Writer, director, and actor James Morosini delivers one of the strongest movies of 2022 thus far that will certainly be a conversation starter for award season. I Love My Dad is one of the most uncomfortable viewings audiences will experience… Read More ›
In Theaters
You’ll want to linger after you “Stay the Night.” [SXSW Film Festival]
I love a good romance. Perhaps because reality is unpredictable, often heart-wrenchingly so, there’s comfort in a romantic tale. The key in sticking the landing is the perspective of the creative team, as well as the talent in front of… Read More ›
“Seriously Red” is a love letter to impersonators and the celebrities they embody. [SXSW Film Festival]
There is something truly magical about movies that are just effortlessly charming, endearing, and whimsical. Then there is something extraordinary when one writes and stars in the feature and pulls off that ever so delicate balance of amazement. In Gracie… Read More ›
The message of Augusto Sandino’s “A Vanishing Fog (Entre la niebla)” stays with you long after the credits roll. [SXSW Film Festival]
In recent years, Colombia has really begun to reveal itself as a very interesting home for strange, introspective indie cinema in a way I don’t think anyone expected. With global voices taking the mainstream stage and with storytellers unafraid to… Read More ›
Nyla Innuksuk’s humorous action horror “Slash/Back” tackles colonialization armed with heritage and the strength of community. [SXSW Film Festival]
Nyla Innuksuk tells a coming-of-age alien invasion story rooted in Inuit culture and legends in her debut feature film, Slash/Back. In Slash/Back, Innuksuk manages to knit together a movie that both pays homage to the “kids on bikes” movies she… Read More ›
Make room on your annual October watchlist for Bill Posley’s “Bitch Ass.” [SXSW Film Festival]
There are very few movies instantly recognized as a crowd favorite, but when they’re discovered in that sweet spot of magic, one would do quite literally anything to witness said film with a packed audience. Bitch Ass, the new horror… Read More ›
Short film “Everything Will Be All Right” packs a feature-length emotional punch. [SXSW Film Festival]
In the current circumstances we live in, and have lived in for the last two years, we sometimes have to remind ourselves that everything will, in fact, be all right. We need that deep breath, that reconciliation with ourselves that… Read More ›
Cringe and comedy more than pay off in “Pretty Problems.” [SXSW Film Festival]
There is nothing particularly fun about watching a couple who’s on the rocks try to break free of their mold and cannot fathom why or how they’ve been invited to an extravagant weekend. Well, there is nothing fun about that… Read More ›
Unravel a wild unknown mystery with Allison Otto’s documentary “The Thief Collector.” [SXSW Film Festival]
When I was a kid, I remember my paternal grandparents traveling constantly. They would bring back foreign currency, bobbles, and even stuffed animals from their adventures to give to me, my siblings, and cousins — mementos of their trips which… Read More ›
Your time is well invested in documentary “Diamond Hands: The Legend of WallStreetBets.” [SXSW Film Festival]
There are documentaries that expose some of the darkest parts of the world and then there are nature documentaries, but there is also literally everything else in between that one could possibly fathom. Shoes? You bet there’s a documentary. A… Read More ›
Documentary “Still Working 9 to 5” captures all the humor, real issues, and hard work surrounding the classic comedy. [SXSW Film Festival]
December 19th, 1980, is memorable for two reasons: it’s the day I was born and Colin Higgins’s 9 to 5 hit theaters. It, a workplace comedy featuring three female leads, went up against the likes of Robert Altman’s Popeye and… Read More ›
Documentary “Mama Bears” offers love and light for all who are lost: parents and children alike. [SXSW Film Festival]
Then God said, “Let us make mankind in our image, in our likeness, so that they may rule over the fish in the sea and the birds in the sky, over the livestock and all the wild animals, [a] and… Read More ›
Even newbies will get into dark fantasy manga adaptation “Jujutsu Kaisen 0.”
Started by creator Gege Akutami in March 2018, Weekly Shōnen Jump series Jujutsu Kaisen is a supernatural horror/comedy action series involving sorcerers who protect the world’s population by destroying or controlling curses (primarily sentient monster-like creatures) that come to being… Read More ›
Documentary “Crows are White” is a surprising exploration of the intersection of faith and truth. [SXSW Film Festival]
On Mt. Hiei in Japan lives a secretive sect of Buddhists who push their bodies to their limits in order to achieve enlightenment. Seeking guidance, documentarian Ashen Nadeem travels to the monastery in hopes of chatting with Kamahori, a monk… Read More ›
Teemu Nikki’s dramatic thriller “The Blind Man Who Did Not Want to See Titanic” is storytelling on an elevated level. [SXSW Film Festival]
Art being subjective, the likelihood that each film released is going to be the latest masterpiece is small. Individuals may certainly feel that way, but, objectively, it’s far less likely. Odds are always on the side of familiar stories being… Read More ›
Iuli Gerbase’s “The Pink Cloud” utilizes a fictional global crisis as a means of exploring gender roles in a microcosm.
“Written in 2017, shot in 2019, Official Selection Sundance 2021” — these words find themselves repeated often when promoting writer/director Iuli Gerbase’s feature-length directorial debut, the science fiction drama A Nuvem Rose, now more widely known as The Pink Cloud…. Read More ›
Matt Reeves’s “The Batman” may just be the greatest live-action Dark Knight detective story yet.
In my lifetime, the following actors have physically donned the cowl of Bob Kane and Bill Finger’s legendary detective Batman: Adam West, Michael Keaton, Val Kilmer, George Clooney, Christian Bale, and Ben Affleck. With each actor came a distinct version… Read More ›
Deceptively simple sci-fi dramatic thriller “Bor Mi Vanh Chark (The Long Walk)” will terrify you while drawing you in.
Since its initial release in September 2019, director Mattie Do’s (Dearest Sister) dramatic sci-fi thriller Bor Mi Vanh Chark (The Long Walk) has seen either additional festival screenings or limited releases across the globe. Now, with distribution from Yellow Veil… Read More ›
“Studio 666” is an old school slasher set to a modern riff.
When it comes to band movies, documentaries (The Sparks Brothers (2021); a-ha: The Movie (2021)), and biopics (Straight Outta Compton (2015); Walk The Line (2005)) offer opportunities for audiences to get to know the music and members that they perhaps… Read More ›
Tyson Wade Johnston’s drama “Streamline” succeeds in capturing the haunting fear of failure.
Sometimes while watching movies we get that vague feeling of deja vu, and sometimes that feeling is almost welcomed. In Tyson Wade Johnston’s first full length feature, Streamline, the audiences are going to be hit with this sense of familiarity…. Read More ›