pieces like this review, this is a film with something to say about… Read More ›
“Red Rooms” takes audiences on a frightfully intense rollercoaster of court proceedings. [The Overlook Film Festival]
There are movies that focus on courtroom procedurals and the drama that comes from the hearing itself that either are so effective they’re traumatizing or so dull they entirely lose the audience. Pascal Plante’s Red Rooms (Les chambres rouges) thankfully… Read More ›
Ariane Louis-Seize’s “Humanist Vampire Seeking Consenting Suicidal Person” blends melancholic drama and teenage angst in an exploration of the human condition through a vampiric lens. [The Overlook Film Festival]
Photosensitivity Warning: In several key sequences, flickering lights are used to convey enhanced emotions which may prove problematic for sensitive viewers. In undergrad at UNC at Asheville, during a lower-level English course, Bram Stoker’s Dracula was read and discussed as… Read More ›
Director Raymond St-Jean tackles the story of Canadian hitman Donald Lavoie in “Dusk for a Hitman (Crépuscule pour un tueur).”
Real life is often fodder for storytelling. Typically, one will take an experience or emotion and transcribe that into something unique. However, fiction isn’t always as compelling as reality, which is why we get stories like Dumb Money (2023) detailing… Read More ›
Documentary “The Movie Man” deftly reminds that filmgoing is a social experience that requires social responsibility to maintain. [SBIFF]
Though the first moving pictures were shown in the 1800s and began as a sideshow, they transformed into a main event with the advent of the movie theater. No longer having to go into a tent or side space, people… Read More ›
Wrestling doc “The Death Tour” is more than about heels, faces, or even the pop – but why the audience matters. [Slamdance Film Festival]
In the United States, names like World Wrestling Entertainment (WWE), World Championship Wrestling (WCW), Assault Championship Wrestling (ACW), and All Elite Wrestling (AEW) may come to mind when bringing up sports entertainment. But wrestling isn’t a U.S.-based sport, with countries… Read More ›
Filmmaker Jules Arita Koostachin offers optimistic resistance while exploring generational trauma caused by religious violence in her documentary “WaaPaKe (Tomorrow).” [imagineNATIVE]
In May of 2021, news broke worldwide of a discovery in Canada of a mass grave containing the bodies of 215 Indigenous children. This would be shocking to many, the idea that schools created by the Canadian government would so… Read More ›
David Cronenberg’s “Videodrome” gets a fresh 4K UHD edition via The Criterion Collection.
Before diving into one of October’s 4K Criterion releases, I want to acknowledge that this is not a never-before-seen 4K as Arrow in the UK has released Videodrome previously. Now, I do not know, with any form of certainty, if… Read More ›