Since Scott Cawthorn’s horror survival game Five Nights at Freddy’s (FNaF) released in 2011, a fan base has arisen around the murderous animatronics and the new security guards whom try to make it through their shifts. Including the initial outing,… Read More ›
At the end of Wes Craven’s legendary 1996 horror film Scream, after Stu Macher and Billy Loomis are revealed to be the killers, Stu tells Sidney Prescott, “Everybody dies, but us, we get to carry on and plan the sequel!… Read More ›
“Welcome aboard, passengers. Just so you know, we are expecting some turbulence this evening, so please ensure your seat belts are fastened, baggage is safely stowed, and hold on to your vaginas.” – M3GAN in M3GAN 2.0. A single tale… Read More ›
Content Warning: The Woman in the Yard deals with concepts of grief, suicide ideation, and parental struggle. Since 2005’s House of Wax remake, filmmaker Jaume Collet-Serra has alternated between straight horror titles (Orphan), thrillers (Carry-On), and more family-friendly fare (Jungle… Read More ›
Director Christopher Landon is back with his latest feature, Drop, now on physical and digital. The story follows a therapist named Violet (Meghann Fahy), who starts dating again after her abusive husband’s death. Deciding to get back out there, Violet… Read More ›
Between the two Happy Death Day films and Freaky (2020), director Christopher Landon has developed a solid reputation for delivering frights in equal measure to the entertainment. After a premiere at SXSW 2025, Landon’s latest project, Drop, hit theaters in April and now… Read More ›
First-date jitters take on a whole new meaning in Drop, a Blumhouse thriller from Happy Death Day director Christopher Landon. Drop stars Emmy-nominated Meghann Fahy (The White Lotus) as Violet, a single mom looking to re-enter the dating scene, alongside… Read More ›
In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
Last week, Sony Pictures Home Entertainment released a physical edition of filmmaker Chris Weitz’s (About a Boy; Operation Finale) techno-thriller AFRAID. Rather than utilize the digital code that accompanied the review copy provided by SPHE, EoM is offering it up to… Read More ›
Artificial Intelligence, more commonly referred to as A.I., is a staple of science fiction. The incorporation of it within novels, television programs, film, and video games is often in a supportive role toward humanity. Batman uses it to help solve… Read More ›
“It’s hard to say no, isn’t it?” – Paddy, played by James McAvoy in Speak No Evil (2024) Back in the early days of 2022, I sat down for my first (and only to-date) viewing of some Sundance Film Festival… Read More ›
When movies come out in January, there is an inherent idea about the quality of the movie, unless it’s a late release of an Oscar title. These are sometimes unfair assumptions, especially when it comes to horror movies — horror… Read More ›
January has long since been the dumping ground for studio films that executives and test audiences have deemed to be the low points of their upcoming slates, whether it be cheap action films, cheesy horror films, unfunny comedies, or cliché… Read More ›
The Insidious franchise was a surprise hit in 2010. It allowed director James Wan to make a name for himself as a maestro of horror. Insidious’s success has now spawned a franchise of five feature films. It includes a series… Read More ›
This new absurdity from studios that don’t release monster hits in 4K is getting a little out of hand. There are so many great horror movies that are getting just Blu-ray releases as the highest quality of release or not… Read More ›
Roxanne Benjamin’s new supernatural horror film There’s Something Wrong with the Children is out on VOD and digital now, ready to chill your spine with the power of creepy children. If you’re in the mood to get wigged out, the… Read More ›
When you watch as many movies as someone who reviews for a living, you’re bound to see similar themes and ideas throughout multiple projects. Sometimes they do it better, sometimes they do it worse, sometimes it’s the same with a… Read More ›
If you aren’t a part of the community as I am, the world of Gay Twitter™ went absolutely hog wild when the trailer for M3GAN dropped back in October. Within mere minutes, drag queens all across the world were dropping… Read More ›
The time it takes between a story being told and the expectations skyrocketing for the continuation is in the moment between the final shot and the credits. The audience, feeling excited, fulfilled, or otherwise moved by the tale they’ve experienced… Read More ›
Produced by Blumhouse, Paramount Pictures, and Epix and released toward the start of October, Justin P. Lange’s The Visitor seeks to unsettle through a tale of stolen identity and psychological thrills. Just before it comes available via Epix, the kind folks… Read More ›