Asking me to describe my relationship with the Silent Hill franchise is opening a Pandora’s Box of epic proportions. The series, centered around a cursed ghost town in rural Maine, has haunted, compelled, comforted, entertained, frightened, and shaped me in… Read More ›
Adaptations are the bread and butter of entertainment, whether it’s “ripped from the headlines” episodes of some Law & Order spin-off to capture the zeitgeist or the story of an established celebrity. Going further are the adaptations of books which… Read More ›
Back in early 2025, I saw a 35 mm print of Minority Report and it was my first time revisiting the film in probably a decade. To say it is forgotten how absolutely sublime the movie is, how wrong it… Read More ›
In the last nine years, actor Emma Stone and filmmaker Yorgos Lanthimos have collaborated on five different projects — a short and four features — that have explored the ridiculousness of cruel friendship (The Favourite), of the human experience (Poor… Read More ›
In the year 2005, when I was just a young lad (12, I know I am dating myself here), I was at the theater and experienced the closest thing to a proshot I would have encountered up to that point…. Read More ›
The idea of American Individualism is a fascinating way in which an entire populace has recontextualized selfish and detrimental behavior into something to be sought after. Impressively, the arrogance of the U.S. is a key component in western thriller Frontier… Read More ›
If there’s a sci-fi film you treasure, there may be a good chance that it’s an adaptation of one of Philip K. Dick’s books: Blade Runner (1982), Total Recall (1990), A Scanner Darkly (2006), to name a few. In 2002, director Steven… Read More ›
EoM Contributor Andrew J. Eisenman recently spoke with filmmaker Kaouther Ben Hania about her latest film, The Voice of Hind Rajab. They discuss where Kaouther was when she first heard about Hind Rajab, making a film about helplessness, how to… Read More ›
‘Tis the season where, no matter the denomination, one is either characterized as “full of spirit” or a “grinch.” The description of such a person who rains of holiday cheer (or cheer of any kind) is directly tied both in… Read More ›
If you were to say there was a new movie from Gus Van Sant (Good Will Hunting) about a real-life story of an armed kidnapping that is arguably justified with Colman Domingo (Sing Sing), an insane Al Pacino (Heat), and… Read More ›
It’s common wisdom that all the good songs of Wicked (2003) are in the first half. But if the majority of songs in the anti-fascist melodrama of Act 2 were as silly and energetic as “Dancing Through Life,” the whole… Read More ›
How many Frankensteins are too many Frankensteins, you may ask. The answer is there is never too much Frankenstein. Instead of having Oprah give everyone in the audience a car, everyone gets a Frankenstein movie. This release from Warner Brothers… Read More ›
Kirk Douglas (Spartacus) saw a production of One Flew Over the Cuckoo’s Nest and set about trying to adapt it for film, however, it took so long in pre-production that not only did Kirk have to move on from the… Read More ›
It’s 2025 and comedian/actor Jim Carrey is a staple of pop culture. His take on the Grinch gets played by audiences looking to kick off the festive season (for those who celebrate) each winter; his version of Doctor Robotnik introduced… Read More ›
It is not impossible for a white, male director to tell great stories about identities they do not share. This year, PTA directed One Battle After Another (2025); two years ago, Scorsese delivered a masterpiece in Killers of the Flower… Read More ›
In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›
“Our love is like a red, red rose … and I am a little thorny.” – The Mask in The Mask (1994). The manga series Chainsaw Man created by Tatsuki Fujimoto began publishing as part of Weekly Shōnen Jump in… Read More ›
Adaptations are nothing new. Whether it’s transcribing oral tales to print or print to the stage or stage to the screen, there’s a long tradition of this and it’ll likely continue for as long as audiences hunger for stories in… Read More ›
With the prevalence of streaming, it’s much harder for audiences today to discover something new. Sure, they can press play on something recommended to them or go through the trouble of digging around within a streamer’s options, but it’s not… Read More ›
A repeated fascination of filmmaker Guillermo del Toro’s is “of monsters and men,” more specifically, the ways in which monsters and humanity dovetail into and deviate from each other until audiences can’t tell which is the true monster and which… Read More ›