We are gathered here, today, to acknowledge the end of the Sony’s Spider-Man Universe (SSU) with the home release of the J.C. Chandor-directed Kraven the Hunter (2024), the latest attempt of taking an absolute bastard villain and turning him into… Read More ›
Trigger Warning: The narrative centers violence upon the LGBTQIA+ community and this may be distressing for sensitive viewers. If you’re reading this and, like me, you’ve heard of William Friedkin’s Cruising with Al Pacino (Heat), but have never seen it… Read More ›
If anyone knows me, then you know I champion Criterion and their releases. They’re usually some of the best of the best, bar none to any other release in terms of quality of release (and quality control) and features. While… Read More ›
Content Warning: This film contains sexual violence and semi-explicit sex acts that may be unnerving for sensitive viewers. Mermaid Legend (1984) is the prize film in Third Window Film’s newest wave of their Blu-ray releases of The Directors Company movies…. Read More ›
If there’s one thing that the movie industry knows how to do, it’s how to compare a new project to an old one. Often times, that means describing a new film as simply “Die Hard in a [blank].” Of course,… Read More ›
When creating a film about the morality and ethics of journalism, centering a story around the Munich massacre of 1972 is an inspired choice. September 5 (2024), co-written and directed by Tim Fehlbaum (The Colony), is a film about an… Read More ›
The neo-western/crime drama has become a cinema staple. Early classic examples include Lone Star (1952), Hud (1963), and Paris, Texas (1984). More recent films like No Country for Old Men (2007), Sicario (2015), Hell or High Water (2016), and Wind… Read More ›
I don’t need movies to save me. In a spiritual sense, one could say that they already have, but, in a literal sense, determined leaders do more for our quality of life than good art. Unfortunately, both are in short… Read More ›
For audiences of a certain age, writer Shane Black is an instrumental figure in their cinematic development. In the same year (1987) that taught us that “Wolfman’s got nards” (Monster Squad), he let us know that it’s ok to say… Read More ›
Since the 1993 Tom Berenger and Billy Zane-starring actioner Sniper, there have been an additional 10 stories in the series with the latest, The Last Stand, releasing on digital in January. Directed by Danishka Esterhazy (Killer Body Count) and featuring Chad… Read More ›
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
“There is no honor among thieves.” This idea is often at the center of confidence or crime tales within any genre or medium. The people who you trust to pull a job just might be the same people who will… Read More ›
What is a soul worth? If one believes that it’s not a thing that can be manifested on its own, that comes to us naturally, or that it is a gift instilled in us by our creator, well, that’s three… Read More ›
“You can’t take anything with you when you die, except your deeds.” – Lee Fun Yee (Cecilla Cheung) in Running on Karma Established in 1996 by director Johnnie To and frequent collaborator Wai Ka-Fai, production house Milkyway Image Ltd. would… Read More ›
When 2022 was happening and the announcement that Quentin Tarantino’s first feature ever was going to be released in 4K, everyone was foaming at their mouth with anticipation that not only was this going to be a *good* release but… Read More ›
“The Bride: You and I have unfinished business. Bill: Baby, you ain’t kidding.” – Kill Bill, Vol. 2 (2004) It’s 2025 and filmmaker Quentin Tarantino is actively developing his 10th, and rumored final, film. Though incredibly divisive for the dialogue… Read More ›
2025 is feeling like *the year* for director Tarsem Singh and his fans. First, the announcement for his upcoming 4K UHD restoration of The Fall (2006) by Umbrella Entertainment (possible theatrical and home release vs. one or the other) and,… Read More ›
January is often viewed by those who track film releases as a doldrums period. Either theaters are filled with awards-hopefuls or the titles that studios/distributors dump in hopes of recouping some of their investment. Yes, this even applies to digital… Read More ›
The sin Cardinal Lawrence fears may be “certainty,” but Conclave (2024) is a film forged with it, and the 4K UHD home release is no different. The extras include a featurette on the making of the film and a director’s… Read More ›
Satire of any sort is a difficult storytelling genre to nail. Go too far in one direction, people dismiss the ideas as far-fetched and implausible (ex. the revelation of Sorry to Bother You (2018)); go too far in the other,… Read More ›