The hot titles seared into my memory from 2016 include 10 Cloverfield Lane, Keanu, Everybody Wants Some!!, Kubo and the Two Strings, and The Accountant. At the time, I praised director Gavin O’Connor and writer Bill Dubuque’s film, saying it… Read More ›
Clint Eastwood has always been on-point with his direction and performances, so, while I say that Pale Rider (1985) wasn’t as engaging as The Outlaw Josey Wales, it is not to say that either are lacking, because they’re not. I’m… Read More ›
The Outlaw Josey Wales (1976) is one of Clint Eastwood’s earlier directed films and is now being released for the first time in 4K by Warner Brothers. The gorgeous transfer presented in this home release will astound audiences who are… Read More ›
When a studio releases a film versus when a boutique releases a film, there can be, on occasion, a little worry that the former won’t be the *best* version of the release. There are always exceptions to the rule, of… Read More ›
Christopher Nolan’s Insomnia is one of those rare thriller movies that defies convention by substituting the disquiet of night with the unrelenting brightness of an Alaskan summer — a choice that paradoxically amplifies the film’s sense of terror. The movie… Read More ›
In the featurette “I Feel, Therefore I Am,” writer/director Drew Hancock (Fred 3: Camp Fred) talks about how sometimes, in relationships, there are those who are more invested than another. Personally, in the right circumstances, imbalance in one area can… Read More ›
The New Hollywood movement (or “period”, depending on who you ask) was a defining moment in cinema where the film director was the “end-all/be-all” authority rather than the film studio. It’s a movement (generally from the mid-‘60s to early ‘80s)… Read More ›
All the way up to the late 1990s, there had not yet been a satisfactory successor to Jaws, Steven Spielberg’s iconic 1975 blockbuster hit about a marine biologist and shark hunter taking down a man-eating great white shark. In walks… Read More ›
The ‘80s were a decade of decadence. Whimsical fashion, music, and media reigned pop culture. This was especially true with the films of the era. The year 1984 saw Warner Bros. release both Purple Rain, a semi-biographical concert film starring… Read More ›
Angela Dodson: Well, this has been real educational, but … I don’t believe in the devil. John Constantine: You should. He believes in you. – Constantine (2005) Unlike now, comic book adaptations used to be far less prevalent and didn’t… Read More ›
The great thing about classic Looney Tunes is exactly that, they’re classics. There is no denying the longevity of these stories or their place in the cultural zeitgeist, and one of the best compilation movies that they made, Daffy Duck’s… Read More ›
For audiences of a certain age, writer Shane Black is an instrumental figure in their cinematic development. In the same year (1987) that taught us that “Wolfman’s got nards” (Monster Squad), he let us know that it’s ok to say… Read More ›
2025 is feeling like *the year* for director Tarsem Singh and his fans. First, the announcement for his upcoming 4K UHD restoration of The Fall (2006) by Umbrella Entertainment (possible theatrical and home release vs. one or the other) and,… Read More ›
Filmmaker David Fincher has released some of the most beloved thrillers in modern cinema. If “beloved” feels like too strong a term, certainly “dissected” and “explored” would be appropriate. Making the leap from music video to cinema with the contentious… Read More ›
2024 has been a banner year for movies (despite what social media and some people may have you think) and a strange one for Warner Brothers. Before diving into the home release of Joker: Folie à Deux, I want to… Read More ›
Whether literally or metaphorically, nostalgia is always for sale. By tapping into your rose-colored memories, companies have you ready to buy anything under the guise of it helping you escape the hardships of the present for even a moment. Doesn’t… Read More ›
Between the end of 2023 and through 2024, several beloved films in filmmaker James Cameron’s catalog have received the 4K UHD treatment. Most recently, Warner Bros. Pictures released the technohorror action The Terminator on 4K UHD for its 40th anniversary and,… Read More ›
Blazing Saddles (1974) is something so outstandingly outlandish and bold and still something that is wholly expected because it’s Mel Brooks. It is one of the most outlandish, hilarious, brilliant comedies of the 20th century and for it to be… Read More ›
James Cameron is finally releasing his backlog of game-changing films on 4K. The recent releases of Titanic (1997), The Abyss (1989), and True Lies (1994) have had varied reception but mostly praise on the painstaking process of achieving clear visuals… Read More ›
There is nothing more magical in the entire world than being able to see a film, regardless of quality, on a 35 mm/70 mm print. Nothing comes close to seeing that celluloid run at 24 fps in a magical setting…. Read More ›