Muno (Yo, right), he’s tall and friendly Foofa (Oh, hehehehehe), she’s pink and happy Brobee (Woah), the little green one Toodee (Yeah, woo), she likes to have fun Plex (Woah), a magic robot Let’s all come and play with DJ… Read More ›
Shudder
“Forbidden Fruits” tempts and delivers on thrills, comedy, and horror.
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
“The Mortuary Assistant” undercuts its audience experience by keeping us in the observation room instead of elbows-deep at the slab.
We’re only slightly over a month into 2026 and it has already been a *rough* year for video game adaptations. First we had Return to Silent Hill, which our very own EoM Senior Critic Hunter Heilman, fan of the franchise,… Read More ›
Horror thriller “Night Patrol” shines a floodlight on goings on under the cover of night.
To ignore history is to imprison yourself in repetitive cycles. Even worse, to make presumptions based solely on what you’re told is to doom yourself to being a keystone cause of those cycles continuing. This is a key component in… Read More ›
Want to survive Tina Romero’s “Queens of the Dead”? Touch. Grass.
Photosensitivity Warning: The climax features flashing lights in a strobing pattern that may prove triggering for sensitive viewers. Folklore surrounding zombies is varied between culture and time, but always tied to fear of the undead. At some point, it wasn’t… Read More ›
Filmmakers Dusty Mancinelli and Madeleine Sims-Fewer invite audiences to experience psychotic drama “Honey Bunch.” [TIFF]
Writers and directors Dusty Mancinelli and Madeline Sims-Fewer are back with another movie entrenched in trauma and decision-making. After their last outing, Violation (2020), which is a much more difficult watch content-wise, they deliver Honey Bunch which focuses on the… Read More ›
“Mother of Flies” is a poetic and unsettling horror tale from one of indie cinema’s most distinctive filmmaking families. [Fantasia]
Mother of Flies is another remarkable entry from this year’s Fantasia International Film Festival, and a testament to the uniquely haunting and heartfelt filmmaking voice of The Adams Family — the indie horror power trio made up of Zelda Adams,… Read More ›
“Abraham’s Boys: A Dracula Story” twists itself in knots.
There have been a slew of films hiding their true premises in their trailers this year — not spoiler-level twists, just selling the public a different idea. Abraham’s Boys is right there with Sinners, Materialists, 28 Years Later, and The… Read More ›
A Conversation with “Abraham’s Boys: A Dracula Story” writer/director Natasha Kermani.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›
A Conversation with “Abraham’s Boys” author Joe Hill.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›
A Conversation with “Abraham’s Boys: A Dracula Story” actor Titus Welliver.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›
A Conversation with “Abraham’s Boys: A Dracula Story” actors Jocelin Donahue and Brady Hepner.
Since author Bram Stoker published Dracula in 1897, countless adaptations of the novel have been released from films seeking to bring the words on the page to life to authors adding their own spin to the tale through original works…. Read More ›
“Fréwaka” leaves a chill in your spine long after its end. [BUFF]
Compared to horror films with other themes, those focused on lore, especially folklore, evoke a different emotional knee-jerk reaction from their audiences with their eerie tales keeping the uneasy viewers interested and engaged. This is where Aislinn Clarke strives in… Read More ›
Emilie Blichfeldt’s “The Ugly Stepsister” puts traditional Grimm-level horrors on the big screen in a familiar and twisted tale. [BUFF]
Trigger Warning: Be advised that The Ugly Stepsister includes significant elements of body torture and body-related horror. I am not going to sit back and pretend I am an expert on all things fairy tale related, as that is a… Read More ›
“Best Wishes to All” leaves many thematic dark corners for audiences to stare into. [The Overlook Film Festival]
“Only the pursuit of happiness is guaranteed. The rest is up to you.” – David Fagan While there are things that are specific to culture, community, or time, other things are universal, like the overwhelming dread experienced by the young… Read More ›
Capsule Review: Emilie Blichfeldt’s horror adaptation “The Ugly Stepsister.” [BUFF]
Trigger Warning: Be advised that The Ugly Stepsister includes significant elements of body torture and body-related horror. Emilie Blichfeldt’s The Ugly Stepsister, having its east coast premiere during the Boston Underground Film Festival 2025, is the most graphically disturbing version… Read More ›
Sci-fi thriller “Ash” struggles to rise above its composite of source materials. [SXSW]
When it comes to narrative mysteries, truth and reality are all a matter of perception. Some things can be argued or compromised on, others are indisputable, but they are all a matter of perception. It’s in this vein that multihyphenate… Read More ›
Ben Leonberg’s “Good Boy” takes the horror tropes you know and revitalizes them via a new context that’s unpredictable and terrifying. [SXSW]
Photosensitivity Warning: Good Boy involves several night time sequences that occur during a storm, resulting in a great deal of lightning flashes. Those with light sensitivities should take precautions before viewing. Every genre has their tropes, but very few play… Read More ›
Give yourself up to Julia Max’s family horror drama feature debut “The Surrender” and become open to hard truths. [SXSW]
“What has four legs, then two, and then three?” – The Riddle of the Sphynx. Despite the machinations and designs of the rich, egocentric, and vain, each human life is finite and is designed as such. We can expand life… Read More ›
New Eli Craig horror comedy “Clown in a Cornfield” builds a foundation of generational turnover on one statement: “Don’t f*@k with Frendo.” [SXSW]
“In every generation, there is a Chosen One …” – Buffy the Vampire Slayer (1997 – 2003) Writer/director Eli Craig is no stranger to comedic horror between 2010’s Tucker and Dale vs. Evil and 2017’s Little Evil. While the latter… Read More ›