Actor Michael Kelly joins this edition of EoM Presents to discuss his work on the indie horror film Time of Death, directed by Will Wernick. Filmed on location at a century-old abandoned penitentiary in West Virginia, the distinct Appalachian setting… Read More ›
Trigger Warning: While no depiction is provided, a school shooting is a key character element within the film. A lot can happen in a day. Regardless of time and place, you can find the entire trajectory of your existence shifted,… Read More ›
After a run in theaters in May, director James Kondelik’s horror thriller Pitfall is now available on VOD and digital to experience at home. Courtesy of Cineverse, EoM is giving away one (1) Apple TV digital code for one lucky individual…. Read More ›
In the spring of 1996, my grandfather won the lottery. Using my birthdate numbers as part of his winning ticket, he felt it was only right to ask me the one thing I wanted to do more than anything else…. Read More ›
Returning to Tribeca Film Festival, indie darling filmmaker/actor Edward Burns (She’s the One) arrives with the golf-based comedy Finnegan’s Foursome, having its world premiere in the Spotlight Narrative section. Burns is no stranger to the Tribeca festival, his previous films… Read More ›
All good movies come from a personal place. While the definition of “personal” varies greatly across different films and genres, this is still a universal truth. In the case of semi-autobiographical stories or narratives inspired by one’s own life, the… Read More ›
Chum feels like one of those shark movies that crawled out of the direct-to-video section of the ‘90s and somehow made its way into the modern release calendar. It follows nearly every familiar beat that fans of bad B-horror have… Read More ›
Scott Adkins is back on EoM Presents, this time to discuss his latest action film offering, Reckless. EoM Senior Interviewer Thomas Manning talks with Adkins about the development of his “complete fool” of a character, as well as his history… Read More ›
There was a time when no one in the world could go anywhere without seeing supermodel Kate Moss. During this period, artist Lucian Freud and Moss would work together, ultimately forming an unexpected relationship. Writer/director James Lucas makes his feature-film… Read More ›
We all have our addictions. Of course, the term is about as misused in common discourse in the same way that proclaiming oneself as OCD or ADHD is, but, here, it’s true. Whether it’s checking digital notifications, ingesting caffeine, or… Read More ›
During SXSW 2025, filmmaker Gerard Johnson premiered his dramatic thriller Odyssey, centering a real estate agent whose life and ambitions are tested across five intense days. Via Cineverse, general audiences can now experience Johnson’s Odyssey as it releases on VOD and digital… Read More ›
Bradley Cooper (The Hangover; Nightmare Alley) has been acting since the late ‘90s, but it wasn’t until 2018 that he decided to try his hand at filmmaking. His first feature film, a remake of A Star is Born, stars Cooper… Read More ›
Director Richard Linklater (Nouvelle Vague) has been actively communicating with the past, meaning he has released two films within the past year that pay homage to the figures behind classic films and musicals. Alongside Nouvelle Vague, a film about the… Read More ›
Anytime is a good time to get your scare on. Out now is writer/director Colum Eastwood’s sophomore feature, the horror tale The Morrigan, on digital and VOD via Cineverse. In support of the release, Cineverse has given EoM one (1) digital… Read More ›
Action thriller Misdirection, directed by Willy’s Wonderland (2021) and Pig Hill (2025) director Kevin Lewis and starring Frank Grillo (Superman) and Olga Kurylenko (Quantum of Solace), comes available on digital February 10th. Courtesy of Cineverse, EoM is giving away one (1) Apple… Read More ›
Killer Whale is reminiscent of the killer shark movies audiences were spoiled with throughout the 1990s, yet it feels noticeably more grounded and contemporary in its approach. Rather than leaning entirely into camp or excess, the film finds a satisfying… Read More ›
In the beginning of Alex Braverman’s documentary Thank You Very Much, there is a clip of performance artist/comedian Andy Kaufman stating how we would make a film: he would start with the climax, show the title “The End,” show a… Read More ›
“Go on and close the curtains ‘Cause all we need is candlelight You and me, and a bottle of wine To hold you tonight (oh, yeah) Well, we know I’m going away And how I wish, I wish it weren’t… Read More ›
A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present,… Read More ›
In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›