You can get a sense of a person by the comedy they ingest or reference. Often, their humor is shaped by those they enjoy or admire, so you can tell what they find sacred or profane. It’s the same thing… Read More ›
Regina Hall and Zoë Renee bring the damn house down with their performances in “Master.” [SXSW Film Festival]
One of the larger debates during my senior year of high school was the rift between my Black friends debating the merits of attending a Historically Black College & University (HBCU) or that of a Primarily White Institute (PWI), and… Read More ›
When it came to film releases in 2020, the modus operandi was “make it work.” Sometimes that meant stalling until a theatrical release was possible and sometimes that meant selling to a streamer. In the case of Eddie Murphy’s Coming… Read More ›
All things come to an end and it seems that even immortal monsters have to say goodbye so that something new can begin. This is the relative theme coursing through the fourth, and reportedly final, installment of Sony Picture Animations’s… Read More ›
Tony Hale has long been a fan of Lucille Ball; he believes her comic genius is on par with the legends of cinema. You can find Hale starring in the Aaron Sorkin film Being the Ricardos from Amazon Studios. This… Read More ›
In this conversation, EoM contributor Thomas Manning speaks with director Gigi Saul Guerreo about her new horror film Bingo Hell, a Blumhouse production distributed through Amazon Studios. Over the course of their discussion, Guerrero speaks about her creative partnership with… Read More ›
What Drives Us is a doc that explores the passion behind touring musicians and some of the vehicles that got them there. From big names like Ringo Starr, U2, AC/DC to under the radar bands like Radkey and Starcrawler, this… Read More ›
Checco Varese has worked in nearly every aspect of cinematography. He’s been a news photo journalist; he’s shot major music videos, he’s worked for NatGeo; he’s worked on indie and feature films (It: Chapter 2, The 33, Pacific Rim) and… Read More ›
To paraphrase a line from director Craig Brewer’s (Dolemite Is My Name) Coming 2 America, Hollywood is nothing but superhero films, remakes, and sequels no one asked for. Without getting into the numerous ways that’s an oversimplification that ignores the… Read More ›
Books are a frequent source of mining in cinema. Sometimes their adaptations becomes something larger than possibly imagined (The Shawshank Redemption), while others support the notion that the imagination of the reader trumps anything celluloid can conjure (Artemis Fowl). Audiences… Read More ›
Documentary “All In: The Fight for Democracy” is a compelling proclamation that our democratic republic cannot function when we devalue the voting process.
Let me ask you something: What is the responsibility of the legislative branch of the United States government? Where does the Constitution of the United States place the final authority on decisions in our country? Which officer presides over an… Read More ›
Just because you’re going to tell a story people have heard, doesn’t mean you need to tell it the way people know. That seems to be the M.O. for director Andrew Patterson in his debut picture The Vast of Night…. Read More ›
Thoughtful, smart, and executed with precision, “Blow the Man Down” is just the film to help weather the home entertainment storm.
There is nothing more dangerous than the female of any species. They possess the ability to grant life, yet will also bring forth the full weight of their wrath if needed. It’s the lioness who hunts for the pack, the… Read More ›
Novel adaptation “The Goldfinch” is beautifully constructed and executed, yet feels somehow disconnected.
Published in 2013, Donna Tartt’s The Goldfinch went on to earn best-selling status, along with the coveted Pulitzer Prize for Fiction in 2014. It’s a book that — it seems — entranced readers, including future cast member Sarah Paulson (Ocean’s… Read More ›
“The Aeronauts” doesn’t seek to exist as a quiet, introspective costume drama, but as an adventure of the grandest scale imaginable. [Film Fest 919]
Whatever happened to wonder in films? Whatever happened to the sweeping scores layered over long, grand shots of adventure and peril? Why does everything feel so commercialized and insincere nowadays? I feel like whenever big blockbusters make you feel something,… Read More ›
The world is a cruel place, and we are a cruel people within it. We love to put others down for the sake of making our own selves feel better, and we’ve all done it at some point or another…. Read More ›
“The Report” has all the makings of a bombshell political drama without the pizzazz or flare. [Film Fest 919]
There’s an argument today that everything is hyper-politicized, from our news to our movies to the signs lining the freeway during our daily commute. It’s a hard thing to escape and being exposed constantly to it can rightfully feel exhausting…. Read More ›
As theaters ramp up for animated animal adventures, alien invasions, and yet another zombie apocalypse, there’s a small work-place comedy executed by an incredible cast of comedic actors offering up something different. Written by Mindy Kaling (The Mindy Project), directed… Read More ›