The world is on fire. We’ve put out most of the literal ones, but there remain several metaphorical ones which have made those of us aware clench our sphincters quite tightly as we watch for outcomes. In times like these,… Read More ›
Bleecker Street
“Fackham Hall” Blu-ray Giveaway
It’s frustrating how true the adage “laughter is the best medicine” is, but it’s true. The best way to break through doldrums, through frustration, through discontent, is laughter. It’s even more important when it seems like there’s very little to… Read More ›
Jim O’Hanlon’s comedy will have you saying “Fackham Hall” whether you laugh or not.
There’s a strange love-hate relationship with the rich, especially when it comes to the past. Perhaps it’s escapism, perhaps it’s a desire to live in presumably more affluent times, but the notion that one could live and live well —… Read More ›
“Spinal Tap II: The End Continues” takes the stage on home video.
Spinal Tap II: The End Continues arrives with the kind of baggage only a decades-delayed sequel can carry. The original This is Spinal Tap (1984) didn’t start life as a blockbuster or even much of a mainstream success; rather, it built its… Read More ›
David Mackenzie’s gripping thriller “Relay” arrives on home video without any features.
With the ongoing, continuously exhausting debate that goes on in physical media/cinephile circles about streaming vs. owning a movie and that whole conversation, it is *always* a win when a movie, regardless of anything about the movie, gets a release… Read More ›
“The Wedding Banquet” invites you to find your seat at the table.
The Wedding Banquet (2025) is one of those rare films that functions more as another swing at bat than as a remake, and returning screenwriter James Schamus (The Wedding Banquet (1993); Crouching Tiger Hidden Dragon) scores at least a double… Read More ›
Marianne Jean-Baptiste delivers a masterclass performance in Mike Leigh’s somber slice-of-life dramedy “Hard Truths.”
“I don’t understand you. But I love you.” These are key words said towards the climax of Mike Leigh’s Hard Truths, a somber slice-of-life film about two disparate sisters in a Black British family. Mike Leigh, a veteran indie darling… Read More ›
“Love Me,” a metaphysical tale of romance Or: How I Decided to Stop Worrying and Simply Love YouTube.
Trying to make a movie that is as adult while being not-so-on-the-nose as WALL-E (2008) is certainly a daunting task, and writers/directors Sam and Andrew Zuchero (10 Crosby) not only took on this challenge in their new film Love Me,… Read More ›
DECAL Releasing makes it easy to capture your own “Sasquatch Sunset” and bring it home.
Sasquatch Sunset is a vulgar, trippy mockumentary. It’s full of sex, urine, feces, and engorged Bigfoot penis — but that’s just a disguise over a melancholic, soulful, and beautiful adult drama about life, growing, and loss, and one of the… Read More ›
A Conversation with “Out of Darkness” filmmaker Andrew Cumming.
In this edition of EoM Presents, Senior Interviewer Thomas Manning sits down with filmmaker Andrew Cumming about his feature film directorial debut, Out of Darkness. Cumming shares a glimpse into the invaluable work of the sound design team and the… Read More ›
What’s inside DECAL Releasing’s home release edition of “Waitress, the Musical – Live on Broadway!” is very little, yet still deeply satisfying to those seeking another slice of pie.
“Sugar. Butter. Flour.” These are the first words we hear in Waitress, The Musical, the Diane Paulus-directed (Cirque du Soleil: Amaluna) stage production that adapts the 2007 Adrienne Shelly-written/directed/starred romantic comedy non-musical Waitress. These three words signify the start of… Read More ›
A Conversation with “I.S.S.” director Gabriela Cowperthwaite.
EoM Senior Interviewer Thomas Manning recently sat down with filmmaker Gabriela Cowperthwaite to discuss her latest directorial effort, the sci-fi thriller I.S.S.. Cowperthwaite discusses the influence of her documentarian background on narrative filmmaking projects like I.S.S., as well as the… Read More ›
Space drama “I.S.S.” is a tense thriller never takes its foot off the gas pedal. [Tribeca Film Festival]
There is always something inherently interesting to see what someone’s first made screenplay actually ends up being, and for Nick Shafir, that ended up being I.S.S., directed by Gabriela Cowperthwaite (Our Friend), and it certainly sets Nick up to be… Read More ›
Meditative drama “Montana Story” offers provocative material to chew on, even if not totally satisfying in the conclusion. [SFFILM Festival]
After a nine year break from directing, filmmaking partners Scott McGehee and David Seigel (What Maisie Knew) return with family drama Montana Story, screening during SFFILM Festival 2022 and releasing in select theaters on May 13th courtesy of Bleecker Street…. Read More ›
The heaviness within “Mass” is neither constrictive nor oppressive, but it will leave you staring at the ceiling. [Film Fest 919]
There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
Great performances fail to breathe life into color-by-numbers dramedy “Military Wives.”
When it comes to films that are “inspired by” or “based on” an actual story, there’s a persistent battle between reviewing the film in front of me and the truth. It’s something which Darryl Mansel, The Cine-Men co-host, and I… Read More ›