Inside Lights Out are two wolves: one is a post-war drama involving a solider struggling with PTSD and lost meaning from time in the service, while the other is a thriller involving cops on the take and the money they’re… Read More ›
In Theaters
Documentarian Dan Partland’s “God & Country” deftly lays out the historical evidence that explains the current rise of Christian Nationalism. [SBIFF]
E Pluribus Unum. This brief Latin phrase meaning “one from many” was first added to United States coins in 1795. It’s a motto that speaks to all citizens of the United States of America, even in an era when those… Read More ›
Documentary “The Movie Man” deftly reminds that filmgoing is a social experience that requires social responsibility to maintain. [SBIFF]
Though the first moving pictures were shown in the 1800s and began as a sideshow, they transformed into a main event with the advent of the movie theater. No longer having to go into a tent or side space, people… Read More ›
Pair “The Taste of Things” with a good meal for the perfect Valentine’s Date.
It was December 16th, 2023, when I received the text “Do u want soup tonight?” to which I replied, “Yeah I can do a soup.” The dinner invitation came from fellow film buff Scott Rogers, who, along with his partner… Read More ›
Wrestling doc “The Death Tour” is more than about heels, faces, or even the pop – but why the audience matters. [Slamdance Film Festival]
In the United States, names like World Wrestling Entertainment (WWE), World Championship Wrestling (WCW), Assault Championship Wrestling (ACW), and All Elite Wrestling (AEW) may come to mind when bringing up sports entertainment. But wrestling isn’t a U.S.-based sport, with countries… Read More ›
New Disney+ documentary “Madu” breaks tradition as it follows a gifted dancer from Nigeria to England. [SBIFF]
Photosensitivity Warning: There are a few scenes of refracted light that may be triggering for sensitive viewers. In August 2020, a video of 11-year-old Anthony Mmesoma Madu dancing outside of his ballet school went viral, garnering attention not just from… Read More ›
Filmmaker Omar Kamara explores the rich complexity of sibling relationships in dramedy “African Giants.” [Slamdance Film Festival]
“If I have seen further, it is by standing on the shoulders of giants.” – Sir Isaac Newton With all of the discussion of borders — who’s securing them, who’s refusing to do so, what do we do with the… Read More ›
Silent film action comedy “Hundreds of Beavers” is a film you need to see to believe.
City Lights. Metropolis. Hundreds of Beavers. From 1894 to 1931, the earliest period of moving periods is known as the Silent Era. These films, made with celluloid and glass (to help simulate color), make up a significant portion of our… Read More ›
First-time documentarian Ryan Jacobi explores the man behind the improv character in “I’m ‘George Lucas’: A Connor Ratliff Story.” [Slamdance Film Festival]
Before there was The Mandalorian (2019-??), Andor (2022), The Book of Boba Fett (2021), or Ashoka (2023), before there was either a Prequel or Sequel Trilogy, there was only Star Wars (1977), The Empire Strikes Back (1980), and Return of… Read More ›
“Scrambled” captures the complexities of finding out your egg timer is going off.
Writer and first-time feature director Leah McKendrick (Pamela & Ivy) taps into the millennial’s primal fear of being alone in her debut feature, Scrambled. When 30-something Nellie (Leah McKendrick) is sick of being an eternal bridesmaid, she goes on an… Read More ›
Matthew Vaughn’s spy actioner “Argylle” is a fun and zany spy adventure that delivers entertainingly mixed results.
Director Matthew Vaughn revitalized the spy-genre with the Kingsman franchise. Those films offered a different take on the typical James Bond-esque espionage story. The films were more brutal and bloody, reinvigorating the genre for audiences. After three Kingsman films, Vaughn… Read More ›
Filmmaker Juan Pablo Reinoso explores the notion of movie memorabilia as modern art in his new documentary “Mad Props.”
Movies are magic. They take visions of the imagination and breathe life into them, projecting them high onto a silver screen in a large auditorium so that the gathered audience can share in the illusion together. Doesn’t matter if the… Read More ›
Don’t miss out on Rasheed Stephens’s best day of his life in the mixed-format dramedy “All I’ve Got & Then Some.” [Slamdance Film Festival]
“Best Day of My Life!” When asked how he’s doing by friends, colleagues in the comedy realm, passengers in his latest pick-up, and everyone in between, Rasheed Stephens (himself) replies with the same answer: “Best day of my life.” It’s… Read More ›
Filmmaker Rafael Toledo is set to make an explosive impression with his short film “Blockbuster.” [Slamdance Film Festival]
In an era where it seems like most major studio releases are one giant computer-generated sequence after another, there’s something desirable about watching a film with practical effects. Realism is overrated when there’s something tangible before us, even if it… Read More ›
“The Goldfinger” adapts real events into a compelling cinematic crime drama.
When it comes to movie-making, which is superior: truth or manipulated fiction? To some, the facts don’t matter as long as the essence of a thing is captured (Bohemian Rhapsody); whereas, to others, if the presentation of facts is constructed… Read More ›
Filmmaker Pete Ohs’s satirical comedy “Love and Work” utilizes laughter as a gateway for much-needed introspection. [Slamdance Film Festival]
Exacerbated by a variety of global conditions due to COVID-19, the United States is now a society in which working is the prime directive. Not creating art, not engaging with cultures or communities beyond ourselves, just working in order to… Read More ›
Filmmaker Choi Dong-hoon’s hotly anticipated “Alienoid” sequel “Return to the Future” arrives with bigger action and bigger laughs to navigate world-ending stakes.
August 2022, U.S. audiences were introduced to co-writer/director Choi Dong-hoon’s brand-new sci-fi action comedy Alienoid (외계+인 1부), a world in which an order of intergalactic peacekeepers house alien prisoners within the bodies of humans in order to keep them docile…. Read More ›
Filmmaker Daniel Robbins’s new doc “Citizen Weiner” encourages audiences to make the change they want to see in their local government. [Slamdance Film Festival]
In the ‘80s, there was a trend of films that built up their own cliché — the rag tag group of kids going up against the big city conglomerate, usually to save a community center. Do keep in mind that,… Read More ›
“Wanted Man” delivers on B-movie action.
If you were from the ‘80s, a big bulking dude who made a career of questionable quality action films, and then decided to write and direct equally questionable content, then audiences should know exactly what they’re getting themselves in to…. Read More ›
“Freud’s Last Session” is a thorny bore and a great idea.
Freud’s Last Session may not have been with C.S. Lewis, Christian Apologist and author of The Lion, The Witch, and the Wardrobe to be, but what this film presupposes is: maybe it was? Set on the day Hitler’s Nazi Germany… Read More ›