In the brief and brand-new featurette “Physical Media Kicks Ass,” writer/director Matthew Vaughn (Layer Cake; Kingsman series) discusses his longtime love of physical media, referring to it at one point as “romantic,” the context being that owning a physical version… Read More ›
They may not be the draw that they once were, but never discount the Looney Tunes. Those who think the general population has forgotten the kooky cartoons will find themselves on the wrong end of public opinion, whether it’s by… Read More ›
When someone, anyone, adapts a George A. Romero film, there is usually a deep amount of worry and concern because remaking something that a master has already done effortlessly and perfectly is never an easy task. While screenwriters Scott Kosar… Read More ›
Bethany: Having beliefs isn’t good? Rufus: I think it’s better to have ideas. You can change an idea. Changing a belief is trickier… — Dogma (1999) There are some directors whose work influences you in surprising ways. Of the many… Read More ›
Trigger Warning: Fountain of Youth contains scenes of flashing lights and patterns in the final act that may disturb photosensitive viewers. At this point in his extensive career, it seems fair to boil down filmmaker Guy Ritchie’s films into two… Read More ›
Author H.P. Lovecraft can be recognized for producing some great stories in the horror genre while acknowledging his general terribleness as a human being. Thankfully, as his works have been replicated or adapted, they’ve found ways to be true to… Read More ›
In the visual essay “Rule Breaker: An Introduction to Sado Najajima” (2025), film critic Tom Mes calls director Sadao Nakajima (The Great Okinawa Yakuza War; Jeans Blues: No Future) one of “the Three Aces of Toei,” and laments that this… Read More ›
Content Warning: Themroc includes implied incest and cannibalism, which may be disturbing to some viewers. One of the best human experiences is discovery; that feeling of coming across something you’ve never heard of, seen, or discussed. Opportunities abound like this… Read More ›
We could sit here and discuss space nonsense for decades and decades ad nauseum about how horror franchises love to jump the proverbial shark and take their franchise to new and incredibly dumb heights. Hellraiser did it with their fourth… Read More ›
If you’re a completist then you most likely have seen Jason Goes to Hell, the ninth movie in the Friday the 13th franchise. It’s arguably not a *good* movie but is absolutely delightful, taking the series of films in a… Read More ›
Survival thrillers are not an untapped genre in storytelling. They place the audience right alongside someone as they strive to live through whatever tragedy has befallen them. We’re talking about films like The Book of Eli (2010), The Hunger Games… Read More ›
Of the many things that filmmaker Steven Soderbergh (Ocean’s Eleven trilogy; Logan Lucky; Presence) can be described as, an actor’s director is among them. He knows what he wants regarding a shot, he knows how he wants the production design… Read More ›
What is it that gives life meaning? Is it the brevity? Is it what you do with it? Who you meet along the way? Is it the service you provide or the service provided to you? On the one hand,… Read More ›
Trigger Warning: Better Man features several sequences involving flashing lights that may be troubling to photosensitive viewers and the narrative explores depression, substance abuse, and suicidal ideation that may be hard for some viewers. You may not be immediately familiar… Read More ›
“But, there were other effects. The serum was not ready. But more important, the man. The serum amplifies everything that is inside. So, good becomes great. Bad becomes worse. This is why you were chosen. Because a strong man, who… Read More ›
The hot titles seared into my memory from 2016 include 10 Cloverfield Lane, Keanu, Everybody Wants Some!!, Kubo and the Two Strings, and The Accountant. At the time, I praised director Gavin O’Connor and writer Bill Dubuque’s film, saying it… Read More ›
Clint Eastwood has always been on-point with his direction and performances, so, while I say that Pale Rider (1985) wasn’t as engaging as The Outlaw Josey Wales, it is not to say that either are lacking, because they’re not. I’m… Read More ›
The Outlaw Josey Wales (1976) is one of Clint Eastwood’s earlier directed films and is now being released for the first time in 4K by Warner Brothers. The gorgeous transfer presented in this home release will astound audiences who are… Read More ›
Films may endure for a number of reasons. Maybe there was a stacked cast of actors in parts large and small, each making their mark. Maybe the script was highly quotable. Or maybe it was run so often on cable… Read More ›
The Wedding Banquet (2025) is one of those rare films that functions more as another swing at bat than as a remake, and returning screenwriter James Schamus (The Wedding Banquet (1993); Crouching Tiger Hidden Dragon) scores at least a double… Read More ›