When an artist creates something, they retain little control over what happens next. It could be received warmly, coolly, or not at all. In some instances, it can be taken, reformed, and found in its new incarnation. In recent memory,… Read More ›
Sony Pictures Classics
Warm and unimposing, yet “Mothering Sunday” withers under its less conventional approach.
Working at the box office of an independently owned arthouse cinema gives you insight to a lot of things, mostly that not many people want to come to the movies anymore, which is a damn shame. However, there are still… Read More ›
Pedro Almodóvar’s always tender humanity enables “Parallel Mothers (Madres paralelas)” to examine complex matter.
There’s something to be said about “movie magic” or whatever word or phrase you use to describe those “Nicole Kidman sitting in the world’s cleanest, emptiest AMC” moments where you really just appreciate every aspect that not only went into… Read More ›
Quick Take Review: “The Climb.”
On this Quick Take episode, Noel T. Manning II reviews the Sony Pictures Classic buddy dramady, The Climb. It’s been said that relationships are messy, and in this film, that is an understatement. The Climb, opened in select theaters November… Read More ›
As long as we sing “The Song of Names,” the lost will not be forgotten.
Never forget. These are the words that every Jew learns at a young age in our modern era. They signify a persistent vigilance and the vigorous act of remembrance. It is not enough to know that a thing happened, it… Read More ›
Pedro Almodóvar’s “Pain and Glory (Dolor y gloria)” is a quiet, intimate, and retrospective piece. [Film Fest 919]
There are certain filmmakers who simply embody the essence of what their country, culture, and style are at their core; that the sheer mention of their name conjures a body of work worthy of showing off as the crème de… Read More ›