Despite what one might think when it comes to anime, the adventures aren’t just about super-powered beings fighting one another (My Hero Academia), gifted individuals trying to protect the world from curses (Jujutsu Kaisen), or maybe that time you came… Read More ›
In Theaters
John Curran’s “Mercy Road” is a 160km/h philosophical horror show that won’t be for everyone.
There’s a common joke these days that the same people who warned their children not to believe everything they see on television are the same ones quoting a random internet user’s philosophy or anecdotal experience as fact. While there’s a… Read More ›
Documentarian Michael Gitlin invites audiences to go night swimming with “The Night Visitors.” [New York Film Festival]
Trigger Warning: Photosensitive audience members beware as there are several moments of flashing/strobing, close-ups on bulb filament, bright white backgrounds, and other elements which may induce episodes or migraine. Recently, on a walk with my family, my eldest spoke about… Read More ›
Cinematographer Baatar Batsukh showcases his unique visual style in his directorial debut, “Aberrance.”
The most memorable and interesting part of Baatar Batsukh’s directorial debut, Aberrance, isn’t the plot, performances, or script, but the cinematography. And, considering the director’s resume, his masterful camera work is no surprise. While Aberrance is the first feature film… Read More ›
Kim Jee-woon’s dark dramedy “Cobweb (거미집)” explores the duality of depression and optimism in creation. [Fantastic Fest]
“Oh what a tangled web we weave When first we practice to deceive.” Sir Walter Scott, author There is no story more powerful than the one we tell ourselves. Are we the hero? The villain? Are we the main character… Read More ›
Original in concept and philosophy, Gareth Edwards’s “The Creator” is a gorgeously shot, powerfully acted, and thoughtful protest film. [Fantastic Fest]
… Compromise is made out of peace But history’s made out of violence … – From “Sing Along” by Sturgill Simpson. Though he made his big splash for most audiences with 2014’s Godzilla, writer/director Gareth Edwards has been releasing films… Read More ›
When it comes to “Pet Sematary: Bloodlines,” perhaps dead is better. [Fantastic Fest]
I’m fairly certain I might be the only person on Earth who feels this way, but I stand firm in that the 2019 remake of Pet Sematary is a better rendition of Stephen King’s source novel than that of the… Read More ›
Writer/director Francis Galluppi’s feature-length directorial debut “The Last Stop in Yuma County” is like a poker hand where everything remains uncertain even after the river. [Fantastic Fest]
Some days it doesn’t matter what you do, your fate is sealed before you’ve even woken up. On those days, you ride it out to the best of your ability, holding on tight to the proverbial wheel is one option… Read More ›
Writer/director Yūdai Yamaguchi brings his martial arts actioner “One-Percenter” to whoop ass at Fantastic Fest 2023. [Fantastic Fest]
Who doesn’t love a little meta-angle in their entertainment, something that’s willing to poke fun at itself all while telling its own version of the very thing it’s potentially satirizing? We’re talking movies like Hollywood Shuffle (1987), The Player (1992),… Read More ›
Nicholas Tomnay’s new darkly comic thriller “What You Wish For” is a dish worth waiting 13 years for. [Fantastic Fest]
There’s an idea that one should never compare their daily struggles with someone else’s highlight reel. I forget where it popped up on social media or who wrote it, but it’s a smart thought. As we toil away at our… Read More ›
The latest short film from writer/director Sam Fox is “Fck’n Nuts.” [Fantastic Fest]
Fantastic Fest is the largest genre film festival in the U.S. and always brings with it some truly memorable experiences. EoM’s been formally covering the festival since 2021, discovering gems like The Execution (2021), Baby Assassins (2021), Unicorn Wars (2022),… Read More ›
Wuershan’s “Creation of the Gods I: Kingdom of Storms” is a relentless and epic kick-off appropriate for a legendary tale.
In just about every culture on Earth there is a story involving the creation of existence. There are stories of emergence, of coming out of nothingness, of being born from chaos, and more. In each culture, these stories serve as… Read More ›
“Bank of Dave” gains little interest with meandering story and lack of investment.
There are movies that are based on true stories which truly captivate an audience and move them, and then there are movies based on true stories which are just not that engaging or interesting and bring forth a film that… Read More ›
Lincoln Center brings “The Barefooted Young” to NYC.
Screening one last time at Lincoln Center in NYC on Tuesday, September 12th, at 8:30 p.m. as part of their massive Korean Cinema’s Golden Decade: the 1960’s exhibition is Kim Ki Deok’s The Barefooted Young, a 1964 South Korean film… Read More ›
“The Inventor,” much like its subject, utilizes various media types to explore the legacy of one Leonardo Da Vinci.
Leonardo Da Vinci is considered one of the world’s most brilliant minds. He was an artist, an engineer, a painter, and more. His work has been the catalyst for novels (Dan Brown’s The Da Vinci Code), cinematic comedies (Michael Lehmann’s… Read More ›
Kick off spooky season with “A Haunting in Venice,” Kenneth Branagh’s latest Hercule Poirot murder mystery adaptation.
Actor/writer/director Kenneth Branagh is no stranger to adaptations, having made a series of remarkable William Shakespeare films (as well-known as Henry V (1989) to a lesser-known Love’s Labour’s Lost (2000)). In recent years, Branagh has turned to renowned mystery writer… Read More ›
John Barker’s follow-up track, “The Umbrella Men: Escape from Robben Island,” captures the magic of the first and pushes it further. [Toronto International Film Festival]
At the 2022 Toronto International Film Festival (TIFF), writer/director John Barker unveiled his third feature film, the comedic caper The Umbrella Men. Filled with the sights, sounds, and life of Cape Town, Barker invited audiences to see a few good… Read More ›
“Toll (Pedágio)” explores the cost of individual actions and societal pressures. [Toronto International Film Festival]
Life has grown far more absurd in reality than any other satire could possibly conceive. We have states where the governor actively lobbies for (and signed into law) a reduction in the age to work so that adolescents and teenagers… Read More ›
“Megalomaniac” tells an over-played story in the most violent way possible.
Content warning: I’m not even going to list the triggers that Megalomaniac touches upon so extremely. Basically, if you have a content trigger of any kind, Megalomaniac probably exploits it for you. I can’t say I actually have any, but… Read More ›
After a chilling start, Viljar Bøe’s horror flick “Good Boy” loses traction in the final act.
When it comes to online dating, everyone has their red flags. Some folks will automatically swipe left on profiles with excessive group photos or one too many gym pics. For others, it’s the political and religious preferences that make all… Read More ›