Chris Skotchdopole’s very impressive directorial debut, Crumb Catcher, is a slow descent into absurdist thrills. The rare new entry in the honeymoon horror sub-genre of romantic thriller, home of RedBox classics like A Perfect Getaway (2009), Crumb Catcher trades the… Read More ›
In Theaters
The skills of Oz Perkins are on full display in the audience-dividing “Longlegs.”
When you think of the scariest films you’ve ever seen, what is it about them that truly scares you? Is it the immediate fear of being gutted by a silent, masked killer? Is it the ethereal impermanence of a ghostly… Read More ›
After multiple paused release dates, Hüller and Wolff make “Sisi & I (Sisi & Ich)” worth the wait.
Frauke Finsterwalder’s Sisi & I (Sisi & Ich) sat completed on the shelf for nearly two years after its initial shooting dates, and was even further delayed for release in America by almost an entire other year following its premiere… Read More ›
“Dandelion” stumbles, then sprints to a great time.
Dandelion opens in a small number of theaters this week where it will undoubtedly achieve the height of its success because of the tragedy of the era into which it is released. It’s an independent film about a desperate musician… Read More ›
All you need is “Kill.”
By the nature of social norms, each country includes a specific view in their art. When it comes to movies, this is very noticeable within the subgenre of action. Whereas American films almost always feature a stalwart protagonist who survives… Read More ›
Short film “A Family Guide to Hunting” bags its prize with its talent on and off screen. [Tribeca Film Festival]
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
Dramedy “All That We Love” is a tender story of self-reclamation. [Tribeca Film Festival]
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
“Daddio” plays things a little too daily life to actively engage the audience.
There are so many movies that come to mind that do the (mostly) single location idea and manage to execute it with varied results: Saw (2004), The Boys in the Band (1970 or 2004), Locke (2013), The Terminal (2004), to… Read More ›
Utilizing the style and action of its source material, “BLUE LOCK THE MOVIE -EPISODE NAGI-” offers a cinematic perspective that may delight fans while leaving new audiences a touch cold.
Since August 2018, the Japanese manga series BLUE LOCK, also stylized as BLUELOCK, has published in Kodansha’s Weekly Shōnen Magazine — publisher of such tales as Go! Go! Loser Ranger! and Girlfriend, Girlfriend. Written by Muneyuki Kaneshiro and illustrated by… Read More ›
“Janet Planet” is a slow burn encapsulating that warm, languid feeling of coming-of-age in summer.
Humanity exists in cycles. We’re born, we propagate, and we die — with luck, improving things for the next generation before we go. In between are a multitude of steps and phases leading toward one stage and away from another…. Read More ›
“The Vourdalak” sets a new standard for the genre with Adrien Beau’s fresh take on vampire movies.
If you watched The Vourdalak with no background information, you might think you’d discovered a lost made-for-TV gem from 1980-something. With its grainy appearance, humble sets, and Jim-Henson-esque puppet villain, how could this dark yet charming vampire fantasy not be… Read More ›
“Ghostlight” reminds us why a light remains on in theaters.
When I was in University, the buzzword we were told audiences would flock to was “authenticity,” but today, if you listen to industry talk, the word of the moment is “spectacle,” which the prevailing wisdom defines as “big and flashy… Read More ›
Romantic mystery “Darkest Miriam” may leave stones unturned but captivates with Britt Lower’s performance. [Tribeca Film Festival]
The first thing that I learned about Naomi Jaye’s (The Pin) newest feature, Darkest Miriam, was that it was executive produced by Charlie Kaufman (I’m thinking of ending things), and that automatically adds a level of intrigue and suspense to… Read More ›
Strong performances never give the game away in dramatic thriller “The Weekend.” [Tribeca Film Festival]
We’ve seen nearly every iteration of meeting one’s parents that could possibly exist from Meet the Parents (2000) to Ready or Not (2019) and Get Out (2017), so when audiences get another family-gathering thriller, they typically know what they’re getting… Read More ›
Calvin Lee Reeder’s “The A-Frame” is a twisty, goopy sci-fi ride that aims higher than it delivers. [Tribeca Film Festival]
According to a March 2024 report, the leading cause of death for Americans in 2022 (the most recent year with full data) was all types of heart disease with cancers in second place. Advancements in early detection and treatment of… Read More ›
“The Devil’s Bath” is drawn with great performances but too much time between horrors. [Tribeca Film Festival]
There are movies that are slow-paced terrifying watches, and then there are terrifying slow-paced watches that just miss the mark and create a world of unease that just doesn’t deliver upon the promise until its too late. Unfortunately for Severin… Read More ›
Writer/Director Ran Huang asks “What Remains” in the darker grey areas of ethics and morality.
What Remains is a film that presents itself as a detective procedural with a possible serial killer being interviewed by his psychiatrist and a detective trying to piece together the killer’s muddled and confused confessions of murder and rape. What… Read More ›
“Restless” does not let the characters or audience know a moment of peace. [Tribeca Film Festival]
If you’ve ever lived somewhere that wasn’t remote farmland in the midst of nowhere, you’ve most likely hated a neighbor. I adamantly refuse to believe at some point in one’s life there hasn’t been a neighbor that hasn’t driven you… Read More ›
For all the women who’ve never been “Satisfied,” comes a documentary that centers actor Renée Elise Goldsberry’s quest to achieve it. [Tribeca Film Festival]
“… if you know anything about me, I have spent the last 10 years of my life, what some would consider the lifeblood of a woman’s career, just trying to have children. And I get to testify in front of… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›