Storyteller Wes Anderson broke onto the scene with 1994’s Bottle Rocket and hasn’t really looked back. He’s developed a signature style while assembling what’s best described as a theatrical troupe, a set of actors who relish the chance to return… Read More ›
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
The Charles Dickens classic A Christmas Carol has been adapted and transformed, told and retold, in a variety of ways for decades. It’s been adapted for a Doctor Who story, one of the better Muppet adventures, and simply as a… Read More ›
Today, July 7th, the final chapter of writer/director James Gunn’s Guardians of the Galaxy trilogy releases on digital. In a weird twist of fate, I just-so-happened to have recently picked up the Disney Movie Club edition of prior MCU release Ant-Man and… Read More ›
Content Warning: Photosensitive viewers may have trouble enjoying Quantumania as there are many sequences involving flashing lights. The 31st Marvel Cinematic Universe (MCU) release is also the kick-off the fifth phase of the MCU as a whole and the second… Read More ›
Content Warning: Photosensitive viewers may have trouble enjoying Quantumania as there are many sequences involving flashing lights. There are far more than I expected and, though I did leave the theater without a migraine, I did wake to one the… Read More ›
Though there have been plenty of films that used time travel as a narrative mechanism for the entirety of storytelling, in recent memory, few do it as well as the Harold Ramis-directed, Danny Rubin-co-written, Bill Murray comedy Groundhog Day (1993)…. Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
Before heading to the theater or couch to watch LeBron James assemble the Looney Tunes to save his son from a rogue A.I. within the Warner Bros. server in Space Jam: A New Legacy, take a trip to 1996 when… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. This edition will focus on three films: two from the great Mel Brooks… Read More ›