Monster (2023) was one of the best films of last year that no one saw, as is typical of Hirokazu Kore-eda’s (Shoplifters; Nobody Knows) films as of late. It’s also part of a worrying trend and aftershock of American politics… Read More ›
Reviews
You’ll like the movie “I Like Movies” quite a lot.
“I like movies” is not just something I tell people at parties, it’s also the title of Chandler Levack’s debut feature film. If you’re someone who reads pieces like this review, this is a film with something to say about… Read More ›
Everything you thought you knew about the “Realm of Satan” is on display, making you question whether the film is fact or farce. [The Overlook Film Festival]
“For the uninvited, there is much to fear.” – Sign posted above the entrance to a home in Realm of Satan. For all of human existence, where there wasn’t an explanation before them, one was created. Myths become legends which… Read More ›
“Red Rooms” takes audiences on a frightfully intense rollercoaster of court proceedings. [The Overlook Film Festival]
There are movies that focus on courtroom procedurals and the drama that comes from the hearing itself that either are so effective they’re traumatizing or so dull they entirely lose the audience. Pascal Plante’s Red Rooms (Les chambres rouges) thankfully… Read More ›
“Infested” grants audiences a parting gift of a life-long phobia. [The Overlook Film Festival]
Horror movies usually tend to fixate on fears to engage their audience or do something truly horrifying and disturbing. The latter are typically easier to digest since they’re easier to shake off as they’re not exploiting something the audience may… Read More ›
Filmmakers Clark and Weir show potential in their debut film “Birdeater.” [The Overlook Film Festival]
There are so many ways that a film can get under an audience’s skin, whether that be intentional or not, but beating the proverbial dead horse with a children’s bat is certainly not the way to get things going in… Read More ›
Ariane Louis-Seize’s “Humanist Vampire Seeking Consenting Suicidal Person” blends melancholic drama and teenage angst in an exploration of the human condition through a vampiric lens. [The Overlook Film Festival]
Photosensitivity Warning: In several key sequences, flickering lights are used to convey enhanced emotions which may prove problematic for sensitive viewers. In undergrad at UNC at Asheville, during a lower-level English course, Bram Stoker’s Dracula was read and discussed as… Read More ›
Based-on-a-true-story dramedy “Wicked Little Letters” entraps with humor and mystery.
“This is more true than you’d think.” Truth, it’s said, is often stranger than fiction. It’s why so many stories are inspired by or adapted from real incidents. Such is the case here with the new project from director Thea… Read More ›
Director Raymond St-Jean tackles the story of Canadian hitman Donald Lavoie in “Dusk for a Hitman (Crépuscule pour un tueur).”
Real life is often fodder for storytelling. Typically, one will take an experience or emotion and transcribe that into something unique. However, fiction isn’t always as compelling as reality, which is why we get stories like Dumb Money (2023) detailing… Read More ›
The play’s the thing when it comes to comedic documentary “Grand Theft Hamlet.” [SXSW]
The pandemic did a lot of things to the citizens of the world in the early years, the least of which was take thousands of lives. Those who remained in those initial months and years dealt with physical isolation, financial… Read More ›
More than sew-sew, comedic thriller “Sew Torn” will leave you in stitches. [SXSW]
“For want of a nail …” Choices upon choices upon choices are what bring you to this review at this moment in your life. Maybe you signed up for notices when a new one publishes from EoM, maybe you follow… Read More ›
“Cold Wallet” is a home invasion thriller that lacks any strength in the teeth it tries to bare. [SXSW]
Capitalism is great when you’re rich and the worst when you’re poor. Or, in the case of current economic insecurities in the U.S., middle class. Capitalism functions off the premise that trade and industry are better off when private owners… Read More ›
Documentary “Runaway Radio” chronicles the evolution of groundbreaking Houston radio station KLOL.
It’s been a little over a hundred years since the first commercial radio broadcast when Pittsburgh’s KDKA broadcast the results of the Harding-Cox presidential election in 1920. In 1938, Orson Welles directed and narrated an adaptation of H.G. Wells’s novel… Read More ›
Take to the skies with the new home release edition of Liu Xiaoshi’s aviation drama “Born To Fly.”
April 2023, director/co-writer Liu Xiaoshi’s Born To Fly soared into U.S. theaters, bringing with it an energy from China that American audiences recognized from the Top Gun series: big attitudes, fast planes, and a desire to be the best there… Read More ›
88 Films continues its restoration of the action comedy “Inspector Wears Skirts” series with the 1989 second entry.
In December 2023, 88 Films released a 2K restoration of director Wellson Chin Sing-Wai’s 1988 female-led action comedy The Inspector Wears Skirts, produced by Jackie Chan (Gorgeous) with stunt production by Jackie Chan’s stunt team. For U.S. audiences, the film… Read More ›
Documentary “Resynator” builds on itself to a worthy crescendo and conclusion. [SXSW]
“We are the music makers, and we are the dreamers of dreams.” – Gene Wilder as Willy Wonka in Willy Wonka & the Chocolate Factory (1971). All families have myths and legends — sometimes it’s stories that seem generational (“walked… Read More ›
Horror blockbuster “Exhuma (파묘)” unleashes stateside thanks to Well Go USA.
If there’s one thing I’ve learned from horror films over the years, it’s to be cremated. I’m simply too tired and lazy to be an effective zombie, and I’m simply too apathetic to want to haunt anyone after my death…. Read More ›
Fresh out of the oven, “Riddle of Fire” serves up a unique, grand adventure.
There is something inherently special about writing and directing your first feature film, I would have to assume. Having never crossed that bridge myself, but consuming a plethora of films throughout my life, there is always something special, at least… Read More ›
Arrow Video releases Japanese horror “Dark Water” in 4K with special features.
Sometimes there are movies that just entirely escape your radar. Then you realize a boutique label is giving the film the treatment it arguably deserves and you decide to take the plunge and watch it for the first time. Before… Read More ›
Broadcasting live in theaters and coming to Shudder this Spring in a battle for your soul, it’s “Late Night with the Devil.”
If you are a fan of the horror genre, then you are probably very familiar with the name, David Dastmalchian. In the last year alone, he’s exploded off the screen in films like The Last Voyage of the Demeter, The… Read More ›