No one really knows when from where inspiration will strike. An innocuous action, a stray thought, a random observation — anything is ripe for seeding a new concept or approach. For writer/director/actor John Krasinski (A Quiet Place), inspiration for his… Read More ›
Filmmaker Dr. George Miller’s been entertaining audiences for nearly 40 years, either with tales of desperation (Mad Max (1979)), tales of greed (The Witches of Eastwick (1987)), or tales of hope (Happy Feet Two (2011)), to name a few. In… Read More ›
At some point in our lives, we lose the magic of our youth. The wide-eyed optimism is shuttered by age, experience, and, possibly, being told “no” by life too many times. Perhaps to help battle this, writer/director John Krasinski developed… Read More ›
In the months since the winter release of The Boy and the Heron (2023), the following events have clarified the meaning and depth of this inscrutable film in my mind: The Megalopolis (2024) trailer, the Supreme Court’s sweeping theft of… Read More ›
Before American audiences met Franka Potente as Marie, the accidental ally to amnesiac assassin Jason Bourne (Matt Damon) in 2002, she portrayed a different type of “on-the-run” character: Lola. Absent intrigue of the spy sort, Potente’s Lola is a strong… Read More ›
There are movies out there that don’t get their fair shake, and there are directors who fall under the same category. What happens when you end up with both? You get, arguably, a fantastic movie that somehow underperformed and is… Read More ›
Longing for something you can never have is perhaps one of the cruelest forms of emotional torture a person can put themselves through, and it’s an experience all too familiar within queer communities. Every queer person has had the one… Read More ›
Around the time of the theatrical release of actor Michael B. Jordan’s directorial debut, Creed III (2023), the ninth film in the Rocky franchise, Amazon MGM Studios via Warner Bros. Pictures released a four-film 4K UHD collection of Rocky films… Read More ›
In filmmaking, there are original stories and there’re adaptations. While audiences clamor for original stories, the system *needs* adaptations to help fund the originals. Sure, it’s getting hard for some audiences to get excited for Super Cape 58 (not me,… Read More ›
The edgy and tumultuous 1970s brought us dark and gritty films like The Godfather (1972), The French Connection (1971), and The Deer Hunter (1978). The war in Vietnam, feminism and women’s rights, and satanic panic all brushing up against the… Read More ›
Films based on true events often have a way of dramatizing or exaggerating things for the sake of cinema. It’s a different stage, cinema, with different rules from real life, so storytellers will often utilize this fact for audiences to… Read More ›
There are so many ridiculous movies out there that have been unseen and undiscovered until a boutique label comes and rights those wrongs. Thankfully, the folks at Unearthed Classics are giving the genre-bending monster mash of a movie, The Guyver… Read More ›
When looking at the history of popular music, no artist was (or will ever be) quite like Prince Roger Nelson. With his unique stature, confidence, incredible wardrobe, and even more impressive musical skills, Prince would become an icon in every… Read More ›
Are you reading me? Well, I’m the only review here, so you must be reading me. That’s right this review is going to jump into Martin Scorsese’s universally loved Taxi Driver (1976). While it is important to state this 100… Read More ›
Perfect Days (2023) is the title of Wim Wender’s (Paris, Texas) newest film, which has entered the illustrious Criterion Collection, but, at the same time, it almost perfectly describes the ambiance and sentiments of the movie, as well. Perfection is… Read More ›
Like all things in this world, your perspective is going to define how to come to or respond to something. In cinema, this is especially true as there are often multiple versions of the very film you like. Not just… Read More ›
Jean-Pierre Melville’s 1967 French classic Le samouraï (The Samurai) is a testament to why people love cinema. And if it’s not considered as such, then it damn well should be. Its mere existence is a miracle of the hybrid hitman/samurai… Read More ›
In 1996, the disaster blockbuster business was booming. Independence Day was king of ‘96, drawing in over $800 million at the box office and setting the new standard for disaster films. But earlier that year, Twister came roaring into the… Read More ›
Time and time again, I am left in complete and utter disbelief at how good Arrow releases look in their new restored glory. Even when I have never seen the movie before, knowing this is a nearly 30-year-old film and… Read More ›
The very first DVD produced was the 1996 Jan de Bont-directed disaster drama Twister, starring Helen Hunt (As Good As It Gets; How It Ends) and Bill Paxton (Near Dark; True Lies), and now it’s set to get a 4K UHD upgrade ahead… Read More ›