Satire of any sort is a difficult storytelling genre to nail. Go too far in one direction, people dismiss the ideas as far-fetched and implausible (ex. the revelation of Sorry to Bother You (2018)); go too far in the other,… Read More ›
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Family drama “Daruma” brings its desire for perseverance and good fortune home.
Contrary to what some American politicians (and some of their base) would tell you, having children isn’t a cure-all. In the same way that pets for the holidays are a great idea filled with visions of beautiful smiles and joyous… Read More ›
Come for the chaos, stay for the commentary track on filmmaker Jason Reitman’s home edition of “Saturday Night.”
For 49 years and 50 seasons, the Not Ready for Primetime Players have entertained audiences with positively insane sketches, zeitgeist-hijacking music videos, and musical moments that have shifted entire industries in the live sketch program Saturday Night Live. It’s a… Read More ›
“Aladdin 3477: The Jinn of Wisdom” is a sky sail ride into the future by way of filmmaker Matt Busch.
“No wish that I fulfil will bring true happiness, for that comes from within. Any desire you seek, you have the power to achieve yourself. And, the journey is its own reward.” – The Jinn of Wisdom in Aladdin 3477:… Read More ›
“Hellboy: The Crooked Man” withers away in the dark on Blu-ray.
In the opinion of this writer, we don’t thank Guillermo del Toro enough for his contributions to cinema. From his beautiful tribute to creature features via The Shape of Water (2017) to his dedication to animation with his Pinocchio (2022),… Read More ›
19 films from 2024 to help you ring in 2025 from home.
Before I unveil the 2024 Sticky List, here’s a list of 19 favorite films from this year that you can stream right now as you ring in the new year. A mix of home release editions and streaming options, you’ll… Read More ›
Entering stage right, Tony Olmos’s horror satire “Hemet, or the Landlady Don’t Drink Tea.”
Over the last few years, reality has pushed the bounds of what anyone every presumed acceptable so greatly that satire struggles to maintain its edge in the execution. For instance, if someone were to tell you that you’d be required… Read More ›
Parental thriller “Endless Summer Syndrome” seeks deep philosophical examination yet undercuts itself with a telegraphed conclusion.
Wherever we are in our lives, all of it — our successes, our failures — begins at home. Someone born into a home with extensive resources can achieve absolutely nothing of their own while someone with scant resources can achieve… Read More ›
“Scrap” takes a look at failings that are systemic and those that are personally inflicted.
“It is possible to commit no mistakes and still lose. That is not a weakness, that is life.” – Jean Luc Picard, Star Trek: The Next Generation Season 2, Episode 21 “Peak Performance.” Everyone is one bad day away from… Read More ›
Have the touch and the power with “Transformers One” on 4K UHD home video.
August 8th, 1986, is a big day for Transformers fans. It’s the date that the fully-animated The Transformers: The Movie would release in theaters, beckoning its many young fans to come see its Autobot hero Optimus Prime (voiced by Peter… Read More ›
Aardman’s signature duo Wallace and Gromit return in family comedy “Vengeance Most Fowl.”
In the world of animation, most know names like Walt Disney, DreamWorks, Illumination, and Studio Ghibli. Either in hand-drawn or CG animation, they have created stories that move audiences by stirring their emotion. But there’re also studios like LAIKA and… Read More ›
Edward Berger’s captivating and politically relevant thriller, “Conclave,” arrives on digital.
Directed by Edward Berger (All Quiet on the Western Front) and based on a 2016 novel of the same name, Conclave is a tense drama that pits progress, ethics, coexistence, and empathy against corruption and abuses of power, a battle… Read More ›
“Pulp Fiction” gets a sleek 30th anniversary 4K release fit for a briefcase.
There is nothing and I mean *nothing* more annoying that a hotly anticipated 4K release being gatekept behind the identity of a collectors/anniversary/limited edition multipack for it to be singularly released a few months later. Now I am not saying… Read More ›
With “The Invisible Raptor,” you’ll never see it coming.
The Invisible Raptor is absolutely absurd, completely outlandish, and an undying love letter to Steven Spielberg. If you were of a certain age in 1993 like me, then Spielberg’s Jurassic Park probably was a major paradigm shift in your developing… Read More ›
Before you “Get Away,” be sure to stow your colonialistic tendencies under your seat.
In an always-on world, there’s something beautiful about traveling somewhere without easy access to tech. It helps one recenter and, if with others, reconnect. Traveling is, of course, a privilege and should be treated as deferential to the place one… Read More ›
“Alien: Romulus” bursts out on digital with a worthy clutch of special features.
The Alien franchise has become a staple in horror and science fiction genres. Granted, after 1979’s Alien and 1986’s Aliens, the series had a rocky track record. Films like Prometheus (2012) and Alien Covenant (2017) had some hoping they could… Read More ›
The Farrelly Brothers take a swing and a miss at a holiday classic in “Dear Santa.”
The Farrelly brothers have brought us a range of works including There’s Something About Mary (1998), Osmosis Jones (2001), Shallow Hal (2001), Fever Pitch (2005), Dumb and Dumber (1994), and more. Their newest outing starring Jack Black (Shallow Hal; Kung… Read More ›
Adapted for the silver screen, “The Piano Lesson” is a haunt of a good time.
As fireworks turn the ground red, white, and blue during the Fourth of July, 1911, it becomes immediately obvious that Malcolm Washington (Benny Got Shot; The Dispute), the younger son of Denzel Washington (Malcolm X; Training Day), was the right… Read More ›
A Conversation with “Don’t Tell Mom the Babysitter’s Dead” writer Chuck Hayward.
In this conversation, EoM Senior Interviewer Thomas Manning chats with writer Chuck Hayward about the remake of Don’t Tell Mom the Babysitter’s Dead. Hayward discusses director Wade Allain-Marcus’ reimagining of Stephen Herek’s 1991 film (written by Neil Landau and Tara… Read More ›
The “Beetlejuice Beetlejuice” home release bonus features offer valuable insights into the horror comedy.
Can you ever really go home again? Nothing is ever as good as it was when you were younger, but that’s because you had the shield of adolescence to protect you. Luckily, when it comes to movies, as long as… Read More ›