2021 was a pretty good year for writer/director Edgar Wright. After taking a three-year break between projects, the Baby Driver (2017) creator brought the award-winning documentary The Sparks Brothers (2021) and supernatural thriller Last Night in Soho (2021) to theaters…. Read More ›
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Rom-com “Marry Me” is a definite “Yes!” that only needs you to select your venue.
Trigger Warning: Marry Me contains several scenes involving lights flashings, predominantly from cameras. Be advised in case you have any kind of light sensitivity. If you sit in the question, the answer will find you. This line, the mantra from Owen Wilson’s… Read More ›
Tour the home release of “Resident Evil: Welcome to Raccoon City” through the lens of a franchise fan.
Listen, I was there in the era between Resident Evil 5 and Resident Evil 7: Biohazard. We were truly out here in the trenches as fans. You think you can hurt me? I bought Resident Evil: The Mercenaries 3D on… Read More ›
Documentary “Framing Agnes” overflows with love and positive intention, as overwhelming as it is inspiring. [Sundance Film Festival]
Director Chase Joynt is as much an investigator as a raconteur when it comes to his documentaries. His first feature, 2020’s No Ordinary Man, co-directed with Aisling Chin-Yee, reconfigured the structure of a traditional documentary by staging informal reenactments of… Read More ›
“Bite Me” will suck the blood out of you, but its absurdity is its charm.
There is a time and a place for every form of genre that exists, and February seems to hit that sweet spot for any subgenre of romance in any degree because of the Hallmark holiday. Meredith Edwards’s second feature is… Read More ›
Martika Ramirez Escobar’s “Leonor Will Never Die” combines art and imagination to craft exuberant cinematic chaos. [Sundance Film Festival]
Movies are magic. They can transport you to a different place and time, can help you process emotions you didn’t realize you had, or can just be a salve for what ails you. Even the most wild films, the ones… Read More ›
The haunting quality of “Ghosts of the Ozarks” is undercut by its silly approach.
I love me a good period horror film, and I particularly love those set on the American frontier, and while Ghosts of the Ozarks isn’t *technically* frontier territory, there was a down-home charm the trailer gave off that made me… Read More ›
Documentary “imperfect” may wear its namesake title well, but it’s still a fantastic step forward in shifting wider public perception. [Slamdance Film Festival]
Accessibility is the thing most take for granted. The whole entire world is designed for people without disabilities and, due to such rigidity, found itself stumbling to create the kind of necessary tools and improve access (telecommuting, remote services, increased… Read More ›
“Ghostbusters: Afterlife” closes loops and sets up the next generation who are ready to believe you.
Each of us has a window of time in our mind that tells us how long is appropriate between films, sequels specifically. Release one too soon and you run the risk of the new film being too heavily compared to… Read More ›
Documentarian Sébastien Lifshitz’s “Petite Fille (Little Girl)” invites us to understand one girl’s story of personal acceptance.
When it comes to parenting, there is no rule book, no grade scale, no metric which immediately determines if a child will grow up happy and healthy or feeling less-than. Despite all the books that have been written by countless… Read More ›
“Emily the Criminal” eschews the familiar thriller trappings, decrying the subjugation of self, making for a memorable heist of identity. [Sundance Film Festival]
From May 11th, 2016 – August 19th, 2018, there was a one-man Broadway show titled In & Of Itself in which actor/magician/trickster Derek DelGaudio first challenged his audience to pick a single word identifier for themselves to finish the phrase… Read More ›
The answer to Stephanie Allynne and Tig Notaro’s rom-com “Am I OK?” is you will be. [Sundance Film Festival]
Whoever started the narrative that you’ll have yourself figured out by the end of your 20s should be drawn and quartered. Especially as the way in which the world has changed commercially, the expectation that someone will go to school,… Read More ›
Vietnamese childrens’ story “Maika” doesn’t tread any path you haven’t trod, but that doesn’t make it any less fun or emotional. [Sundance Film Festival]
A young boy struggling with loss. An outsider who brings the opportunity for healing. A journey that mixes the fantastic with the real. This describes any number of child-centered stories from cinematic classics like E.T. the Extra-Terrestrial (1982) and The… Read More ›
Sci-fi drama “After Yang” asks the audience to consider what we miss when distracted by our lives. [Sundance Film Festival]
Trigger Warning: After Yang contains scenes involving strobing. If you have any kind of light sensitivity, be advised that this pertains to the credit sequence and an intermittent exploratory sequence. Connection. Connection appears to be a universal need at almost… Read More ›
Once you find “Something in the Dirt,” the compulsion to explore it will never leave you. [Sundance Film Festival]
Creative multi-hyphenates Justin Benson and Aaron Moorhead have a fascination with the line between the explained and the unexplainable, crafting stories that walk the line on a razor’s edge. This continues with their fifth feature film, Something in the Dirt,… Read More ›
Danish horror “Speak No Evil (Gæsterne)” is pure nightmare fuel, powered by interpersonal tension and full-fledged dread. [Sundance Film Festival]
“I don’t want to be in a situation for even an hour where I’m not enjoying myself” – Kim Cattrall I like to believe I’m a pretty friendly person. My mother raised me that way. I’m inclined to view the… Read More ›
Director Riley Stearns’s duplicitous “Dual” is a deceptively disarming droll deposition delving into diacritic distinction. [Sundance Film Festival]
Last at Sundance with his short The Cub (2013), writer/director Riley Stearns is back and brought his new feature film Dual which is, at a glance, a science fiction film in which a woman faced with losing her life must… Read More ›
Phyllis Nagy’s “Call Jane” is an amalgamation of truth events which will hopefully get people talking about the past to preserve the present. [Sundance Film Festival]
At the time of this writing, January 22nd, 2022, it is the 49th anniversary of Roe V. Wade, a court case which ruled in favor of a woman’s right to privacy and governmental inclusion when choosing to abort a pregnancy…. Read More ›
Amid the discord, Jesse Eisenberg’s feature-length directorial debut “When You Finish Saving the World” finds bittersweet harmony. [Sundance Film Festival]
Over the course of his career Oscar-nominated actor Jesse Eisenberg has played many roles. He’s been a nebbish hero (Zombieland), a sociopath (The Social Network), a stoner badass (American Ultra), and the greatest criminal mind of the DCEU (Batman v…. Read More ›
Director/co-writer Ryoo Seung-wan’s “Escape from Mogadishu” brings hope amid horror home.
Director/co-writer Ryoo Seung-wan’s 16th film and South Korea’s submission for the 94th Academy Awards, Escape from Mogadishu, is a reconstruction of events during the Somali Civil War (currently still on-going). It’s a film which didn’t make the shortlist of nominees… Read More ›