I love me a good period horror film, and I particularly love those set on the American frontier, and while Ghosts of the Ozarks isn’t *technically* frontier territory, there was a down-home charm the trailer gave off that made me… Read More ›
In Theaters
Documentary “imperfect” may wear its namesake title well, but it’s still a fantastic step forward in shifting wider public perception. [Slamdance Film Festival]
Accessibility is the thing most take for granted. The whole entire world is designed for people without disabilities and, due to such rigidity, found itself stumbling to create the kind of necessary tools and improve access (telecommuting, remote services, increased… Read More ›
Pedro Almodóvar’s always tender humanity enables “Parallel Mothers (Madres paralelas)” to examine complex matter.
There’s something to be said about “movie magic” or whatever word or phrase you use to describe those “Nicole Kidman sitting in the world’s cleanest, emptiest AMC” moments where you really just appreciate every aspect that not only went into… Read More ›
Altered Innocence’s 4K restoration of Spanish horror “Arrebato (Rapture)” highlights how its DNA is strewn across all genres, all nations, to a multitude of filmmakers.
Inspiration is found everywhere. Even the best filmmakers have inspirations that they imbue into their own work, using the work that made them into the filmmakers they are today in smart, reverential ways. Sure, occasionally things can get heavy-handed and… Read More ›
Even if you let the pre-release hype get to you, the thrilling essence of “Scream” breaks through in full force.
NOTICE: I will obviously not be discussing spoilers or fun reveals for this film, however, I will be divulging the very basic plot setup, as well as spoilers for previous Scream films. You’ve had decades, don’t get mad at me… Read More ›
Writer/director Mamoru Hosoda’s “BELLE” brings together the heart and imagination, creating a transcendent cinematic experience.
In a career spanning over 20 years, writer/director Mamoru Hosoda has cultivated a filmography of works which communicate to the general masses (Digimon: The Movie (2000)) and to a specific niche audience (Summer Wars (2009); Mirai (2018)). Full disclosure: Mirai… Read More ›
Cast chemistry of “The 355” elevates the by-the-numbers screenplay.
One could describe The 355 as an action thriller with an all-star cast, and that would be true. But a more simple way to describe The 355 is that it’s every spy thriller flipped so that the old tropes feel… Read More ›
Uneven in tone and narrative at times, “Schemes in Antiques” isn’t the con romp you expect, but it’s a ride worth taking.
Chinese adventure hybrid Schemes in Antiques from director Derek Kwok (Immortal Demon Slayer) may feel, to American audiences, like a mash-up between National Treasure (2004) and Ocean’s Eleven (2001). It’s at times silly, serious, delicate, and violent, all while using… Read More ›
“The Matrix Resurrections” offers a celebration of what was and a rebirth all at once.
In 1999, a question was posed that would have an unexpected impact on cinema and my life as a cinema-goer for years to come: “What is the Matrix?” It’s little more than tagline, a simple query that also serves as… Read More ›
“Sing 2” dreams big dreams and manages to make most come true.
Since before well covers became popularized in its modern form, singing has been a way to carry on local history and traditions, carrying warnings or lessons that the listener will absorb and carry forward into the next generation. The minstrels… Read More ›
Noir “Nightmare Alley” boasts a packed cast and stunning visuals.
“Is he man or beast?” barks Willem Dafoe’s Clem, the man who runs the oddities exhibit at a carnival, enticing people to look down upon an enclosure where a figure is hidden. These people have come to see something horrendous… Read More ›
“National Champions” may focus on football, but this is no typical sports film.
What would you call it if someone made money off your hard work? I’m not talking about a manager at your local Mom & Pop Shop running their business with a few hired hands, I’m talking about someone making millions… Read More ›
Just because you “Don’t Look Up,” doesn’t mean it’s not happening.
Don’t Look Up is, by far, the strongest, most searing piece of cinema writer/director Adam McKay (The Big Short; Vice) has put before us. Unlike his last two films which presented real-world events through a comedic lens, Don’t Look Up… Read More ›
Philip Barantini’s “Boiling Point” mixes technical prowess with dramatic tension for an all-too realistic look at the service industry.
There is nothing worse than dealing with hungry people. Except, maybe, perhaps, dealing with hungry people during a major holiday. I’m not talking about family gatherings around the home and hearth, I’m talking about going out to eat. You want… Read More ›
Paul Verhoeven’s “Benedetta” weaves luridity in with heavy, impenetrable narratives to create something with a surprising amount of emotional heft.
This is absolutely a safe space to admit that Paul Verhoeven is one of the most well-rounded, self-aware filmmakers to ever live. We’re all thinking it, so someone might as well say it. His filmography can sometimes read like a… Read More ›
Writer/director Camille Griffin’s directorial debut “Silent Night” is a hilariously dark and downright torturous microcosmic exploration of living on Earth.
The holidays are always rife with possibilities. They are an opportunity to gather together, to rekindle connections or foster already burgeoning affections. They are also an opportunity to air grievances, the energy of renewal spurning some to unleash that which’s… Read More ›
Enjoy all the horror and humor of “Black Friday” without setting your alarm for 3am.
The moment the clock hit 12:01am, most of my social media had flipped from Halloween content to Christmas. Out with the spooky and in with the jolly! Skipping over the fact that Hanukkah starts sundown November 28th this year (slow… Read More ›
Writer/director Abel Ferrara’s “Zeros and Ones” is not just a drama, but a full-circle experience.
Written and directed by Abel Ferrara, Zeros and Ones opens with a video message directly from lead actor Ethan Hawke, even before the actual narrative of the film gets going. This video from Hawke looks to have been shot on… Read More ›
Lin-Manuel Miranda’s “tick, tick…BOOM!” adaptation is a love-letter to both a lost artist and the medium he so loved.
Your musical theater tastes are all but defined by when you were first introduced. It doesn’t mean that you can’t shift or grow in tastes, but there certainly comes a heavy influence or leaning based upon your start. While I,… Read More ›
Halle Berry’s directorial debut is “Bruised” but not broken.
It’s perfectly natural to want to find ways to grow in your craft. Someone who starts as an intern likely has their eyes on a manager’s seat, wanting to absorb as much as possible in order to get there faster…. Read More ›