Writer/director Karan Kandhari (Bye Bye Miss Goodnight) presents audiences with Sister Midnight, a dark comedy (slightly akin to Nightbitch (2024) while also being incredibly different) about the situations that arise from arranged marriages and what happens when you’re just not… Read More ›
Overall, Sister Midnight swings for the absolute fences which is bold and refreshing to see when it has a cast that supports it, but if the effort ends at the cast’s execution, it can become tiresome and messy. Kandhari throws… Read More ›
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
In what could be described as a movie that lives in the same spiritual world as Daina Oniunas-Pusić’s Tuesday (2023), Andrea Arnold’s Bird, similar in vibes and tonal elements in storytelling, focuses on coming-of-age and growing up faster than needed… Read More ›
MaXXXine (2024) is a tribute to giallo horror of the ‘80s, The First Omen (2024) pays homage to the psychological horror of the late ‘70s/early ‘80s, In A Violent Nature (2024) adds a twist to the great American slasher film,… Read More ›
There are movies that can really be defined as once in a lifetime kind of movies, and once they exist, anything that tries to convey a similar story usually cannot compare to what that benchmark has already done. That is… Read More ›