EoM senior interviewer Thomas Manning recently interviewed Steven Kanter and Henry Loevner, the filmmakers behind Peak Season, a 2023 SXSW selection. The duo discuss their approach to crafting a cinematic love letter to Jackson Hole, Wyoming and talk about the… Read More ›
42West
Director Kyra Sedgwick’s “Space Oddity” implores audiences not to travel in a tin can alone. [Tribeca Film Festival]
“For here Am I sitting in a tin can Far above the world Planet Earth is blue And there’s nothing I can do – David Bowie, “Space Oddity.” With all the arguments about what is or isn’t the natural order,… Read More ›
Rita Moreno is the teacher you love to hate in Maureen Bharoocha’s “The Prank.” [SXSW Film Festival]
School days offer bored kids the opportunity to imagine wild scenarios about notable teachers. Students love to speculate on the personal lives of their instructors and wonder what goes on after the bell. What if the rumors turn out to… Read More ›
“The Cow” fails to deliver on an intriguing concept. [SXSW Film Festival]
There was a viral tweet going around a few days ago from E! News with some truly stunning pictures of Anne Hathaway and a caption that read “Did Anne Hathaway make a deal with the devil? She is literally aging… Read More ›
“Peace by Chocolate” isn’t tempered to satiate an instant craving, but to preserve a legacy. [Tribeca Festival]
Immigrant stories are treated as all-to-common and extraordinary in the same breath, especially in the United States and Canada. The majority of people who live in both countries did not originate there and each possess a legacy of doing terrible… Read More ›
“The End of Us” is an opportunity at a new beginning. [SXSW Film Festival]
“Necessity is the mother of invention.” — a proverb whose origin is unknown, though is believed to have evolved from a statement within Plato’s Republic, “our need will be the real creator.” True or not, when times get tough, when… Read More ›
History makes it clear that “Women Is Losers,” but there is hope to change that for the future. [SXSW Film Festival]
Have you ever become instantly smitten with a film from the first few moments when it just felt like you’re vibing on the same level? With the rhythmic sounds of Oskar Cartaya’s “Get Up (Muévete)”, the audience is treated to… Read More ›