Storyteller Wes Anderson broke onto the scene with 1994’s Bottle Rocket and hasn’t really looked back. He’s developed a signature style while assembling what’s best described as a theatrical troupe, a set of actors who relish the chance to return… Read More ›
On this new episode of The Cine-Men, your often theatrical hosts get dramatic for a change, exploring a few of their favorite drama cinematic releases. Additionally, we also discuss the new Wes Anderson film on home video and Peacock, Asteroid… Read More ›
The stories of Wes Anderson’s films can be best compared to Russian nesting dolls. Throughout their running time, the layers and deeper meanings begin to present themselves. Films like Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel… Read More ›
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›