“Battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you.” – Friedrich Nietzsche Trigger Warning: There’s a brief sequence in which sexual assault is threatened that may be… Read More ›
SXSW
“The Dads” is a moving and galvanizing feature that expands on Luchina Fisher’s original short. [SXSW]
8% of U.S. adults identify as lesbian, gay, bisexual, or transgender according to an Oct 2025 Pew Research Center article based on a summer 2024 survey. There are reportedly over 342 million people living in the United States, which means… Read More ›
Ghost procedural “Never After Dark” offers a fresh perspective on a well-worn genre. [SXSW]
When it comes to the occult, there are about as many famous fictional investigators as there are ways to approach a ghost story. There’s Daffy Duck (voiced by Mel Blanc) bringing the silly, while John Constantine is more serious. There’s… Read More ›
Skip out on Sunday Church and head straight for the punk rock hilarity of teen comedy “Edie Arnold is a Loser.” [SXSW]
“Teenage girls are like mysterious, dark, and dangerous …” – Keely Jones, Ted Lasso First films are not barometers by which all subsequent films must account, but they play a massive role in the expectations audiences create. If a first… Read More ›
Maya Annik Bedward’s “Black Zombie” is a strong piece in the restoration of dignity to Black and Vodou cultures criminalized by media representation. [SXSW]
Zombies are everywhere. They’re on your television set, in your movie theaters, in your comics, in your novels, in your video games, and, yes, even in Minecraft nerdcore tunes. Why? What’s the obsession with zombies and where did they come… Read More ›
Depression lies and Peter Warren’s directorial debut “Kill Me” might, too. [SXSW]
Trigger Warning: Kill Me features explorations of mental health and suicidal ideation, as well as depictions of attempted suicide that may be difficult for sensitive viewers. If you or someone you know is struggling with suicidal ideation (active or passive),… Read More ›
Comedic horror thriller “Ugly Cry” explores the drive to obtain the unobtainable. [SXSW]
Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›
32 SXSW Film Festival 2026 films to explore.
EoM is excited to cover SXSW remotely for the sixth time, this time helmed by EoM members Douglas Davidson, Justin Waldman, and AJ Friar. Having looked over the announced festival titles, we’ve compiled a short-list of 32 titles we’d like… Read More ›
“She’s the He” turns the bathroom panic in today’s political landscape into a hilarious and heartfelt coming-of-age sex comedy. [SXSW]
Coming-of-age tales are fairly commonplace in cinema with explorations of self and sex in semi-recent films like Porky’s (1981), A Goofy Movie (1995), and The People’s Joker (2024). These stories feature young adults getting into a variety of hijinks either… Read More ›
Dark comedy creature feature “Mermaid” is an ode to Florida Man. [SXSW]
Perfect people make for boring stories. The outcomes are expected because there’s no drama, no challenge, no antagonist. Imperfect people, however, are not only more interesting, they’re more accessible. So much so that it doesn’t matter how shitty their behavior,… Read More ›
Yana Alliata’s “Reeling” is less a family drama about memory and more a commentary on ableist society and their expectations. [SXSW]
Memory is a fragile thing. Between the limits of personal perspective, the preference of protecting one’s sense of self, and time, memories shift and change until they solidify in our minds in the version that best serves us. But what… Read More ›
Sci-fi thriller “Ash” struggles to rise above its composite of source materials. [SXSW]
When it comes to narrative mysteries, truth and reality are all a matter of perception. Some things can be argued or compromised on, others are indisputable, but they are all a matter of perception. It’s in this vein that multihyphenate… Read More ›
Documentary “Arrest the Midwife” chronicles the work of three midwives of New York and their targeted prosecution. [SXSW]
The things we do to women. For centuries, at least within Western societies, women are considered pillars of their communities while also being second-class (or lesser) citizens. Their rights to vote, to own property, to be more than their father’s… Read More ›
Ben Leonberg’s “Good Boy” takes the horror tropes you know and revitalizes them via a new context that’s unpredictable and terrifying. [SXSW]
Photosensitivity Warning: Good Boy involves several night time sequences that occur during a storm, resulting in a great deal of lightning flashes. Those with light sensitivities should take precautions before viewing. Every genre has their tropes, but very few play… Read More ›
Kahane Corn Cooperman’s “Creede U.S.A.” is a surprisingly heartfelt and hopeful documentary about the power of empathy. [SXSW]
“Empathy is about finding echoes of another person in yourself.” – Mohsin Hamid In the late 1800s, when silver was found by Nicholas C. Creede in the mountains of Southwest Colorado, the rush of people led to the boomtown known… Read More ›
Give yourself up to Julia Max’s family horror drama feature debut “The Surrender” and become open to hard truths. [SXSW]
“What has four legs, then two, and then three?” – The Riddle of the Sphynx. Despite the machinations and designs of the rich, egocentric, and vain, each human life is finite and is designed as such. We can expand life… Read More ›
New Eli Craig horror comedy “Clown in a Cornfield” builds a foundation of generational turnover on one statement: “Don’t f*@k with Frendo.” [SXSW]
“In every generation, there is a Chosen One …” – Buffy the Vampire Slayer (1997 – 2003) Writer/director Eli Craig is no stranger to comedic horror between 2010’s Tucker and Dale vs. Evil and 2017’s Little Evil. While the latter… Read More ›
Narrative hybrid “Brother Verses Brother” is a life-affirming, soul-crushing, musical journey that reminds us how art can save our lives. [SXSW]
“Art can save your life … Entertainment will never be your salvation … .” – Comedian Josh Jackson. In 2020, as COVID-19 resulted in lockdowns around the world, twin siblings Ari and Ethan Gold began corresponding with their father, Herbert,… Read More ›
Gerard Johnson’s “Odyssey” is a narrative thriller about misogyny and the real estate markets. [SXSW]
“Men are so quick to blame the gods: they say that we devise their misery. But they themselves- in their depravity- design grief greater than the griefs that fate assigns.” ― Homer, The Odyssey Pulling ones’ self up by bootstraps… Read More ›
The McManus Brothers’s “Redux Redux” explores grief as an ouroboros through a multiversal sci-fi thriller. [SXSW]
There was a time when the concept of a multiverse was left to modern philosophy and creative writing as the idea of worlds on top of worlds separated by frequency, many like our own except for the tiniest of differences,… Read More ›