Who doesn’t love a little meta-angle in their entertainment, something that’s willing to poke fun at itself all while telling its own version of the very thing it’s potentially satirizing? We’re talking movies like Hollywood Shuffle (1987), The Player (1992),… Read More ›
There’s an idea that one should never compare their daily struggles with someone else’s highlight reel. I forget where it popped up on social media or who wrote it, but it’s a smart thought. As we toil away at our… Read More ›
It’s 1985, Bruce Lee’s Fist of Fury had debuted 13 years prior and 1978’s Game of Death, Lee’s last film, debuted only seven years prior. In that time, however, thanks to repository screenings at New York theaters, martial arts cinema… Read More ›
What is so absolutely fantastic and unmatched about the Criterion Collection is, simply put, the work they do. They give movie lovers the highest quality of viewing for some of the most important films in cinematic history or films that… Read More ›
Fantastic Fest is the largest genre film festival in the U.S. and always brings with it some truly memorable experiences. EoM’s been formally covering the festival since 2021, discovering gems like The Execution (2021), Baby Assassins (2021), Unicorn Wars (2022),… Read More ›
In just about every culture on Earth there is a story involving the creation of existence. There are stories of emergence, of coming out of nothingness, of being born from chaos, and more. In each culture, these stories serve as… Read More ›
With writing credits like Crazy Rich Asians (2018) and Raya and the Last Dragon (2021), one shouldn’t be surprised that Adele Lim’s first foray into directing, Joy Ride, would be both distinctly through the lens of Asian culture and absolutely… Read More ›
“There’s a shortage of perfect movies in this world. It would be a pity to damage this one.” Actor Cary Elwes on Twitter in response to the news of a potential remake of The Princess Bride (1987). There are few… Read More ›
What is to be said about the recently late, great William Friedkin’s The Exorcist (or in the case of the actual title shown at the beginning of the film, William Peter Blatty’s The Exorcist, if you want to get technical… Read More ›
“Don’t watch the mouth; watch the hands.” – Peter B. Parker (voiced by Jake Johnson) in Spider-Man: Into the Spider-Verse In 2018, a brand-new Spider-Man story hit theaters and audiences would not be the same. That’s an enormous statement and,… Read More ›
There are movies that are based on true stories which truly captivate an audience and move them, and then there are movies based on true stories which are just not that engaging or interesting and bring forth a film that… Read More ›
Screening one last time at Lincoln Center in NYC on Tuesday, September 12th, at 8:30 p.m. as part of their massive Korean Cinema’s Golden Decade: the 1960’s exhibition is Kim Ki Deok’s The Barefooted Young, a 1964 South Korean film… Read More ›
Dr. José Hernández, born in August 1962 in French Camp, California, is not the first Hispanic astronaut (that title belongs to Chang Diaz with mission STS-61C), but he is the first astronaut whose origins begin with migrant farming, both for… Read More ›
Leonardo Da Vinci is considered one of the world’s most brilliant minds. He was an artist, an engineer, a painter, and more. His work has been the catalyst for novels (Dan Brown’s The Da Vinci Code), cinematic comedies (Michael Lehmann’s… Read More ›
I’m not saying that history is inaccurate, but I adamantly and blatantly refuse to believe that directors Luca Bercovici and Joe Dante had similar ideas about green terrifying creatures coming to torment humanity. I know sometimes ideas are borrowed from… Read More ›
Inevitably, whenever a new Batman-related project is announced, conversation swirls as to which of the prior actors to portray DC’s Dark Knight, a.k.a. The World’s Greatest Detective, is the best. Due to biases known and unknown, this so often turns… Read More ›
Adapting stories from one medium to another is difficult, a task made exorbitantly more difficult when based on a book by a beloved children’s author (notwithstanding controversies). Yet, here stands director Danny DeVito’s 1996 fantastical dramedy Matilda, a film which… Read More ›
There is always a lingering feeling that a movie, particularly one that is genre based, released at a poor time (like against a juggernaut such as Barbenheimer) or just not in the Halloween season, has a clear reason for the… Read More ›
Of the complaints from audiences swirling around regarding Hollywood, the big ones usually refer to the lack of original ideas and the reliance on remakes, reboots, and sequels. Yes, movie-making is a business, so studios look for reliable intellectual property… Read More ›
Actor/writer/director Kenneth Branagh is no stranger to adaptations, having made a series of remarkable William Shakespeare films (as well-known as Henry V (1989) to a lesser-known Love’s Labour’s Lost (2000)). In recent years, Branagh has turned to renowned mystery writer… Read More ›