Money. Family. Power. Betrayal. Scandal. Murder. When the trailer for House of Gucci dropped in the summer of 2021, it promised all this and more. The ambitious film was set to bring one of the most infamous scandals in the… Read More ›
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Dramedy “Golden Voices” is a sweet tale of love lost and restored amid incredible change.
With the fall of the United Socialist Soviet Republic (U.S.S.R.) in 1990, there was a surge of Jewish immigrants fleeing for other countries. My hometown of Roanoke, Virginia, was one such place where my temple welcomed many new families and… Read More ›
Tyson Wade Johnston’s drama “Streamline” succeeds in capturing the haunting fear of failure.
Sometimes while watching movies we get that vague feeling of deja vu, and sometimes that feeling is almost welcomed. In Tyson Wade Johnston’s first full length feature, Streamline, the audiences are going to be hit with this sense of familiarity…. Read More ›
Even by franchise standards, “Texas Chainsaw Massacre” is unceremoniously DOA.
The Texas Chainsaw Massacre franchise has been pretty brutal as a whole, and I’m not talking about the films’ violent content. Ever since the 1974 original from Tobe Hooper, there has been a major struggle with creating sequels, remakes, and… Read More ›
Writer/director Rian Johnson’s “Looper” celebrates its 10th anniversary with a 4K UHD release.
10 years ago, writer/director Rian Johnson wasn’t known as the divisive director of Star Wars: The Last Jedi (2017), he was a still new entity with only two features under his belt: Brick (2005) and The Brothers Bloom (2008). Then… Read More ›
Game, set, match! Reinaldo Marcus Green’s “King Richard” is out on home video now.
Biopics can occasionally be divisive in their presentation of their subjects. If one leans too hard into realism but fudges details, the whole story can be treated as a pariah. On the same token, if you set up your rules… Read More ›
Embark on a journey of the past and present via Questlove’s award-winning doc “Summer of Soul,” now available on home video.
Ahmir “Questlove” Thompson is one of the premier music-makers of his generation. Before he and the other members of The Roots were the in-house band for The Tonight Show with Jimmy Fallon, he’d developed a career with and without The… Read More ›
Game on! “Wayne’s World” celebrates its 30th anniversary with a limited edition steelbook.
Some movies are like perfect time capsules of a moment. It could be their fashion, their music, their cast, anything which exemplifies the time in which it was made. For children of the ‘70s and ‘80s, that film is Penelope… Read More ›
Why commit to misery when “The Sky is Everywhere?”
There’s an old saying, “Time heals all wounds,” which implies that one becomes whole again after a period of restoration. This isn’t the case, though, really. As was reminded to me recently, wounds heal, you’re just not as you once… Read More ›
Explore the technical marvels that brought “Last Night in Soho” to life via copious home video bonus features.
2021 was a pretty good year for writer/director Edgar Wright. After taking a three-year break between projects, the Baby Driver (2017) creator brought the award-winning documentary The Sparks Brothers (2021) and supernatural thriller Last Night in Soho (2021) to theaters…. Read More ›
Rom-com “Marry Me” is a definite “Yes!” that only needs you to select your venue.
Trigger Warning: Marry Me contains several scenes involving lights flashings, predominantly from cameras. Be advised in case you have any kind of light sensitivity. If you sit in the question, the answer will find you. This line, the mantra from Owen Wilson’s… Read More ›
Tour the home release of “Resident Evil: Welcome to Raccoon City” through the lens of a franchise fan.
Listen, I was there in the era between Resident Evil 5 and Resident Evil 7: Biohazard. We were truly out here in the trenches as fans. You think you can hurt me? I bought Resident Evil: The Mercenaries 3D on… Read More ›
Documentary “Framing Agnes” overflows with love and positive intention, as overwhelming as it is inspiring. [Sundance Film Festival]
Director Chase Joynt is as much an investigator as a raconteur when it comes to his documentaries. His first feature, 2020’s No Ordinary Man, co-directed with Aisling Chin-Yee, reconfigured the structure of a traditional documentary by staging informal reenactments of… Read More ›
“Bite Me” will suck the blood out of you, but its absurdity is its charm.
There is a time and a place for every form of genre that exists, and February seems to hit that sweet spot for any subgenre of romance in any degree because of the Hallmark holiday. Meredith Edwards’s second feature is… Read More ›
Martika Ramirez Escobar’s “Leonor Will Never Die” combines art and imagination to craft exuberant cinematic chaos. [Sundance Film Festival]
Movies are magic. They can transport you to a different place and time, can help you process emotions you didn’t realize you had, or can just be a salve for what ails you. Even the most wild films, the ones… Read More ›
The haunting quality of “Ghosts of the Ozarks” is undercut by its silly approach.
I love me a good period horror film, and I particularly love those set on the American frontier, and while Ghosts of the Ozarks isn’t *technically* frontier territory, there was a down-home charm the trailer gave off that made me… Read More ›
Documentary “imperfect” may wear its namesake title well, but it’s still a fantastic step forward in shifting wider public perception. [Slamdance Film Festival]
Accessibility is the thing most take for granted. The whole entire world is designed for people without disabilities and, due to such rigidity, found itself stumbling to create the kind of necessary tools and improve access (telecommuting, remote services, increased… Read More ›
“Ghostbusters: Afterlife” closes loops and sets up the next generation who are ready to believe you.
Each of us has a window of time in our mind that tells us how long is appropriate between films, sequels specifically. Release one too soon and you run the risk of the new film being too heavily compared to… Read More ›
Documentarian Sébastien Lifshitz’s “Petite Fille (Little Girl)” invites us to understand one girl’s story of personal acceptance.
When it comes to parenting, there is no rule book, no grade scale, no metric which immediately determines if a child will grow up happy and healthy or feeling less-than. Despite all the books that have been written by countless… Read More ›
“Emily the Criminal” eschews the familiar thriller trappings, decrying the subjugation of self, making for a memorable heist of identity. [Sundance Film Festival]
From May 11th, 2016 – August 19th, 2018, there was a one-man Broadway show titled In & Of Itself in which actor/magician/trickster Derek DelGaudio first challenged his audience to pick a single word identifier for themselves to finish the phrase… Read More ›