Screened at a variety of global festivals before seeing a limited release in 2020, Anca Damian’s Marona’s Fantastic Tale (L’extraordinaire voyage de Marona) is unlike anything I’ve seen so far this year. The story itself is fairly simple: a dog,… Read More ›
VOD
Closing out the “Time Warp” documentary series, “Volume 3” looks at the area of comedy and camp.
Personally speaking, I don’t really think the concept of a “cult film” resounds in the same way today as it did pre-social media. Everyone’s tastes and needs are attended to so astutely by viral start-up studios and filmmakers shooting entire… Read More ›
“Mr. Jones” wonderfully captures a journalist’s perspective pre-WWII.
World War II movies are Hollywood’s chance to tell something bold, but to also provide a history lesson that audiences might not have been aware of when they were in history class. There’s been a great list of World War… Read More ›
Unabashedly forthcoming, documentary “Inmate #1: The Rise of Danny Trejo” contains a story of destruction and perpetual self-healing.
Boxer. Prisoner. Chulo. Geronimo. Navajas. Gilbert. Johnny-23. Razor Eddie. Slim. Luis. Machete. These are just a few of the names of the characters actor Danny Trejo took over his 37-year career as an actor. He’s played everything from a stereotypical… Read More ›
Get down with an old school, kid-friendly whodunnit with “Hidden Orchard Mysteries: The Case of the Air B&B Robbery.”
When most think of indie films, they think of something like The Peanut Butter Falcon, Room, or Overcomer. They think of One Cut of the Dead or Tigers Are Not Afraid. They think of It Follows or Swiss Army Man…. Read More ›
Surprise hit of 2017, “One Cut of the Dead,” now out on physical release.
In the middle of shooting a zombie film, the cast and crew find themselves fighting off an actual zombie attack. This is the premise for the 2017 release One Cut of the Dead from director Shin’ichirô Ueda adapted from the… Read More ›
Documentary “You Don’t Nomi” perfectly captures the self-aware, but unionic love audiences possess for “Showgirls.”
Love to hate it, hate to love it, or just plain hate it, Showgirls is a movie that to those who have seen it, will never fade from memory. The tale of Paul Verhoeven’s 1995 NC-17 fame epic has gone… Read More ›
To make heaven a place on Earth, “We Must Summon the Darkness.”
Released on VOD and digital April 2020, horror-comedy We Summon the Darkness is making its way to home video and is coming straight for your living rooms. Directed by Marc Meyers (My Friend Dahmer) from a script by Alan Trezza… Read More ›
“Dreamland” is a super stylish and entertaining noir.
Bruce McDonald isn’t a director that a lot of people are going to be familiar with. Sure, he has credits to his name, but nothing that the average filmgoer will be able to recognize. However, the most famous movie in… Read More ›
Mirrah Foulkes’s “Judy & Punch” is a brilliant dark meta-comedy exploring the accepted horrors of the patriarchy.
In recent memory, there are few films that have made me quite as angry as Mirrah Foulkes’s feature-length directorial debut Judy & Punch. Debuting at Sundance in 2019 before a long theatrical release, the film itself is a brilliant dark… Read More ›
When these “Debt Collectors” come ‘round, pay fast or get knocked down quick.
There are certain director-actor pairings that just excite audiences when they hear about them. Mel Brooks and Gene Wilder. Martin Scorsese and Robert De Niro. Sam Rami and Bruce Campbell. Jesse V. Johnson and Scott Adkins. Johnson and Adkins first… Read More ›
Musical dramedy hits “The High Note.”
In times of great stress like these, it’s important to remember what gets us through: art. Art, of course, can be anything from clothes, food, movies, projects, music, and more. They are the things which bring us joy and help… Read More ›
Great performances fail to breathe life into color-by-numbers dramedy “Military Wives.”
When it comes to films that are “inspired by” or “based on” an actual story, there’s a persistent battle between reviewing the film in front of me and the truth. It’s something which Darryl Mansel, The Cine-Men co-host, and I… Read More ›
Autumn de Wilde’s feature debut “EMMA.” is a delightful take on a classic scruples comedy.
There are some films which, upon even the briefest of beginnings, you realize are something special. Such is the case with director Autumn de Wilde’s first feature film EMMA., an adaption of the Jane Austen novel from writer Eleanor Catton… Read More ›
“Time Warp: The Greatest Cult Films of All-Time, Vol 2 – Horror and Sci-Fi” fails to coherently focus on its own subject matter.
Depending on who you ask, the term “cult classic” in regard to filmmaking may be applied as a compliment or an insult. Motion pictures acquire this status based on a variety of factors. Perhaps the film flew under the radar… Read More ›
If you grew up on Hanna-Barbera cartoons, don’t wait on watching the easter egg-filled “Scoob!”
Beyond telling an engaging story, animated children’s features have two goals: captivate the target audience and be clever enough so the parents don’t want to murder themselves on the 58th viewing. By all marks, Warner Brothers Animations’s Scoob! succeeds in… Read More ›
Genre mash-up “Samurai Marathon” gets off to a messy start but comes together mid-stride.
Described as “a lively action flick with a samurai twist,” latest Well Go USA release Samurai Marathon meets that description with a unique vigor. Directed by Bernard Rose (Candyman) and adapted from the novel “The Marathon Samurai: Five Tales of… Read More ›
Take flight anytime you want with “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” on home video.
As I left the theater in early February, I knew instantly that director Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) was not for me. The post-fight margaritas, the bullet-proof bustier, the severity of Black… Read More ›
Teen comedy “CRSHD” is a fun and colorful take on coming-of-age in the social media generation.
From Rebel Without a Cause (1955) to The Breakfast Club (1985) to Lady Bird (2017), each generation has its special coming-of-age films that it can claim as its own. These are the movies grounded in a cultural milieu that take… Read More ›
Shailene Woodley’s performance in “Endings, Beginnings” is really what makes this movie strong.
Romance movies typically skew for a certain instead of appealing to all audiences. The great ones (The Fault in Our Stars, Titanic, and The Big Sick) are the ones that can resonate and move a wide variety of people, both male… Read More ›