When watching Quinn Shephard’s Not Okay, it may feel familiar to another movie that came out last year based on a popular Broadway show of the same name. The plot is so eerily similar, but with a wider net of… Read More ›
Searchlight Pictures
“Fire Island” is far from your run-of-the-mill gay-friendly rom-com.
The biggest gift I was ever given in life was being gay. Sure, a significant percentage of the world hates me and thinks I’m going to burn in Hell, and the other part really only shows up for Pride Month… Read More ›
Explore the mysteries of Guillermo del Toro’s “Nightmare Alley” via three home release special features.
Few directors can have a small body of work and yet feel so pervasive, so integral, so inspiring as writer/director Guillermo del Toro. When he’s not writing or directing one of his own projects, he’s producing or raving about someone… Read More ›
Embark on a journey of the past and present via Questlove’s award-winning doc “Summer of Soul,” now available on home video.
Ahmir “Questlove” Thompson is one of the premier music-makers of his generation. Before he and the other members of The Roots were the in-house band for The Tonight Show with Jimmy Fallon, he’d developed a career with and without The… Read More ›
Despite the stylishly atmospheric setting and solid performances, “Antlers” can’t rise above weak screenplay elements.
Scott Cooper’s Antlers was one of my most anticipated films of 2020, back when it was still going to be released under the Fox Searchlight Pictures banner. Its trailer spoke to me in a haunting, beautiful voice that let me… Read More ›
Own the final issue of “The French Dispatch” on home video.
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
Noir “Nightmare Alley” boasts a packed cast and stunning visuals.
“Is he man or beast?” barks Willem Dafoe’s Clem, the man who runs the oddities exhibit at a carnival, enticing people to look down upon an enclosure where a figure is hidden. These people have come to see something horrendous… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
There’s Nothing to fear in “The Night House.”
Loss hits us all differently and unexpectedly. We can *know* that someone is no longer with us, yet feel them, as though they are lingering in the air. We can *know* that they may not see them again, yet we… Read More ›
A study of depression and mourning, David Bruckner’s “The Night House” uses familiar notes to craft a hell of a horror drama.
The Night House, directed by David Bruckner, with a script from Ben Collins and Luke Piotrowski, originally had its premiere at the Sundance Film Festival in January 2020. Now we find ourselves in August 2021, after a wild 18 months… Read More ›
Q-Bits with author Jessica Bruder and Bob Wells of “Nomadland.”
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Q-Bits with the “Nomadland” team: director/writer Chloé Zhao, producers Peter Spears and Mollye Asher, and cinematographer Joshua James Richards.
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›