There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
In Theaters
Chloé Zhao’s “Eternals” is a somber, thoughtful, and frequently intimate adventure which heralds a more mature MCU.
Since the start of the Marvel Cinematic Universe (MCU) in 2008 with Jon Favreau’s Iron Man, the once indie studio Marvel Studios went on to create possibly the most elaborate series in cinema history as it slowly built up a… Read More ›
The heaviness within “Mass” is neither constrictive nor oppressive, but it will leave you staring at the ceiling. [Film Fest 919]
There was a moment in Mass that felt so profoundly terrifying to me, not in the film itself, but from the implication of said film and its message. I began to think of 2019, when an armed student killed two… Read More ›
Large in scope but small in focus, “My Hero Academia: World Heroes’ Mission” is everything and nothing like you’d expect from the long-running series.
Just after season five of popular anime My Hero Academia ends its run in the U.S. and before the sadness of no new episodes can set in, fans of Class 1-A may rejoice in a new adventure featuring their favorite… Read More ›
The bigger the legend, “The Harder They Fall.”
When Americans tell stories of the Old West, there’s typically a common thread running through them and it’s very white and heroic. With films like 3:10 to Yuma (1957) or True Grit (1969), The Good, the Bad, and the Ugly… Read More ›
The earnestness of “Breaking Them Up” creates an opportunity for connection.
Relationships, whether platonic, romantic, or familial, are always going to be tested. Some last forever, even through the challenges, while others are cut short by complications. Some people stay in an unhealthy relationship forever, while on other occasions, both parties… Read More ›
“Halloween Kills” turns its attention from Laurie Strode to Haddonfield with mixed results.
The Boogeyman. The Shape. Michael Myers. Whatever name you call him, wherever he goes, death follows. Just as simple as that. But what’s left in his wake besides dead bodies? In Halloween (2018), director/writer David Gordon Green and cowriters Jeff… Read More ›
“Knocking” takes its time building suspense, but Cecilia Milocco’s steady performance will keep you hooked.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
The unique atmosphere of video game adaptation “Detention (返校)” evokes that helpless feeling of a good survival horror game.
When you think of a movie based on a video game, do pleasant thoughts come to mind? Despite some genuinely great films based on video games (Silent Hill’s 32% on Rotten Tomatoes is a homophobic microaggression; Silent Hill: Revelation’s 6%… Read More ›
Audacious thriller “South of Heaven” explores how one bad decision can snowball.
Mistakes and bad decisions are simply a part of human nature. We are flawed, imperfect beings, and it is up to each of us, on an individual level, to learn from our errors and make the most of the positive… Read More ›
Enigmatic fairytale “Lamb” contains a warning for how far you should allow grief to carry you.
Despite all intents and purposes, director Valdimar Jóhannsson’s Lamb is not a horror film. Not in any kind of traditional sense. On the surface, it’s barely unsettling and this is both a benefit and a detriment to its overall reception…. Read More ›
Documentary “The Neutral Ground” balances truth and humor on a razor’s edge. [Nashville Film Festival]
In 2015, the New Orleans City Council passed a proposal by then-mayor Mitch Landrieu to remove five monuments around the city dedicated to Confederate soldiers. It took several years for these five to be removed due to legal action attempting… Read More ›
“a-ha: The Movie” makes it clear that it’s no better to be safe than sorry. [Nashville Film Festival]
Music is absolutely a paradox when it comes to its tether to time. It’s at once a product of when it was made, but it can feel entirely free of that period, being discovered or rediscovered over and over again…. Read More ›
One-woman show “Faye” finds hope in the horror. [Nashville Film Festival]
It’s confounding the lengths people will go to denigrate or dismiss the horror genre in favor of more populist genres like action, drama, or comedy. For generations, horror stories have been used as social warnings, explorations of loss, and even… Read More ›
A road trip with the Addams Family shouldn’t be so unexpectedly disastrous.
They’re creepy, kooky, mysterious, spooky, and are back for a second animated film from returning directors Greg Tiernan (Sausage Party) and Conrad Vernon (Monsters vs. Aliens). Where the first film explored assimilation versus individuality, the second outing is more interested… Read More ›
Writer/director Jean Luc Herbulot’s “Saloum” will make you believe in legends. [Fantastic Fest]
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
Body horror/buddy comedy “Venom: Let There Be Carnage” is the definition of a popcorn-flick.
The road to 2018’s Venom was a long one. First introduced as merely an alien costume in The Amazing Spider-Man #252, the symbiote known as Venom wouldn’t appear for about four years later in The Amazing Spider-Man #300 kicking off… Read More ›
Music is the tether in short doc “Babylon: Ghetto, Renaissance, and Modern Oblivion,” linking two cultures across time and location.
Before Guttenberg changed how we share stories with the birth of the printing press in 1450, it was the oral tradition which kept the past in the memories of our present. Even well after the emergence of printed word, the… Read More ›
Enjoy some wholesome tokusatsu fun in Eric McEver’s “Iké Boys.” [Fantastic Fest]
Tell me if you’ve heard this one before: a group of outcasts finds themselves at the center of a prophecy that holds the fate of the world in its hands. In brief, that’s the summary for Eric McEver’s (A Utopia)… Read More ›
“Baby Assassins” is a bubbly action crime comedy that’s not afraid to kick a lot of ass. [Fantastic Fest]
If you’ve ever sat absorbing something for the first time — a song, a book, a play, a movie — and thought to yourself, “I can’t wait to revisit this,” then you’ll have some sense of what will await you… Read More ›