At the end of every year, it seems, the theaters become flooded with awards-centric films, one after the other. It’s at this time that audiences are encouraged to set aside their popcorn fare and engage in something elevated and intellectual…. Read More ›
The road to 2018’s Venom was a long one. First introduced as merely an alien costume in The Amazing Spider-Man #252, the symbiote known as Venom wouldn’t appear for about four years later in The Amazing Spider-Man #300 kicking off… Read More ›
Solo: A Star Wars Story may have been doomed to fail from the beginning. Prequels, in general, are tricky propositions. The entire concept is intended to shed new light on existing characters while also providing extensive back story. This is… Read More ›
Chilling and hopeful, director Martin McDonagh’s tragicomedy ‘Three Billboards outside Ebbing, Missouri’ is one of the year’s best.
Writer/director Marin McDonagh is no stranger to tackling difficult or challenging material. His first feature, In Bruges, centered on a hitman having an existential crisis, while his second, Seven Psychopaths, focused on a screenwriter sucked into a world of gangsters… Read More ›
Bleak. Harrowing. Griping. Heartbreaking. Hopeful. Words you don’t expect to describe the Matt Reeves co-written and directed War for the Planet of the Apes, the final film in the Planet of the Apes prequel trilogy, are words that perfectly capture… Read More ›