There’s an argument today that everything is hyper-politicized, from our news to our movies to the signs lining the freeway during our daily commute. It’s a hard thing to escape and being exposed constantly to it can rightfully feel exhausting…. Read More ›
Month: November 2019
A Conversation with actor Michael Kelly.
On this edition of Meet Me at the Movies & Cinemascene from early in 2019, Noel T. Manning II interviews three-time Emmy nominee Michael Kelly about his life as an actor, his initial interest in the artform, and wisdom from… Read More ›
Fabulous performances and beautiful aesthetics aren’t enough for “Sorry We Missed You.” [Film Fest 919]
In a new world where mega-corporations run the world and are bigger than ever before, it’s becoming harder to levy legitimate criticism towards these parables of late-stage capitalism because…well…these corporations also own distribution companies. Amazon has its own Amazon Studios… Read More ›
What you see is what you get in quirky dramedy “Love Is Blind”.
There’s nothing more frustrating as a cinephile than a film with great ideas that don’t seem to coalesce in execution, where you can see all the pieces of a clever, engaging, thoughtful story, yet, for some reason, in completion, the… Read More ›
War drama “Danger Close” is an astounding testament the power of sacrifice, brotherhood, and dedicated cooperation.
War movies have been around since the days of silent cinema. There is something about this brutally intense human experience that, despite its horrific nature, always produces intriguing stories that can be massively impactful when told in an effective fashion…. Read More ›
Amid all the holiday rom-com trimmings, “Last Christmas” possesses unexpected layers.
The moment the clock hits midnight on the last day of October, the speed with which Halloween is tossed in the bin and Christmas pops up is enough to disorient. It shouldn’t surprise anyone that the first major studio Christmas… Read More ›
“Waves” is an utterly transportive experience as it presents the ups and downs of pure love. [Film Fest 919]
“Stick to what you know” is something we’re told as kids to keep us stuck to the ways we’re used to and to not question authority, keeping us confined. It’s an adage that unfortunately sticks in many of our minds… Read More ›
A Conversation with director Midge Costin.
Midge Costin has worked as a feature film sound editor and special effects editor on legendary blockbusters of the audio landscape (Armageddon, The Rock, Days of Thunder, Crimson Tide to name a few). Her debut documentary Making Waves: The Art… Read More ›
Now available on home video, Andrea Berloff’s adaptation of DC Vertigo limited series “The Kitchen.”
In November 2014, the first issue of DC Vertigo’s The Kitchen ran. Created by Ollie Masters and drawn by Ming Doyle, the story followed three women trying to survive in 1970’s mobland New York. With the desire for stories from… Read More ›
Director Mike Flanagan makes “Doctor Sleep” his own while keeping pace with Kubrick and King.
Doctor Sleep marks the fifth major adaption of a Stephen King work in 2019 alone, joining the theatrically released Pet Sematary and It: Chapter Two, Netflix’s In the Tall Grass, and Hulu’s original series Castle Rock. Adapting King novels and… Read More ›
William Fichtner’s directorial debut “Cold Brook” plays like cinematic comfort food.
William Fichtner’s been working in television and film since 1989. He’s played a variety of characters in myriad of genres, but rarely does he get the kind of recognition that other actors working as hard as he and as talented… Read More ›
Craig Brewer’s “Dolemite is My Name” is an absolute joy from beginning to end. [Film Fest 919]
Everyone loves a good comeback story. Everyone cheered when Rudy made that touchdown at the end of Rudy, everyone loves Robert Downey Jr.’s comeback in the Marvel Cinematic Universe, and today, we get to celebrate not only one, but two,… Read More ›
Pedro Almodóvar’s “Pain and Glory (Dolor y gloria)” is a quiet, intimate, and retrospective piece. [Film Fest 919]
There are certain filmmakers who simply embody the essence of what their country, culture, and style are at their core; that the sheer mention of their name conjures a body of work worthy of showing off as the crème de… Read More ›
Taika Waititi’s period comedy “Jojo Rabbit” lacks the bite satire requires. [Film Fest 919]
It used to be that everyone agreed that the Nazis were bad. It was one of the world’s universal truths, but unfortunately, because everything today has to be terrible and awful at all times, we’ve re-entered the age of neo-Nazism… Read More ›