The Roses is a fine example of how two fantastic comedic leads can elevate material that might not fully deserve them and how a movie can still stumble when its supporting cast and pacing can’t keep up. Benedict Cumberbatch (The… Read More ›
Searchlight Pictures
Guillermo del Toro’s black and white vision of “Nightmare Alley” finally gets a physical release thanks to The Criterion Collection.
In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›
“A Complete Unknown” comes to home viewing like a rolling stone.
When we think of Bob Dylan, we often reflect on his profound impact on music, culture, and politics. Over the decades, he’s transcended the role of a mere musician, becoming a cultural icon whose voice and influence have defined multiple… Read More ›
In an era of hypernormalization, Geremy Jasper’s musical opera “O’Dessa” may just be the seed for revolution. [SXSW]
Trigger Warning: Photosensitive viewers should take precautions before viewing as they are several brief sequences and two longer sequences involving flashing lights. “… to comfort the disturbed and disturb the comfortable …” There’s a long tradition of using stories to… Read More ›
Jesse Eisenberg’s sophomore directorial feature, “A Real Pain,” is available on digital ahead of its physical release.
There’s this strange compulsion by many to respond to someone’s discomfort with “everyone has problems.” Whatever the intention, all it ever does is minimize what a person is feeling with the implication that “why should someone be feeling badly about… Read More ›
“A Complete Unknown” fails to define the undefinable.
Director James Mangold does not make bad movies. He makes good movies (The Wolverine; Indiana Jones and the Dial of Destiny) and great movies (Ford V. Ferrari; Copland; Logan). He’s a class-act craftsman but he’s no revolutionary, and neither is… Read More ›
“A Real Pain” emotionally ensnares the audience due to sharpened talent in front of and behind the camera.
While his first directing/writing feature, When You Finish Saving the World (2022) met with some very mixed reception, Jesse Eisenberg’s latest, A Real Pain, is a hilarious, heartfelt, soul-touching 90 minutes exploring grief (past and present). It’s indicative of a… Read More ›
The digital release of the 4K UHD version of Alexander Payne’s “Sideways” leaves audiences asking why.
Here is a very weird take for someone who loves physical media: not everything needs an upgrade. And, certainly, some things are more deserving (or better served) than others. I love everything I’ve seen of Alexander Payne (there are some… Read More ›
Investigate Yorgos Lanthimos’s cautionary tale “Kinds of Kindness” in your own living space.
Trigger Warning: Kinds of Kindness is a darkly comic film that features murder, maiming, and sexual assault. Some elements, even handled with thought and care, may be troubling for some audiences. Growing up in the South you learn very quickly… Read More ›
“Hold Your Breath” keeps you in a chokehold until the very end. [TIFF]
No one has ever questioned Sarah Paulson’s (Serenity; Ocean’s 8) ability to breathe life into something, and with her newest film, Hold Your Breath, this streak will continue as she is effortlessly brilliant in it and genuinely transforms the movie… Read More ›
Thanks to The Criterion Collection, “All of Us Strangers” receives a proper physical release.
We live in a world, it seems, where every single thing anyone ever does gets criticized and argued about no matter how absolutely fantastic and incredible things are. No matter what a company or someone does, there’s always going to… Read More ›
Ned Benson’s time travel rom-com “The Greatest Hits” is profound in its use of grief and trauma. [SXSW]
Photosensitivity Warning: The visual elements used to convey transitions appear as an anamorphic lens-like flare similar to refraction of light that may prove trigging to photosensitive individuals. Memory is greatly tied to our senses. Tastes, sights, smells, and sounds all… Read More ›
From director Yorgos Lanthimos, Oscar-winner “Poor Things” is a triumphant journey; available now on home video.
It may seem strange to describe any part of Poor Things as conventional. This bold and highly imaginative fantasy is the eighth feature film directed by Yorgos Lanthimos, a 21st-century auteur who has made a name for himself with his… Read More ›
Andrew Haigh’s nostalgic and tone-driven fantasy, “All of Us Strangers,” arrives on digital.
All of Us Strangers is about memories, grief, and love. It’s about reconciling the past with the present and navigating the space in between. If you missed the U.S. theatrical release in December, you can stream All of Us Strangers… Read More ›
Adapted from the documentary of the same name, Taika Waititi’s sports dramedy “Next Goal Wins” is available to own now.
Sports films come in a variety of competitive forms including boxing, hockey, football, bobsled racing, and chess. With each one, the goal is the same: winning. But some of the great tales of competition don’t have winners, they have people… Read More ›
What’s inside DECAL Releasing’s home release edition of “Waitress, the Musical – Live on Broadway!” is very little, yet still deeply satisfying to those seeking another slice of pie.
“Sugar. Butter. Flour.” These are the first words we hear in Waitress, The Musical, the Diane Paulus-directed (Cirque du Soleil: Amaluna) stage production that adapts the 2007 Adrienne Shelly-written/directed/starred romantic comedy non-musical Waitress. These three words signify the start of… Read More ›
Whether you’re a recovering performer, active performer, or normie, there’s something fun for everyone in the home release of “Theater Camp.”
Originally conceived as a short film by screenwriters Noah Galvin (The Good Doctor), Molly Gordon (Booksmart/Shiva Baby), Nick Lieberman, and Ben Platt (Pitch Perfect) and directed in its long-form by first-time feature filmmakers Gordon and Lieberman, the film Theater Camp… Read More ›
Enjoy Stephen William’s dramatic biographical adaptation “Chevalier” at home now.
We may never know the stories we don’t know. That seems like an obvious statement, a philosophical quandary with a seemingly apparent answer. Except, it’s far more complicated than that because, as is often the case, what we don’t know… Read More ›
Stephen Williams’s “Chevalier” may just incite curiosity about all the other stories we don’t know.
It should come as little shock these days how diminutive our knowledge of the world and our place in it really is, not in a celestial sense, but in the very real, tangible historical terrestrial way. Especially in the United… Read More ›
The home release of “Empire of Light” may not entice a rewatch.
Director Sam Mendes has been a force in Hollywood for decades, blowing the doors down in 1999 with American Beauty, nabbing five Academy Awards, including Best Director, while the film itself was nominated for eight. That’s a hell of an… Read More ›