When writing a comedy about couples where everything and anything can go wrong, there is a lot of territory that has already been covered. Entries into the genre consistently feel like they’re beating a dead horse. Trying to find something… Read More ›
Tribeca Film Festival
When “Man Finds Tape,” seeing is disbelieving. [Tribeca]
Under the oral traditions of yesteryear, the things humans couldn’t explain or understand, the things for which there was little proof beyond anecdote, fell under myths and legends. Now, however, in the digital age, when it’s so easy for anyone… Read More ›
Rowan Haber’s comedic exploration into the character proudly proclaims “We Are Pat.” [Tribeca]
A lot of people say, “What’s that?” It’s Pat! A lot of people ask, “Who’s he? Or she?” A ma’am or a sir, accept him or her or whatever it might be. It’s time for androgyny. Here comes Pat! –… Read More ›
Documentary “The End of Quiet” uses a microcosm to ask big questions about the cost of modernity. [Tribeca]
In the modern era, noise is constant and everywhere. Doesn’t matter if you live in urban, suburban, or rural areas, if you’ve got some kind of signal transmission, it produces sound, whether you can hear it or not. Recognizing the… Read More ›
Audiences find the groove emanating within Logic’s feature film directorial debut, workplace comedy “Paradise Records.” [Tribeca]
A little word of advice, my friend. Sometimes you gotta let those hard-to-reach chips go. – Dante Hicks (Brian O’Halloran) in Clerks. One night, while attending a youth group function, someone decided, for reasons lost to the annals of time,… Read More ›
Comedy thriller “Birthright” leaves you laughing hysterically in the darkest of corners. [Tribeca]
If you’re a fan of the most insane over-the-top, completely plausible, uncomfortable comedies of all time, then Zoe Pepper is a name to look out for and her newest feature, Birthright, is an absolute must-see. While the film is not… Read More ›
“Lemonade Blessing” will have you doing spit takes both cringe and comical. [Tribeca]
Without having ever met or talked to writer/director Chris Merola (The Stall), I think it’s fair to say and even assume that the inspiration behind Lemonade Blessing may have come from an episode of The Simpsons. This isn’t a dig… Read More ›
Like a good trap, Predator animated anthology “Killer of Killers” proves to be an extraordinary mix of gorgeous violence and narrative propulsion. [Tribeca]
Since 10 Cloverfield Lane director Dan Trachtenberg released his addition to the Predator franchise, Prey, in 2022 on Hulu, audiences have grown ever more hungry for new Predator stories. Sure, audiences have four other films to explore, plus two Alien… Read More ›
28 Tribeca Film Festival 2025 films that we’d love to explore.
Tribeca Film Festival 2025 marks the fourth time that Elements of Madness is covering the festival and we’re excited to get started. Having combed through the festival guide, we’ve put together a list of films that caught our interest or… Read More ›
Short film “A Family Guide to Hunting” bags its prize with its talent on and off screen. [Tribeca Film Festival]
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
Dramedy “All That We Love” is a tender story of self-reclamation. [Tribeca Film Festival]
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
Romantic mystery “Darkest Miriam” may leave stones unturned but captivates with Britt Lower’s performance. [Tribeca Film Festival]
The first thing that I learned about Naomi Jaye’s (The Pin) newest feature, Darkest Miriam, was that it was executive produced by Charlie Kaufman (I’m thinking of ending things), and that automatically adds a level of intrigue and suspense to… Read More ›
Strong performances never give the game away in dramatic thriller “The Weekend.” [Tribeca Film Festival]
We’ve seen nearly every iteration of meeting one’s parents that could possibly exist from Meet the Parents (2000) to Ready or Not (2019) and Get Out (2017), so when audiences get another family-gathering thriller, they typically know what they’re getting… Read More ›
Calvin Lee Reeder’s “The A-Frame” is a twisty, goopy sci-fi ride that aims higher than it delivers. [Tribeca Film Festival]
According to a March 2024 report, the leading cause of death for Americans in 2022 (the most recent year with full data) was all types of heart disease with cancers in second place. Advancements in early detection and treatment of… Read More ›
“The Devil’s Bath” is drawn with great performances but too much time between horrors. [Tribeca Film Festival]
There are movies that are slow-paced terrifying watches, and then there are terrifying slow-paced watches that just miss the mark and create a world of unease that just doesn’t deliver upon the promise until its too late. Unfortunately for Severin… Read More ›
“Restless” does not let the characters or audience know a moment of peace. [Tribeca Film Festival]
If you’ve ever lived somewhere that wasn’t remote farmland in the midst of nowhere, you’ve most likely hated a neighbor. I adamantly refuse to believe at some point in one’s life there hasn’t been a neighbor that hasn’t driven you… Read More ›
For all the women who’ve never been “Satisfied,” comes a documentary that centers actor Renée Elise Goldsberry’s quest to achieve it. [Tribeca Film Festival]
“… if you know anything about me, I have spent the last 10 years of my life, what some would consider the lifeblood of a woman’s career, just trying to have children. And I get to testify in front of… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
Two juxtaposed performances deliver the terror and dread in Roxy Shih’s “Beacon.” [Tribeca Film Festival]
If anything is apparent after watching Roxy Shih’s (List of a Lifetime) newest feature, it must be that she is a fan of Robert Eggers’s The Lighthouse as Beacon feels like an eerily possible sequel/prequel to said movie. There’s a… Read More ›
“Oh, Christmas Tree” may be short but its boughs hold insight aplenty. [Tribeca Film Festival]
The Duplass family have a way with creating something special and emotional and heartfelt. Whether it be 11 minutes or 90 minutes long, when they want to make something spectacular, their collective foot is on the gas, and they know… Read More ›