Though there have been plenty of films that used time travel as a narrative mechanism for the entirety of storytelling, in recent memory, few do it as well as the Harold Ramis-directed, Danny Rubin-co-written, Bill Murray comedy Groundhog Day (1993)…. Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
Before heading to the theater or couch to watch LeBron James assemble the Looney Tunes to save his son from a rogue A.I. within the Warner Bros. server in Space Jam: A New Legacy, take a trip to 1996 when… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This edition will focus on three films: two from the great Mel Brooks… Read More ›