Death is the inevitable end we’re all going to experience at some point. If you’re lucky, you will live to an old age and have the opportunity to live a longer and more fulfilling life. But with old age comes… Read More ›
In Theaters
High school drama “Dead Deer High” misplaces its focus in examining the wake of school violence. [SXSW]
Trigger Warning: The subject matter within Dead Deer High centers on the aftermath of a school shooting. While a great deal of care is given to ensuring little feels melodramatic, the material may still be difficult for sensitive viewers. As… Read More ›
“Pizza Movie” satisfies as the next generational stoner comedy. [SXSW]
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
“Mallory’s Ghost” fails to take full form past the trope of a haunting past. [SXSW]
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
Jonás Cuarón’s novel adaptation “Campeón Gabacho” exalts the power of hope and community at a time we need it most. [SXSW]
Despite all the arguments for America First ideology as a way to preserve the United States with the ideology formed on a basis of Christian Nationalism, it’s a belief system that cannot stand in the wake of actual data and… Read More ›
“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
“Heritage” utilizes creativity in the found-footage genre to create an atmospheric experience. [Unnamed Footage Festival]
Heritage is a strong example of how found-footage filmmaking can still feel fresh when handled with restraint and intention. From its opening moments, the film carries a quiet confidence that immediately recalls the tonal playbook of the Coen Brothers, not in… Read More ›
“Crash Land” embraces the messy improv of life. [SXSW]
Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
“Forbidden Fruits” tempts and delivers on thrills, comedy, and horror.
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
Run, run, run! It’s time to hide. “Ready or Not: Here I Come.”
The directing team known as Radio Silence, Matt Bettinelli-Olpin and Tyler Gillett, have established themselves over the years as an assured hand in the horror space. From their contribution to the 2012 anthology series V/H/S to revitalizing the Scream series… Read More ›
Jenna MacMillan’s feature directorial debut “The Snake” is powered by the charismatic performance of its lead. [SXSW]
Have you ever watched It’s Always Sunny in Philadelphia and wondered to yourself what would happen to the gang if they didn’t have each other? Well, if you have, and your particular interest laid with what would happen to Sweet… Read More ›
Horror dramedy “Bagworm” takes audiences into the perceptions of the infected and addled mind of a wayward man. [SXSW]
There are movies that try to bend reality and change the way we see the world, and director Oliver Bernsen (Connective Tissue) and writer Henry Bernsen (When We Get to Heaven) certainly try to hammer down that misconception and what… Read More ›
Meta thriller “And Her Body Was Never Found” is not #relationshipgoals, but it is a dynamic and cruel feature film directorial debut. [SXSW]
“L’enfer, c’est les autres.” – Jean-Paul Sartre in No Exit. Making movies is a large endeavor. Outside of the requirement for a creative idea, you also need the time to cultivate it, the financing to fund it, and the team… Read More ›
“Phoenix Jones: The Rise and Fall of a Real Life Superhero” is a timeline of a vigilante from concept to present day. [SXSW]
If you’ve never heard of Phoenix Jones, there’re possibly two reasons as to why: you weren’t chronically online during his rise to fame and the timeline of events that followed, and you don’t know every MMA fighter to ever compete…. Read More ›
“40 Years of Fuckin’ Up” captures the life and times of NOFX.
NOFX’s 40 Years of Fuckin’ Up is a loud, irreverent, and surprisingly heartfelt documentary celebrating four decades of chaos from one of punk rock’s most enduring bands, NOFX. For longtime fans, the film lands with a bittersweet edge. The band… Read More ›
Stella Markert’s tragicomic “Thanks for Nothing” invites audience to embrace anarchy and themselves. [SXSW]
“So many bright lights, they cast a shadow, but can I speak? Well, is it hard understanding, I’m incomplete? A life that’s so demanding I get so weak A love that’s so demanding I can’t speak …” – From “Famous… Read More ›
“Plantman & Blondie” commits fully to the absurdity for a wild and fun time. [SXSW]
Plantman & Blondie: A Dress Up Gang Film is destined to be one of this year’s breakout cult classics to emerge from the SXSW Film & TV Festival 2026. An offbeat comedy about friendship, purpose, and trying to grow something real… Read More ›
Horror comedy “Fifteen” proudly owns its full identity as its leads attempt to find theirs. [SXSW]
Growing up is hell. I can only fathom being a girl is that much more hellacious as that’s an entirely different game and strategy on how to fit in, be popular, and make friends. None of it is easy, all… Read More ›
“Beyond the Duplex Planet” examines the creative experiment zine known as The Duplex Planet. [SXSW]
Beyond the Duplex Planet is a slow and methodical documentary that explores art, aging, and human connection through the work of writer and interviewer David Greenberger. In 1979, Greenberger was a recent art school graduate searching for direction when he took a… Read More ›
Horror comedy adaptation “Over Your Dead Body” has legs thanks to a very game cast and is elevated by devastating stunt work. [SXSW]
“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›