When it comes to adapting games, especially video games, for cinema, the track record is low for success. While there’s some fun to be had in Doom (2005) or Mortal Kombat (1995), it’s best not to mention any appreciation for… Read More ›
In Theaters
More ≠ better for “Hitman’s Wife’s Bodyguard.”
When I left the Patrick Hughes-directed The Hitman’s Bodyguard (2017), the first thought I had was “Looney Tunes.” The way in which the narrative exploits the chemistry between its leads, Ryan Reynolds (Waiting…) and Samuel L. Jackson (Formula 51), the… Read More ›
“Cruella” is brilliant and mad in all the right places, but is mostly frustrating.
In the spirit of past Walt Disney live action remakes or reimaginations such as Maleficent or Dumbo, comes Cruella, directed by Craig Gillespie (I, Tonya) and starring the talented Emma Stone (The Favourite), Emma Thompson (Love Actually), Mark Strong (Sherlock… Read More ›
Simon Barrett’s feature directorial debut “Séance” is a first class experience.
As someone who, like many, spent the entirety of their education in public schools, I’ve always had a sick fascination with the mystique of the private school experience, particularly that of the private boarding school experience. There’s something so strangely… Read More ›
Bodies will hit the floor and rise again when the “Army of the Dead” mobilizes.
Zack Snyder’s latest film, zombie/heist flick Army of the Dead, represents the best and worst of the auteur. It’s bombastic with copious amounts of gore while also containing heartrending philosophical notions regarding survival amidst nihilistic horror; however, it’s also a… Read More ›
Get to know D.C. Hardcore punk scene in doc “Punk the Capital: Building a Sound Movement.”
As a Jewish kid from Roanoke, Virginia, my music influences were around what was played on the radio; what played on music channels VH1, MTV, and BET; or what was played by my family across their eclectic tastes ranging from… Read More ›
“Spiral: From The Book of Saw” is not a game you want to play.
As a child, I truly believed the pinnacle of horror was the Saw series. As someone who feared horror films up until age 13-ish, it was difficult for me to distinguish between something that was actually scary, and something that… Read More ›
Anders Thomas Jensen’s dark comedy “Riders of Justice” offers shocking profundity amid violence.
A young girl and her mother are riding a subway train when an accident occurs, killing the mother and leaving the daughter injured but alive. Her father, a military man, comes home from active duty to care for his daughter… Read More ›
Guy Ritchie’s “Wrath of Man” is mean, gritty, and surprising in its restraint.
Writer/director Guy Ritchie last dazzled audiences (or, at least this reviewer) with the fairly up-tempo 2019 Matthew McConaughey crime-thriller-comedy The Gentlemen. A film which, despite a few faults, reminded audiences how much of a good time they can have exploring… Read More ›
Zhang Yimou’s spy thriller “Cliff Walkers” subverts expectations at every turn, offering a meal for hungry audiences.
Writer/director Zhang Yimou is many things, but subtle is not one of them. His projects often feature beautiful cinematography and elegant performances while exploring the complexities of humankind, resulting in films that are often far more poetic than narratively straight…. Read More ›
Simon McQuoid’s “Mortal Kombat” is not a flawless victory.
Debuting in 1992, Ed Boon and John Tobias’s arcade game Mortal Kombat shook the foundation of popular kulture almost immediately. It wasn’t just the karacter design (digitized versions of real people known as “sprites”) or the in-game mythos, but the… Read More ›
After several festival premieres, Emma Seligman’s “Shiva Baby” gets the wide release it deserves.
There are a few moments in life where the dichotomy of promise and pressure collide as they do with family. Ideally, family are the folks who love and support you “no matter what,” yet, along with that, they also are… Read More ›
Martial arts action comedy “The Rookies” is best left on the bench.
When you market a film based on being from the writer of 2004’s New Police Story, a continuation/reboot of Jackie Chan’s action-martial arts-drama series, then you’d better be on par or be willing to lose a lot of face. Sadly,… Read More ›
Trippy, manic, and violent only begins to describe Ben Wheatley’s “In The Earth.”
Off-the-bat: Major epilepsy/strobe warning in effect for In The Earth. Stay far away from this film if that concerns you in any way. Director Ben Wheatley is no stranger to putting on different filmmaking hats, from his takes on British… Read More ›
“Godzilla vs. Kong:” Showdown for the Monsterverse.
Not since the 1962 film King Kong vs. Godzilla have the mighty titans faced each other in combat on the silver screen. It was the third film for both and, in keeping with the traditions of perceived heroism, Kong won… Read More ›
“Nobody” brings comfort like family.
Audience expectations are killer. They will ruin you every time, which is often why the marketing has to work so hard to manage them. A little tease here, a little explanation there — just enough to get folks interested without… Read More ›
Bonkers B-Movie gore fest “Jakob’s Wife” is brimming with bloodlust. [SXSW Film Festival]
Immediately after I finished watching Jakob’s Wife, I sat there in a state of confusion, perplexed by the madness of what I just witnessed. A jumbled mess of incohesive thoughts and emotions floated around in my mind as I tried… Read More ›
“Sound of Violence” fails to deliver on promising concept by sliding into familiar horror territory. [SXSW Film Festival]
On paper, Alex Noyer’s Sound of Violence has all the building blocks needed to succeed as a dark and twisted indie horror. The concept and synopsis sound fascinating, and the film expands upon themes Noyer has already explored for years…. Read More ›
Watch “The Feast” for a well-crafted cautionary tale rooted in Welsh folklore. [SXSW Film Festival]
The dinner table is a universal symbol of community, nourishment, and respite, but directors of horror movies often repurpose the place where people come together for a meal to create some of the most awkward and unsettling cinematic moments of… Read More ›
As long as the patriarchy exists, there will always be a “Witch Hunt.” [SXSW Film Festival]
Three years after her directorial debut Head Count, Elle Callahan returns with the allegorical Witch Hunt. A mixture of YA tropes, fantasy, and horror, Witch Hunt imagines an alternate Earth wherein witch craft is illegal in America to the point… Read More ›