Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
Canada
Maya Annik Bedward’s “Black Zombie” is a strong piece in the restoration of dignity to Black and Vodou cultures criminalized by media representation. [SXSW]
Zombies are everywhere. They’re on your television set, in your movie theaters, in your comics, in your novels, in your video games, and, yes, even in Minecraft nerdcore tunes. Why? What’s the obsession with zombies and where did they come… Read More ›
“Steal Away” with actors Mallori Johnson and Angourie Rice. [TIFF]
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
Avalon Fast’s coming-of-age tale “CAMP” is either a lucid dream or a waking nightmare. [Fantastic Fest]
“We are the weirdos, mister.” – Nancy (Fairuza Balk) in The Craft (1996) These five lines are iconic for a number of reasons, many of them quite personal to the individuals who recall and restate them nearly 30 years later;… Read More ›
Chandler Levack’s “Mile End Kicks” tangles with the struggles of early adulthood against the Montreal grunge scene of the 2010s. [TIFF]
Chandler Levack (I Like Movies) is back with her sophomore feature and Mile End Kicks makes one wonder what horrible tragedies and injustices Chandler went through herself or if there are a lot of creative liberties being taken in her… Read More ›
Sean Cisterna’s “Silver Screamers” is a charming, warm-hug of a film that highlights how we all have something to give back to our community. [Fantastic Fest]
There’s a school of thought that implies a person’s value only exists if they are a productive member of society. This, of course, correlates one’s existence to what they can produce versus what they can contribute, which are two drastically… Read More ›
Filmmakers Dusty Mancinelli and Madeleine Sims-Fewer invite audiences to experience psychotic drama “Honey Bunch.” [TIFF]
Writers and directors Dusty Mancinelli and Madeline Sims-Fewer are back with another movie entrenched in trauma and decision-making. After their last outing, Violation (2020), which is a much more difficult watch content-wise, they deliver Honey Bunch which focuses on the… Read More ›
Gail Maurice, Dana Solomon, and Derica Lafrance make their marks with “Blood Lines.” [TIFF]
Family dramas are always difficult subjects and can either be rewarding or miss the mark entirely. Thankfully, Gail Maurice (Rosie) pulls off quadruple duty as writer, director, producer, and actor well, and leads Dana Solomon and Derica Lafrance (in their… Read More ›
Make it weird, make it big, make it bloody – make it “Deathstalker.” [Fantastic Fest]
Photosensitivity Warning: There is a brief flashback sequence near the start of the film and a longer sequence during the climax wherein lights flash quite frequently. There’s no strobing and it’s somewhat predictable, but may still be triggering for photosensitive… Read More ›
“Buffet Infinity” is the full experience, pulling you in with curiosity and excitement and leaving you feeling over-stuffed. [Fantasia]
Trigger Warning: Viewers with audiovisual sensitivities may find elements of the film disconcerting or triggering due to various auditory elements. If you’ve seen some of the more recent V/H/S anthology movies, then you know their stories focus around a central… Read More ›
Comedic short “Shrimp Fried Rice” may not contain shrimp (it totally does). [Fantasia]
Sometimes filmed content needs 90+ minutes to tell its story effectively. Other times, it needs less. It all depends on the story that is being told, the ability of the actors in the project to convey the story in the… Read More ›
The horror of R.T. Thorne’s alt-universe “40 Acres” is planted firmly in our past and present. [The Overlook Film Festival]
The longer one is alive, the more one learns about history, the more timeline events feel like traveling in a circle, rather than in a flat line. Communities build up, empires rise, blights come, and, eventually, the empires fall. The… Read More ›
Filmmaker Ali Weinstein’s “Your Tomorrow” explores the past and present of a publicly-invested third space. [ATLFF]
Third places are an important part of any community. They provide individuals, young and old, a place to congregate outside of home and work/school, to relax with various kinds of leisure activities. For the Ontario, Canada, community, this includes Ontario… Read More ›
Documentary “Sonaggios” shows us the modern day struggles of an artisanal tradition. [SFFILM]
Sonaggios is an incredibly moving and visually captivating documentary that takes viewers into the heart of Tonara, a small village in the mountainous region of Sardinia, Italy. For nearly 150 years, Tonara has been home to a unique artisanal tradition… Read More ›
“Mongrels” explores the complexities of a transplanted family in a strong feature-debut by Jerome Yoo. [ATLFF]
What does it mean to be happy? The answer changes depending on who you ask, what mood they’re in, where they live, what their own experiences/philosophies are, and more. If you live in a capitalist society, happiness is based on… Read More ›
Capsule Review: R.T. Thorne’s “40 Acres.” [The Overlook Film Festival]
R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
“Frankie Freako” has come to party at your place in Shout! Studios’s home release.
Frankie Freako and his freaks are ready to dominate your television sets, so don’t adjust the motion smoothing (actually turn it right off), kick your feet up and get ready to get lost in this absolute maddening blast-from-the-past nostalgia kick… Read More ›
Filmmakers Van Tran Nguyen and Alex Derwick bring audiences “The Motherload” of emotionally heartfelt and biting satire. [NOFF]
Sometimes the best way to get an audience to consider something, to battle with the way they perceive or process something, is to give it to them wrapped in something else. In the parlance of the 2024 action rom-com The… Read More ›
David Cronenberg’s “The Shrouds” is an ambitious personal project from a master of body horror that crumples under confusing messaging. [TIFF]
When we think of directors who are famous for what they’ve done in a specific genre, it’s weird to see a movie from them that is so enriched by their personal life and feels like an incredibly personable film. That… Read More ›
Steven Kostanski delivers another ‘80s-set comedy horror in “Frankie Freako.”
From the director of “The Veggie Masher” from V/H/S/94 (2021), Canadian sci-fi horror The Void (2016), and one of the best campy monster movies, PG: Psycho Goreman (2020), comes a movie that feels directly ripped out of the 1980s in… Read More ›