“Men are so quick to blame the gods: they say that we devise their misery. But they themselves- in their depravity- design grief greater than the griefs that fate assigns.” ― Homer, The Odyssey Pulling ones’ self up by bootstraps… Read More ›
United Kingdom
Marianne Jean-Baptiste delivers a masterclass performance in Mike Leigh’s somber slice-of-life dramedy “Hard Truths.”
“I don’t understand you. But I love you.” These are key words said towards the climax of Mike Leigh’s Hard Truths, a somber slice-of-life film about two disparate sisters in a Black British family. Mike Leigh, a veteran indie darling… Read More ›
Dark comedy “Timestalker” deconstructs tropes of love and romance.
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
Aardman’s signature duo Wallace and Gromit return in family comedy “Vengeance Most Fowl.”
In the world of animation, most know names like Walt Disney, DreamWorks, Illumination, and Studio Ghibli. Either in hand-drawn or CG animation, they have created stories that move audiences by stirring their emotion. But there’re also studios like LAIKA and… Read More ›
Irish hip hop underdog story “Kneecap” stays on-brand with a DVD-R home release.
If you haven’t heard of Rich Peppiatt’s newest feature, Kneecap, it’s because it flew so under the radar for everyone and its theatrical window was relatively short. However, it has now hit home release on DVD only, but don’t be… Read More ›
Coming-of-age film “Bird” captures the drama of needing to grow up too soon. [TIFF]
In what could be described as a movie that lives in the same spiritual world as Daina Oniunas-Pusić’s Tuesday (2023), Andrea Arnold’s Bird, similar in vibes and tonal elements in storytelling, focuses on coming-of-age and growing up faster than needed… Read More ›
Thanks to The Criterion Collection, “All of Us Strangers” receives a proper physical release.
We live in a world, it seems, where every single thing anyone ever does gets criticized and argued about no matter how absolutely fantastic and incredible things are. No matter what a company or someone does, there’s always going to… Read More ›
Apocalyptic musical “The End” is both chaotic and balanced to mixed results. [TIFF]
Musicals about the apocalypse or the end of the world are certainly not new territory, but they all succeed to various mileage. While there is no world where a Mad Max-type movie is going to put to song, Joshua Oppenheimer’s… Read More ›
Imprint Films Goes all-in for “The Queen of Spades.”
Imprint Films has played a great hand with their Blu-ray (debut) of The Queen of Spades, the 1949 horror film famously beloved by filmmakers like Martin Scorsese. They’ve stacked the deck with special features, including three commentary tracks, an introduction… Read More ›
Writer/Director Ran Huang asks “What Remains” in the darker grey areas of ethics and morality.
What Remains is a film that presents itself as a detective procedural with a possible serial killer being interviewed by his psychiatrist and a detective trying to piece together the killer’s muddled and confused confessions of murder and rape. What… Read More ›
“The Damned” fully delivers on its genre promises of mystery, drama, and horror. [Tribeca Film Festival]
Genuinely speaking, I don’t want to condone a movie, but the trance, anxiety, and dread that Thordur Palsson creates with his directorial debut, The Damned, needs to be studied as A Clockwork Orange-style of torture. This movie is the one… Read More ›
The Criterion Collection welcomes the iconic horror of 1960’s “Peeping Tom” with a brand-new 4K UHD edition.
Obsessively pursuing art is the focus of Michael Powell’s Peeping Tom (1960). The parallels to artistic pursuit as it pertains to a filmmaker are hard to miss, as are the Freudian psychoanalytics. Both of which are apt as Powell (The… Read More ›
Open Dialogue with “Scoop” actors Gillian Anderson and Billie Piper.
Gillian Anderson and Billie Piper join Noel T. Manning II today on Open Dialogue to chat about their roles in the Netflix film Scoop. Scoop follows the true story of BBC producer Samantha McAlister’s journey into landing the legendary 2019… Read More ›
The play’s the thing when it comes to comedic documentary “Grand Theft Hamlet.” [SXSW]
The pandemic did a lot of things to the citizens of the world in the early years, the least of which was take thousands of lives. Those who remained in those initial months and years dealt with physical isolation, financial… Read More ›
The home release of “Eileen” is skin and bones, unlike its lead performances.
Certain films slipped through the cracks in the heat of the 2023 awards season. Everything released at that time was not going for the gold. Those smaller films attempt to achieve other successes. Outside of the awards season rush, some… Read More ›
Andrew Haigh’s nostalgic and tone-driven fantasy, “All of Us Strangers,” arrives on digital.
All of Us Strangers is about memories, grief, and love. It’s about reconciling the past with the present and navigating the space in between. If you missed the U.S. theatrical release in December, you can stream All of Us Strangers… Read More ›
New Disney+ documentary “Madu” breaks tradition as it follows a gifted dancer from Nigeria to England. [SBIFF]
Photosensitivity Warning: There are a few scenes of refracted light that may be triggering for sensitive viewers. In August 2020, a video of 11-year-old Anthony Mmesoma Madu dancing outside of his ballet school went viral, garnering attention not just from… Read More ›
“The End We Start From” stumbles on its own finish line.
The End We Start From is the rare conventional “we’ve seen this before” genre film that edges ahead of its competition by way of its unconventional dedication to reality. It also squanders that edge in the name of reaching some… Read More ›
“Freud’s Last Session” is a thorny bore and a great idea.
Freud’s Last Session may not have been with C.S. Lewis, Christian Apologist and author of The Lion, The Witch, and the Wardrobe to be, but what this film presupposes is: maybe it was? Set on the day Hitler’s Nazi Germany… Read More ›
Open Dialogue with “The Kitchen” filmmaker Daniel Kaluuya and actor Kane Robinson.
In this edition of Meet Me at the Movies: Open Dialogue, Thomas Manning chats with Oscar-winner Daniel Kaluuya and multi-talented artist Kane Robinson (aka Kano) about their new Netflix film The Kitchen. Kaluuya co-directed this film alongside Kibwe Tavares, with… Read More ›