While some audiences may think that Steven Soderbergh (Kimi; Ocean’s Eleven) may have lost the spark he once had, one thing is for certain — the choices of what he decides to partake in creatively in some capacity are all… Read More ›
In Theaters
Sci-fi romance “You Are Not Alone” is a unique study of characters, alienation, redemption, and hope. [TIFF]
Science fiction comes in a variety of subgenres and the first feature from Philippe Lupien and Marie-Hélène Viens breaks into the subgenre of science fiction romance, creating an other-worldly experience for the audience. While the end result may be something… Read More ›
Sophomore project “The Seductress from Hell” frustrates in the muddled delivery of good ideas for the sake of bloodletting.
In any career, it’s often about who you know as much as it is what you know. Sure, you can find an entry position somewhere and work your way up, but that method isn’t as secure as it was a… Read More ›
Whether you’re entering your romantic era or feeling nostalgic for one, make a date for “The 4:30 Movie.”
It all starts with eye contact from across a room. You find yourself pulled in and, next thing you know, you’re making small talk to learn a little more as they find themselves in your hands. Feeling mutual energy, the… Read More ›
José Lourenço’s feature debut “Young Werther” will charm most audiences, rom-com or otherwise. [TIFF]
It is not an unfair statement to say that I am fond of the romantic comedy genre; it hits a sweet spot for my personal taste and certainly can be charming and enjoyable even if it is far-fetched and schlocky…. Read More ›
A full pew of talent on all sides of the pulpit delivers a flawless thriller in “Conclave.” [TIFF]
How does one, specifically Edward Berger, follow up All Quiet on the Western Front (2022)? With one of the most interesting and captivating stories about selecting a new Pope and the events that happen during the conclave. For a task… Read More ›
Drama “Really Happy Someday” captures how the process of becoming your true self is far from linear. [TIFF]
Having been a fan of musical theatre practically my entire life, I can only assume the trepidations, hardships, and sheer determination and power one needs to go through being a live performer and dealing with the day-to-day challenges. There is… Read More ›
Check out “Mr. K” any time you like, but you can never leave. [TIFF]
Remember actors who were in some of your favourite movies growing up or who are part of your core memory and you casually think whatever happened to them? Ever think that way about Crispin Glover (9; Charlie’s Angels)? If yes,… Read More ›
“Anora” writer/director Sean Baker does what he does best in bringing out incredible performances from his cast. [TIFF]
I want to preface this with the fact that I am a fan of Sean Baker (writer, director, producer, editor). I think his last three movies (Tangerine (2015), Florida Project (2017), and Red Rocket (2021)) are all incredible pieces of… Read More ›
Apocalyptic musical “The End” is both chaotic and balanced to mixed results. [TIFF]
Musicals about the apocalypse or the end of the world are certainly not new territory, but they all succeed to various mileage. While there is no world where a Mad Max-type movie is going to put to song, Joshua Oppenheimer’s… Read More ›
Actor Kaniehtiio Horn establishes herself as a fierce writer and director in her debut feature “Seeds.” [TIFF]
Directing and writing your first feature is certainly a daunting task, but to also star in the vehicle, making yourself a triple threat, is certainly a large task. However, Kaniehtiio Horn (Possessor; Alice, Darling) not only decides to grab that… Read More ›
Lee Cipolla’s adaptation of “Rally Caps” will have you donning your own.
Truth is a matter of perspective. We know this, but we tend to forget it during the daily moments of our lives. What we see, what we hear, and how we react is all sifted through our experience, so, often,… Read More ›
Batter up! “You Gotta Believe” adapts a true story of one little league team’s glory days amid heartache.
There are two hard lessons to learn when it comes to parenting: you only get one chance to take care of someone’s childhood and what’s a random day to you contains a critical memory for a child. Becoming a parent… Read More ›
“1992” is less wrong-place/wrong-time crime thriller and more examination of social imbalance and unconscious bias.
“When people show you who they are, believe them.” – Oprah, quoting Maya Angelou April 29th, 1992: After a seven-day deliberation, a jury acquitted the four police officers involved in the recorded beating of Rodney King, with three out of… Read More ›
Claude Schmitz’s “The Other Laurens (L’autre Laurens)” offers a stunning visual genre mashup, but sacrifices plot for tone and style.
The Other Laurens is a movie that’s all dressed up with everywhere to go. But after it gets one foot out the door, it can’t seem to go any further. With a nostalgic neo-noir/grunge visual style that’s sprinkled with touches… Read More ›
Technically impressive, “100 Yards” pull audiences in with its thrilling conceit, but loses them with underdeveloped character investment. [Fantasia International Film Festival]
Within the world of filmmakers Xu Haofeng (The Final Master) and first-time co-director Xu Junfeng’s new project, 100 Yards (门前宝地), there are many rules its characters must follow, but one acts as a guiding principle: no violence within 100 yards… Read More ›
“The Umbrella Fairy” utilizes fantastical elements to explore real-world struggles of personal agency. [Fantasia International Film Festival]
“Forty-two,” said Deep Thought, with infinite majesty and calm.” ― Douglas Adams, The Hitchhiker’s Guide to the Galaxy Of all the questions humanity has ever asked it, of all the philosophies and faiths, there’s been a guiding question behind it… Read More ›
All the leverage in action comedy “Kidnapping Inc.” is in the performances of the cast. [Fantasia International Film Festival]
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
Crime anthology “The Killers” exudes undeniable collective charm. [Fantasia International Film Festival]
Anthology stories come in all shapes and sizes. They can be horror-based, like Satanic Hispanics (2022) or Tiny Cinema (2022); offer a western twang, like The Ballad of Buster Scruggs (2018); or they can be mission-oriented, like Give Me an… Read More ›
“Oddity” firmly establishes its terrifying place in a horror-rich year. [Fantasia International Film Festival]
I do not consider myself someone who scares easily. Sure, a jump scare may get to me and make me uneasy, but it takes a lot to shake me to my utter core and have me wincing and nearly looking… Read More ›