Written by Carl Morris and Shaun Paul Piccinino (who also directs), Lionsgate’s American Fighter is an adaptation of a true story centered on a wrestler who joins the underground fighting circuit to raise funds for his sick mother. If this sounds… Read More ›
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Guy Ritchie’s “Wrath of Man” is mean, gritty, and surprising in its restraint.
Writer/director Guy Ritchie last dazzled audiences (or, at least this reviewer) with the fairly up-tempo 2019 Matthew McConaughey crime-thriller-comedy The Gentlemen. A film which, despite a few faults, reminded audiences how much of a good time they can have exploring… Read More ›
Brutal entanglements and a thrilling narrative have what it takes to “Deliver Us From Evil.”
Returning to the director’s seat for the second time, Hong Won-chan trades murder most foul within the blue collar arena for the underbelly of Asia and Southeast Asia in Deliver Us From Evil (다만 악에서 구하소서). In a film that’s… Read More ›
“Deliver Us From Evil” Blu-ray Giveaway
From Well Go USA, the distributor that brought you such films as The Villainess, Synchronic, The Swordsman, and Better Days, comes the action thriller Deliver Us From Evil from director Hong Won-chan. Ahead of its May 25th home release, the wonderful folks at Well… Read More ›
Arrow Video’s 2K restoration of “Death Has Blue Eyes” exemplifies their mission of cinematic preservation.
Death Has Blue Eyes (To koritsi vomva) is an easy film to summarize but a difficult one to describe. It’s a science fiction thriller in a sexploitation package. Beyond this, though, is where the film gets tricky due to a… Read More ›
Simon McQuoid’s “Mortal Kombat” is not a flawless victory.
Debuting in 1992, Ed Boon and John Tobias’s arcade game Mortal Kombat shook the foundation of popular kulture almost immediately. It wasn’t just the karacter design (digitized versions of real people known as “sprites”) or the in-game mythos, but the… Read More ›
Martial arts action comedy “The Rookies” is best left on the bench.
When you market a film based on being from the writer of 2004’s New Police Story, a continuation/reboot of Jackie Chan’s action-martial arts-drama series, then you’d better be on par or be willing to lose a lot of face. Sadly,… Read More ›
“Thunder Force” is on the way to protect your town.
Given the option of choosing a Melissa McCarthy-led drama or comedy, the former is near-guaranteed to be stellar while the latter can be hit/miss. She’s a fantastic actor and one whose willingness to embrace physical comedy is something akin to… Read More ›
Jacob Gentry’s jazzy tech noir “Broadcast Signal Intrusion” takes us down a rabbit hole. [SXSW Film Festival]
Imagine being in the middle of a favorite television program, only to have your television hijacked by unwanted and disturbing images. While the interruption doesn’t last long, what appeared on screen you can’t unsee. While this sounds like an old… Read More ›
“Nobody” brings comfort like family.
Audience expectations are killer. They will ruin you every time, which is often why the marketing has to work so hard to manage them. A little tease here, a little explanation there — just enough to get folks interested without… Read More ›
Funimation’s 4K UHD Limited Edition set of “Akira” is well worth the time and investment.
Director Katsuhiro Ôtomo’s 1988 adaptation of his own 1982 manga, Akira, is considered one of the greatest film ever made if only for its influence on all the post-apocalyptic cyberpunk stories to come. Both the manga and film pre-date Masamune… Read More ›
Director Paul W.S. Anderson’s video game adaptation “Monster Hunter” possesses the potential to be the start of something grand.
I’m a recent convert, but I love me some Monster Hunter videogames. They’re simple on the surface, but nearly impossible to truly master without pouring countless hours grinding and studying the habits and weaknesses of each bit of prey assigned… Read More ›
Action/adventure flick “Burn It All” trips and stumbles over its stiff dialogue, making it difficult to take the story seriously.
Like a well-choreographed action sequence, movies have a lot of moving parts. While certain aspects of a film might not fall into place, the film may do so well in other areas that it turns out alright in the end…. Read More ›
Arrow Video’s HD restoration of director Park Chan-wook’s “JSA: Joint Security Area” is an opportunity to learn from the past.
One of the great things about boutique distributors like Criterion, Arrow, Vinegar Syndrome, and others is that whether a film is lost or beloved, they find new life via a new release. Even though the major studios are starting to… Read More ›
Despite some muddled aspects, Lu Yang’s “A Writer’s Odyssey” will make you a believer.
A good marketing campaign will make clear what the product is about so that consumers won’t feel flummoxed about how to engage with the object. It’s partly why marketing happens, so that there’s a sense of familiarity. When it comes… Read More ›
Can you find the real “Archenemy” when the film comes to home video?
The deconstruction and evaluation of superheroes in cinema and television didn’t begin with Zack Snyder or Eric Kripke, though they are the ones most widely known for it at the moment. Their stories take a darker look at the notion… Read More ›
Open Dialogue with “Willy’s Wonderland” actor Beth Grant.
Character actress Beth Grant has appeared in dozens of film and television shows throughout the years. She visits with Noel T. Manning II on Open Dialogue (courtesy of Meet Me at the Movies) to talk about her career; engage in… Read More ›
The martial arts of “The Swordsman” cut through the narrative mire.
Consider the logline for Choi Jae-hoon’s feature film directorial debut The Swordsman (Geom-gaek) for a moment: a blinded swordsman comes out of hiding when his daughter is kidnapped by slave traders. With this type of description, one would presume a… Read More ›
“Prisoners of the Ghostland” brings new meaning to the phrase “balls out” in its post-apocalyptic action/adventure tale. [Sundance Film Festival]
A nameless stranger. A damsel in distress. A suicide mission that no one but the best can handle. These three requirements appear in countless stories, from gunslinger westerns of the East to the samurai tales of the West, each possessing… Read More ›
Armed with beautiful animation and a compelling story, “Jiang Ziya” is well worth the wait.
Originally slated for February 7th, 2020, the second-part of the Fengshen Cinematic Universe went into stasis until a brief theatrical rollout in October 2020. Now, though, nearly a year after it was to hit cinemaplexes, Jiang Ziya (also known as… Read More ›