The Invisible Raptor is absolutely absurd, completely outlandish, and an undying love letter to Steven Spielberg. If you were of a certain age in 1993 like me, then Spielberg’s Jurassic Park probably was a major paradigm shift in your developing… Read More ›
In an always-on world, there’s something beautiful about traveling somewhere without easy access to tech. It helps one recenter and, if with others, reconnect. Traveling is, of course, a privilege and should be treated as deferential to the place one… Read More ›
The Alien franchise has become a staple in horror and science fiction genres. Granted, after 1979’s Alien and 1986’s Aliens, the series had a rocky track record. Films like Prometheus (2012) and Alien Covenant (2017) had some hoping they could… Read More ›
The Farrelly brothers have brought us a range of works including There’s Something About Mary (1998), Osmosis Jones (2001), Shallow Hal (2001), Fever Pitch (2005), Dumb and Dumber (1994), and more. Their newest outing starring Jack Black (Shallow Hal; Kung… Read More ›
As fireworks turn the ground red, white, and blue during the Fourth of July, 1911, it becomes immediately obvious that Malcolm Washington (Benny Got Shot; The Dispute), the younger son of Denzel Washington (Malcolm X; Training Day), was the right… Read More ›
In this conversation, EoM Senior Interviewer Thomas Manning chats with writer Chuck Hayward about the remake of Don’t Tell Mom the Babysitter’s Dead. Hayward discusses director Wade Allain-Marcus’ reimagining of Stephen Herek’s 1991 film (written by Neil Landau and Tara… Read More ›
Can you ever really go home again? Nothing is ever as good as it was when you were younger, but that’s because you had the shield of adolescence to protect you. Luckily, when it comes to movies, as long as… Read More ›
Last week, Sony Pictures Home Entertainment released a physical edition of filmmaker Chris Weitz’s (About a Boy; Operation Finale) techno-thriller AFRAID. Rather than utilize the digital code that accompanied the review copy provided by SPHE, EoM is offering it up to… Read More ›
When done right and a movie captures the time period in which it’s set pitch-perfectly, it is a reflection of its audience and resonates so much deeper and more personally with those of that era. Some movies that come to… Read More ›
Last week, the Justin Baldoni-directed adaptation of the Colleen Hoover novel, It Ends with Us, released on physical formats. If you’re curious to check out the film, EoM is giving away the digital code that accompanied the review copy provided by… Read More ›
Trigger Warning: It Ends with Us explores domestic abuse and includes an instance of attempted sexual assault. In 2024, a film released in theaters in which a woman has a meet-cute with a man, finds herself falling love, struggles to… Read More ›
Just because October is over doesn’t mean that the thrills have to end. On this new episode of EoM Presents, EoM Contributor Joel Winstead sits down with co-directors Adam Schindler and Brian Netto about their new film Don’t Move, currently… Read More ›
There are fables that challenge children (The NeverEnding Story), that push children (Labyrinth), and that are not safe for children (Pan’s Labyrinth). In each instance, no matter their differences, the perspective of the child is the focal point through their… Read More ›
Artificial Intelligence, more commonly referred to as A.I., is a staple of science fiction. The incorporation of it within novels, television programs, film, and video games is often in a supportive role toward humanity. Batman uses it to help solve… Read More ›
I stand by that title. Reagan (2024) is an astonishingly incompetent and cynical attempt to pass off pseudo-religious myth as history. Written by Howard Klausner (Space Cowboys) based on the book The Crusader: Ronald Reagan and the Fall of Communism… Read More ›
In January, the Sundance Film Festival kicks off the new year with buzzy crowd-pleasers, indie dramas, and a host of other films that send the film community in a tizzy. One of the buzziest “midnight” program films was the horror… Read More ›
Here is a very weird take for someone who loves physical media: not everything needs an upgrade. And, certainly, some things are more deserving (or better served) than others. I love everything I’ve seen of Alexander Payne (there are some… Read More ›
Redemption stories come in a great many forms. Time loops stories utilize the constriction created by a repeated day(s) to force introspection and change, the loop broken in comedies (Groundhog Day), dramas (The Map of Tiny Perfect Things), and horror… Read More ›
As though itself inhuman, cartoonist Charles Addams’s creation, The Addams Family, rises into popularity, disappears, and then rises again. It’s never far from fans’ memories, but the wider general populace occasionally needs a reminder that being macabre doesn’t mean being… Read More ›
1996’s Jan de Bont action-drama Twister changed a lot of lives. Led by Bill Paxton (True Lies) and Helen Hunt (Cast Away), the film would be responsible for endless quotes when a storm would hit (“Cow.”), when folks are hungry… Read More ›