Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
If there’s anything that cinema has taught us, don’t be a camp counselor. Either they have to build morale for a rag-tag group of kids coming from disparate backgrounds in order to help defeat an opposing camp, have to play… Read More ›
To say that writer/director M. Night Shyamalan doesn’t divide audiences is a wildly inaccurate statement because his work can arguable by defined as some of the most divisive work from a creator today. He always manages to do something with… Read More ›
Right before the pandemic really kicked off, I read Paul Tremblay’s The Cabin at the End of the World. It had been the hot new horror novel on the block a little while back and I figured it to be… Read More ›