No one really knows when from where inspiration will strike. An innocuous action, a stray thought, a random observation — anything is ripe for seeding a new concept or approach. For writer/director/actor John Krasinski (A Quiet Place), inspiration for his… Read More ›
Filmmaker Dr. George Miller’s been entertaining audiences for nearly 40 years, either with tales of desperation (Mad Max (1979)), tales of greed (The Witches of Eastwick (1987)), or tales of hope (Happy Feet Two (2011)), to name a few. In… Read More ›
Within the home release of Justice League: Crisis on Infinite Earths – Part One, the featurette “Crisis Prime(r)” lays out how just how long the plan for Crisis on Infinite Earths had been in the works, detailing that each film… Read More ›
In the months since the winter release of The Boy and the Heron (2023), the following events have clarified the meaning and depth of this inscrutable film in my mind: The Megalopolis (2024) trailer, the Supreme Court’s sweeping theft of… Read More ›
There are movies out there that don’t get their fair shake, and there are directors who fall under the same category. What happens when you end up with both? You get, arguably, a fantastic movie that somehow underperformed and is… Read More ›
Longing for something you can never have is perhaps one of the cruelest forms of emotional torture a person can put themselves through, and it’s an experience all too familiar within queer communities. Every queer person has had the one… Read More ›
In 1968, Mart Crowley’s The Boys in the Band premiered Off-Broadway and shocked audiences with its candid portrayal of homosexual men. The story of getting the play written and on stage is lengthy, including Mart (Fade-In) being hired as actor… Read More ›
When I was just a wee lad, 11 years old to be precise, I had two fears: frogs (still do to this day) and home invasion. For some reason, I figured that I was a special enough little boy to… Read More ›
Prequels seem like a good idea on paper as they often seek to answer questions impossible to explore in initial outings. Through prequel stories, we can discover how Han Solo (Harrison Ford) came to own the Millennium Falcon (Solo: A… Read More ›
I have a friend who is witchy in that they love to imbibe tarot readings and other spiritual practices of the same ilk, and when I sent them the trailer for the new home media release from Sony Pictures, Tarot… Read More ›
Perfect Days (2023) is the title of Wim Wender’s (Paris, Texas) newest film, which has entered the illustrious Criterion Collection, but, at the same time, it almost perfectly describes the ambiance and sentiments of the movie, as well. Perfection is… Read More ›
It’s really hard to be a physical media advocate and supporter, and I know how that sentence sounds. We’re a dying breed of collectors, but we still exist and wanting the crème of the crop is becoming harder and harder… Read More ›
I am not going to pretend I understand how licensing works, because I simply don’t. It would be an incredibly silly thing to pretend I know a singular thing about how movie licensing works and why X licenses out to… Read More ›
Sasquatch Sunset is a vulgar, trippy mockumentary. It’s full of sex, urine, feces, and engorged Bigfoot penis — but that’s just a disguise over a melancholic, soulful, and beautiful adult drama about life, growing, and loss, and one of the… Read More ›
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
Often in film criticism, the words “cult classic” are overused — unless you’re talking about a filmmaker with a filmography as iconic as David Lynch. Most people probably also associate Lynch with Twin Peaks, cherry pie, and a damn fine… Read More ›
The beginning of the 1990s was uncharted territory for a young, newly established Val Kilmer. He broke out as the villainous, cock-sure “Ice” in Top Gun (1986) years prior and Willow (1988) was a success, but its visual effects and… Read More ›
A vicious murder, a private detective, a thread-pull revealing a larger conspiracy, and a question of robotic sentience — all the makings of a cyberpunk neo-noir. We’ve seen it before with the Blade Runner and The Matrix series, as well… Read More ›
Photosensitivity Warning: There are several sequences within the film (traveling to Hollow Earth; uses of breath abilities) that may prove triggering for photosensitive views. Take proper precautions before pressing play. What a time to be alive. Despite the claims that… Read More ›
At the peak of the DVD/VHS era, studios would often release worse, extended, “unrated*” cuts of films with more boobs and cursing to trick a few customers into purchasing the film a second time. That’s what Francis Ford Coppola (The… Read More ›