Writer/director Zhang Yimou is many things, but subtle is not one of them. His projects often feature beautiful cinematography and elegant performances while exploring the complexities of humankind, resulting in films that are often far more poetic than narratively straight…. Read More ›
In Theaters
Simon McQuoid’s “Mortal Kombat” is not a flawless victory.
Debuting in 1992, Ed Boon and John Tobias’s arcade game Mortal Kombat shook the foundation of popular kulture almost immediately. It wasn’t just the karacter design (digitized versions of real people known as “sprites”) or the in-game mythos, but the… Read More ›
After several festival premieres, Emma Seligman’s “Shiva Baby” gets the wide release it deserves.
There are a few moments in life where the dichotomy of promise and pressure collide as they do with family. Ideally, family are the folks who love and support you “no matter what,” yet, along with that, they also are… Read More ›
Martial arts action comedy “The Rookies” is best left on the bench.
When you market a film based on being from the writer of 2004’s New Police Story, a continuation/reboot of Jackie Chan’s action-martial arts-drama series, then you’d better be on par or be willing to lose a lot of face. Sadly,… Read More ›
Trippy, manic, and violent only begins to describe Ben Wheatley’s “In The Earth.”
Off-the-bat: Major epilepsy/strobe warning in effect for In The Earth. Stay far away from this film if that concerns you in any way. Director Ben Wheatley is no stranger to putting on different filmmaking hats, from his takes on British… Read More ›
“Godzilla vs. Kong:” Showdown for the Monsterverse.
Not since the 1962 film King Kong vs. Godzilla have the mighty titans faced each other in combat on the silver screen. It was the third film for both and, in keeping with the traditions of perceived heroism, Kong won… Read More ›
“Nobody” brings comfort like family.
Audience expectations are killer. They will ruin you every time, which is often why the marketing has to work so hard to manage them. A little tease here, a little explanation there — just enough to get folks interested without… Read More ›
Bonkers B-Movie gore fest “Jakob’s Wife” is brimming with bloodlust. [SXSW Film Festival]
Immediately after I finished watching Jakob’s Wife, I sat there in a state of confusion, perplexed by the madness of what I just witnessed. A jumbled mess of incohesive thoughts and emotions floated around in my mind as I tried… Read More ›
“Sound of Violence” fails to deliver on promising concept by sliding into familiar horror territory. [SXSW Film Festival]
On paper, Alex Noyer’s Sound of Violence has all the building blocks needed to succeed as a dark and twisted indie horror. The concept and synopsis sound fascinating, and the film expands upon themes Noyer has already explored for years…. Read More ›
Watch “The Feast” for a well-crafted cautionary tale rooted in Welsh folklore. [SXSW Film Festival]
The dinner table is a universal symbol of community, nourishment, and respite, but directors of horror movies often repurpose the place where people come together for a meal to create some of the most awkward and unsettling cinematic moments of… Read More ›
As long as the patriarchy exists, there will always be a “Witch Hunt.” [SXSW Film Festival]
Three years after her directorial debut Head Count, Elle Callahan returns with the allegorical Witch Hunt. A mixture of YA tropes, fantasy, and horror, Witch Hunt imagines an alternate Earth wherein witch craft is illegal in America to the point… Read More ›
Effulgent and joyous, “Mr. Soul!” is a celebration of one man’s work.
In 1968, you couldn’t turn on the television, listen to the radio, or read something in print without seeing a White face. Even during the Civil Rights Movement, any presentation of the Black experience was almost always presented through a… Read More ›
Action/adventure flick “Burn It All” trips and stumbles over its stiff dialogue, making it difficult to take the story seriously.
Like a well-choreographed action sequence, movies have a lot of moving parts. While certain aspects of a film might not fall into place, the film may do so well in other areas that it turns out alright in the end…. Read More ›
The exploration of social trust in Southeast Asian-inspired fantasy “Raya and the Last Dragon” hits close to home.
The latest Walt Disney Animation project, Raya and the Last Dragon, could not be coming at a more appropriate time. After years in development, the final version slated for theaters and Disney+ Premier Access on March 5th, 2021, is an… Read More ›
Keith Thomas’s phantasmagorical “The Vigil” explores the destructive terror of generational trauma.
When it comes to those who identify as Jewish, theirs is a life of constant reminders of threat, peril, and near-extinction several times over. Trying to explain holidays, for instance, to my eldest but still-quite-young son, is to find a… Read More ›
Despite some muddled aspects, Lu Yang’s “A Writer’s Odyssey” will make you a believer.
A good marketing campaign will make clear what the product is about so that consumers won’t feel flummoxed about how to engage with the object. It’s partly why marketing happens, so that there’s a sense of familiarity. When it comes… Read More ›
Have a killer time at “Willy’s Wonderland.”
A silent lead. A gang of teenagers. A house of horrific animatronic monsters. With this trifecta, Willy’s Wonderland is either going to be the stuff of legends or nightmares. If you’re a fan of small budget horror films like Evil… Read More ›
“Prisoners of the Ghostland” brings new meaning to the phrase “balls out” in its post-apocalyptic action/adventure tale. [Sundance Film Festival]
A nameless stranger. A damsel in distress. A suicide mission that no one but the best can handle. These three requirements appear in countless stories, from gunslinger westerns of the East to the samurai tales of the West, each possessing… Read More ›
If you want to know “How It Ends,” begin with yourself. [Sundance Film Festival]
The latest project from Mister Lister Films is at once existential and profound, while completely self-indulgent. In their balance, both of these can be true, combining into a film that’s as heartbreaking as it is hilarious. Conceived, developed, and shot… Read More ›
Documentarian Rodney Ascher’s “A Glitch in the Matrix” explores the mystery of Simulation Theory. [Sundance Film Festival]
It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via… Read More ›